Big Sky- Season 1- Pilot episode

 

5/10

This new show from David E. Kelly based on the book The Highway by C.J. Box follows a a rural Montana private detective agency as they search for a couple of missing teenage girls. I felt the pilot was just okay and there wasn't enough to entice me to keep watching.

The biggest issue was that the detectives didn't interest me. They are all given immediate personal conflicts, but not enough effort is given to make the characters themselves interesting or relatable. Nor is enough teased to make me want to find out more. It doesn't help that their conflicts feel petty in the grand scheme of things. A lot of other stuff in this is watchable, but it feels like the show is merely fulfilling the basic requirements of a drama.

That having been said, there were a couple interesting twists in a road. Also, John Carroll Lynch, who's usually good, is fun as an oddball sheriff. The show looks great, combining the northern landscape and a fine use of color.

Overall, I wouldn't say I downright disliked this. It's that with so many shows out there, I felt there were better uses of my time. It is possible that some of you could get more out of this.

Animaniacs (2020)- Season 1

 

9/10

Yakko (voiced by Rob Paulsen), Wakko (Jess Harnell), and Dot Warner (Tress Macneille) and Pinky (Paulsen again) and the Brain (Maurice LaMarche) return for more crazy shenanigans. I love this resurrection of the popular 90's cartoon. 

This show is really funny. (I particularly recommend the episode Good Warner Hunting which is comic perfection.) There is a perfect mix of verbal comedy and classic physical slapstick. The writers are miraculously able to capture the basic essence of the original while also giving this iteration it's own jive. Even in its first season, the show is developing it's own new recurring characters during the segments. 

Fans of the original be forewarned that a lot of the supporting cast has been culled with the focus mainly being on the Warners and Pinky and the Brain. I'm actually okay with this as they were the truly funny members of the cast and the main reason I watched as a kid. The others never matched up. However, I can see how fans of Slappy the Squirrel or Buttons and Mindy will be let down. (However, if you're favorite show was the Goodfeathers, then I do not wish to know you sir or ma'm.)

The show does try to maintain the variety feel by offering a handful of quick sketches. One's pretty funny, one's alright, and one just feels derivative. 

Hello Nurse was cut from the Warner sketches, but considering that she was there basically as a lust object, I can see how that wouldn't work in today's climate. They also replaced Plotz, with a new female CEO of Warner Bros. Studios Nora Rita Norita (Stephanie Escajeda). I'm okay with this. Plotz was a basic greedy, rich guy, but Norita leaves more of an impression. She's more of a grandiose openly self-serving character. 

I do worry that adults may like this more than today's kids. I know the original had adult jokes, but I fear this new version might lean a little too much toward them and satire. (There's an entire episode bashing Russia and a reference to Oldboy. Who wants to explain Oldboy to their kids.) There's also a lot of references to this being a reboot and the original show. I fear all that could go over children's heads.

If you're one of those parents, who don't like your kids watching shows like Teen Titans Go, because the characters are jerks and there aren't any good role models for you kids, you might have issue with this. The Warners have always been known to mess with people, but there were a few times in this reboot where they felt too mean. Course, I could've been remembering things wrong. It's been quite some time since I've seen the original. Maybe, it just feels out of place in this climate. Brain physically abusing Pinky feels more uncomfortable from the eyes of an adult, too. The P&B episode The Mousechurian Candidate in general felt too dark. Sure, the Brain has always humorously tried to take over the world, but this time it felt like they took him too far. (Though weirdly, the Brain is depicted as more caring or forgiving of Pinky than in the original.) 

This version also feels like it has more of a political agenda than the original. Conservatives may not be fans. (There's a whole episode that is an allegory for gun control.)

I won't lie that I miss the original cell animation with its brighter colors and greater detail and cleaner linework. That having been said, I'm not knocking the current animation. A lot of effort went into this, which includes a lot of characters, motion, and sets. I appreciate that they tried to stick to the general looks of the characters instead of going with new, simplified redesigns. I also liked the looks of the humans in this, which all have a newspaper satiresque appearance. (Some of the character motion can be a bit messy and the Warners have this odd yellowish-white look to their faces, but those aren't deal-breakers). What I liked about all the new sketches is that they also tried something different with the animation style.

The show retains the type of the songs that made the original fun, too. I can't say any of them are as good as the countries or states song, but they're quality.

The original voice cast is back, however Paulsen can't quite nail Yakko's voice like he did in his prime.

Yeah, I nitpicked some stuff pretty longer than I talked about the stuff I liked, because this was a big part of my childhood and change can be jarring when you've got nostalgia. Plus, a lot of this so well done that it's hard to articulate. Overall, I do highly recommend this. 

High Score

 

7/10

This six-part documentary series on YouTube looks at the the history of the video game industry. It was an interesting watch. You get to learn about such things as programmers dealing with technical restraints for early games and stuff that happened when the industry was still new and the rules were being built.

Visually, High Score makes good use of 8-bit video game-inspired interstitials.

The composition of this can be kinda sloppy. Each episode has a general theme, but the material connections can sometimes be tenuous. The show picks and chooses what it goes with and doesn't necessarily feel substantive. It feels like the creators couldn't decide on a tone either. The third episode is joke heavy, while the others aren't. 

The show focuses on whoever they could get to interview. If you're expecting focus on big name video game creators or producers, they're not mentioned much if the show couldn't get them. A lot of video games are made in Japan, so if you're not a big subtitle fan then be forewarned.

I recommend this. It has a lot of interesting info., just be forewarned that this isn't as comprehensive as you'd think.

The Social Dilemma

9/10

The Social Dilemma, a Netflix documentary, looks at how social media and advertising logarithms have had an unhealthy affect on psychology and politics. I found this interesting. 

This documentary is a really cautionary tale on where the world is headed. And is intriguing in how social media came from a place of good intent and went in a path unintended by its creators.

All the major aspects are addressed and the whole thing is well paced. Has some nice visuals and an engaging group of interviewees.

The documentary also uses some filmed segments about a family's relationship to social media to help get the point across. I'm not hating it, but I'm not loving it. You ever see one of those anti-drug cautionary films in school? It's kinda like that. I think the documentary would be just as effective without these segments. Also, the lead character is played by Santa Clarita Diet's Skyler Gisondo, who while not a household name has been in a decent number of shows and films over the years. The casting of a known actor kind of derails the illusion of a sample family but maybe it's just me.

I recommend this, especially if you're raising kids during this era.

Retrospective Review- Lupin the 3rd: Blood Seal of the Eternal Mermaid

 

8/10

In this, thief Lupin III and his cohorts go in search of two jewels that are the key to a treasure that is not what it appears to be. Pretty much par the course for this guy. I thought this was one of the better Lupin specials/made-for-TV movies.

Blood Seal does follow the general Lupin formula, but it brings a certain amount of creativity that makes it memorable in the vast crowd that of Lupin films that tend to blend together. One of my favorite Lupin movies has always been Mystery of Mamo, because it went with some far-out sci-fi concepts. This may be why I liked Blood Seal, too. The film goes with some weird stuff, though not quite as heavy as Mamo, you don't see in every Lupin film. (If you don't like when Lupin goes sci-fi, this probably won't be for you.) 

The film continues the tradition of frequently paring up Lupin with a new female character. Here its' a young orphan. She stands out a bit more than the rest. I'm not saying she's the most original character ever, but her backstory is more interesting than most.   

The villains in this are in the traditional Lupin mold and not that original or fleshed out, but they are appropriately vile. They offer some some nice fight scenes. The final battle is definitely a standout in the series.

The animation is television quality, but seems to make the most of its budget and has a rather distinctive color scheme. 

Overall, I consider this one of my top ten Lupin films and recommend it for any fan. 

Archer- Season 11

8/10

NOTE: This review could be considered a general spoiler if you haven't seen the last few seasons. However, there are no spoilers for this season. 

In season eleven, Archer (voiced by H. Jon Benjamin) has finally woken up from his coma and finds himself readjusting to life back at the agency. After three seasons of coma dream alternate world scenarios, I'm pleased to say that this is a pleasant return to form. 

Although the coma seasons had some neat ideas, I, like many viewers, was frustrated that these didn't involve the actual characters and didn't affect the canon of the show at all. So, I was glad that Archer was finally conscious. However, especially with the showrunner leaving, I was worried that this could be a case of the writers relying on the traditional Archer formula and just going through the motions. Everyone was just magically back at the spy agency after losing their license several seasons ago, which had me worried that the show would be too reactionary and wouldn't try anything new. However, I'm happy to say that the story does go to new places (without breaking from formula), and takes into account Archer having to deal with changes while he was gone. He hasn't fully recuperated and has to rely on a cane, which leads to some fun visual gags. Even when you think the show is falling back into old habits, like Archer searching for new valets to abuse when he'd manage to survive without one for a couple seasons before the coma, the story goes to a different place. There is some actually good character work in this anarchist comedy.

However, this season did lean way too heavily on Archer picking on Cyril (SNL alumni Chris Parnell). I mean okay, we get it. For a while, it felt the like we were getting away from that but then the private detective season came, and the show felt like it needed to double down on that. At least in the earlier seasons, Cyril got to talk back a little.

The humor is also refreshingly back to peak Archer, There are just a lot of good plot setups. The finale is the only weak point as it felt like it was trying to do too much in only thirty minutes. (Should've been a two-parter and the second-to-the-last episode just felt more like the right spot to end on.)

Overall if you've been disappointed with the later years of this show, this may get you back on board. 

Come Play

 

7/10

In Come Play, based on a short film from a couple years back, autistic child Oliver (Azhy Robertson) becomes the target of a monster named Larry who wants him to be his friend... forever! Bum, bum, bum! But yeah, it's decent.

The biggest strength here is that the movie looks at what it is like to have more severe autism (Oliver barely speaks in this) and what it is like for a parent raising one. The movie does a great job making you feel for Oliver and his mother Sarah (Community's Gillian Jacobs). There is also a part with a group of bullies that could've been really predictable, but I was pleased that it went in a different direction.

Larry, who's invisible for most of the time if he isn't seen, is a fun skeletal design, though the budget on his computer animation didn't feel particularly high, so it's probably a good thing they keep him to the shadows. I like that the character gives off this dark fairy tale vibe.

Nice lighting scheme in this; it managed to be eerie without being darkly shot enough that there's no color or you can't make things out.

Acting is good, especially from Robertson. (Heck, all the child actors in this are good.) After what I thought was a disappointing performance in Magic Camp, I'm glad to say Jacobs has bounced back and is believable as a worried and stressed-out mother. 

That all having been said, this is a competently handled movie, but it didn't "wow" me that much. Too many of the scares lack something or went by too quickly to register. In general, a lot of parts of this feel too similar to other works. The dramatic/real world parts also could've been trimmed down a bit. All complaints aside, the final confrontation is pretty good with strong visuals and tension.

 I can't say this is a particularly original or standout film, but I think most horror fans will have a good time with it.