Godzilla x Kong: The New Empire

8/10

In this sequel to Godzilla vs. Kong, King Kong, now living in Hollow Earth, comes across a new threat to the surface world. Meanwhile, something seems to have Godzilla on the move, but what?

This transitions really nicely from the last film by focusing on the Hollow Earth that King Kong has found himself home in. The last couple KK films have focused on the loneliness of finding a place for himself and searching for any remaining members of his kind. His journey is interesting affair as he finally gets to encounter other giant gorillas. He's actually strangely the most appealing character, saying so much without dialogue. He never starts anything in this and just wants to live his life, and you kind of feel for him as has to put up with everyone else just looking for trouble.  

Understand that this is the Kong movie featuring Godzilla. The big G really doesn't do much till the grand finale. Though, it's understandable. I've read that Toho has several rules on what cannot be done with Godzilla (which, given how off-brand the 90's American attempt was, it's understandable). They want him to remain a force of nature, which means ixnay on the human-like facial expressions.

I won't speak much about the main villain here (the first original creation since the Mutos in the first Godzilla film) since their appearance is an Oogie Boogie-style slow burn, but they may be one of the best antagonists in the series, having a fun design and having more personality and being cleverer than other giant monsters.

I've heard complaints about the human subplot (a small group traveling to Hollow Earth in order to find out what's bothering Godzilla), but I'm not seeing it. I felt it was interesting enough. This movie builds a lot more upon the relationship of scientist Ilene Andrews (played by Rebecca Hall) and her adopted daughter Jia (Kaylee Hottle), the last of her tribe, and the now older Jia dealing with her identity. Whereas the last film had the novel decision to have two completely separated groups of heroes for each monster's subplot, this one consolidates the group, dropping several characters. Out of team G, they retained one of the more standout members, podcaster and conspiracy theorist Bernie Hayes (Brian Tyree Henry), whose comical elements seem to have increased a little in this. (I will miss the his other members and am surprised that the guy who leads the monster observing organization Monarch doesn't even have a cameo, but I understand that director Adam Wingard (who also the last film, the most recent Blair Witch, and Your're Next) probably didn't want to oversaturate the story now that it was simpler and more time was needed for Kong's story. On the Kong team's side, they're mostly back, but the scientist guy is replaced with another guy, Trapper (Downton Abbey/the live-action Beauty and the Beast's Dan Stevens). I don't see the reason for the change (the last guy wasn't irreplaceable per se, but he did well and had a good rapport with Ilene and Jia). Trapper serves as the "speaks for the natural order" guy, and he does well enough. Thing is the script has both him and Bernie be the odd, funny guys, and it feels like the movie only needed one. Though, there a few moments where the "weird guys but in different ways"interaction energy pays off.

Course, most people are here for the action, and like the last film, this one delivers. Wingard exercises a little more creativity with the fight choreography and the effects look great. Although, I think that the last film was slightly superior when it came to intensity. However, it also feels like Wingard and the writers really didn't care about putting the monsters out of harms way (even less than last time). If you have issue with rooting for the big G and KK when they are also trampling a lot of people, this might not be for you.

The special effects are even better than last time. The entire look of Hollow Earth might be one of the most impressive science fiction/fantasy landscapes of this decade (real 70's/80's fantasies vibes).

Last thing to say is that like the last movie the epilogue wraps up too quickly. Would've liked a little more explanation.

Highly recommended. Very entertaining and the overall story feels tighter and more interesting than last time.

Monarch: Legacy of Monsters- Season 1

8/10

In this television spin-off of the Godzilla/King Kong theatrical Monsterverse on Apple+, Cate Randa (played by  Anna Sawai) travels to Japan to uncover questions about her missing father where she is drawn into a mystery involving Monarch, the agency that deals with giant monsters.

The plot does start a little tepid. Story is initially decent but doesn't feel like it is excelling. However, things really pick up during the second half. The plot becomes far more intricate and surprising and the character relationships really develop. (There's a lot you can't predict from the outset.) A lot of this also looks at the history of how Monarch first came to be (this doesn't do a half bad version of keeping steady with the movies' continuity) and it's pretty good and planned out.

Also, this is for you if you're looking for something for the whole family. The show maintains the audience level of the movies.

The monster effects are practically movie quality. This is still television, so they are always in short bursts, but you never get an episode without a monster.

Cast is good and the characters are distinct. I liked the main actors but to be honest I think the best performances are probably Joe Tippett as the likable everyman member of Monarch and Hell on Wheels' Christopher Heyerdahl as a general.

Be aware that this takes place approximately after the first Godzilla movie but before the second one. The show could've done a better job of making that clearer from the onset. I first thought it took place currently in the franchise. There a couple other nitpicks: one brief antagonist that is just too caustic and there is one plot point here that doesn't line up with what happened in Godzilla vs. Kong.

Highly recommended. This a popcorn movie made into TV form without feeling overextended.

Godzilla vs. Kong

 

8/10

I mean the title basically explains the concept but here's the synopsis anyway: Godzilla inexplicably attacks on the land, which raises the question as to why considering that he doesn't just attack for funsies. Meanwhile, Skull Island can no longer contain Kong, meaning that he has to be moved elsewhere. Soon the behemoths' paths shall intertwine and... the movie title... blah, blah, blah... Yeah, this was fun. 

First off, I owe an apology to director Adam Wingard (who previously helmed the recent Blair Witch, You're Next, and segments in the first two VHS films.) I had some reservations about him since he's my most "mixed feelings" director. Didn't quite love or hate his previous works. However, I'm pleased to say he proved me wrong and delivered a good film.  

GvK is an unapologetic, brainless giant monster film. Kong and Godzilla's brawls don't disappoint. The monster fights aren't as epic-looking, battle-of-the-gods style as those in Godzilla: King of the Monsters were, but they are far clearer and easier to follow. Seriously, they're well choreographed and are some of the best in the Monsterverse films. It really feels like a big match. Though Godzilla has fought other monsters in these films, Kong brings something new to the table what with his having hands. He's able to make greater use of his environment, grabbing onto things or using them as weapons.   

Visually, I think Kong's CGI looked better in Kong: Skull Island. However, I thought the film did a great job with his facial expressions. In an interview, Wingard stated that Toho, Godzilla's original studio and copyrights holder, wouldn't let the creature emote. However, even working within the limitations of that rule, there are a couple moments where Wingard manages to give Godzilla a couple bits of personality. 

I kinda liked the human storylines. Yeah, they don't have the charisma of the cast of Skull Island or are even as strong as those in the first Godzilla, but they are generally likable and serve their purpose. (Besides, for an action blockbuster, there are plenty of examples out there where the story turned out a whole lot weaker. This isn't doing too shabby considering that it's the fourth entry in the series.) Interestingly, there are two human subplots, one with a Godzilla team and the other with King Kong and almost never the twane shall meet. 

The Kong crew definitely has the stronger storyline and characterization. Though Rebecca Hall and Alexander Skarsgard aren't given the loftiest of material to work with, they get the job done. Credit should especially be given to Hall, who puts more effort into facial expressions than anyone else. Really, she didn't need to put in that much effort for a Godzilla/kong film.

The Godzilla crew have the less substantive storyline (a lot of exposition), but they're also the funnier ones. Stranger Things' Millie Bobbie Brown returns as Madison Russell from Godzilla: King of the Monsters and even though she has less screen time, I thought she was more entertaining. She's the straight man and does a good job reacting to stuff. Hunt for the Wilderpeople's Julian Dennison, who seems to have been typecast in his last couple of films as delinquent-style kids with bad attitudes, gets to play against type as the meeker member of the group. Bryan Tyree Henry as a conspiracy theorist delivers the funniest lines in the film.

There is one thing about Godzilla vs. Kong that bugs me. There'ss one major plot hole if you saw the after credits scene in the last film.

I'd rank this above KotM and below the first Godzilla and SI, which I felt had better stories. Don't let this being third on my list deter you. This knows exactly how to deliver if you like mindless action.