Tiny Toons Looniversity: Spring Break

6.5/10

In this spring break special for the Tiny Toons reboot on Cartoon Network/Max (coincidentally or not the original also had a spring break special), the Tiny Toons crew go to visit their families for spring break. 

This is alright. Everything comes together in the end for a satisfying, heartfelt finale and there's some decent humor, but this is a weaker entry when compared to several episodes of the show. For a longer special, it doesn't go big enough. Though Looniversity has some good storylines, the show has become more reliant upon teaching lessons and, due to the university setting, a more grounded use of characters, resulting in more relationship/character oriented stories. One can miss the more free-form stories and comedy of the original.

Kinda recommended. Kids will probably be fine with it. If you like the show, you'd probably be satisfied. 

Hannah Waddingham: Home for Christmas

7.5/10 

Ted Lasso's Hannah Waddingham hosts this Apple+ musical Christmas special in front of an audience.

Wouldn't have thought of Waddingham hosting one of these but in retrospect she's a perfect choice. She seems genuinely happy to be there, has her trademark presence and liveliness, and it turns out has a wonderful singing voice.

Accompanying her a are a bunch of talented singers and dancers that make this a solid special, albeit one that doesn't do anything to break the mold. Several TL cast members are in this (surprised they're not calling this the Ted Lasso Christmas Special). It's nice to see them, but the one weak point to this is the obviously pre-filmed sections they feel they have to do with some of the cast. They're not that entertaining and feel like they're just there to fill up time.

Recommended. Nothing complex, but makes for a fun quick viewing that works for when the family is deciding what to watch or to have something in the background.

Once Upon a Studio

8.5/10

In this short Disney special, the characters lining the animation cells on the walls of the Disney Studio come to life and come together for a photo.  

Now this is how you do an anniversary special! OUaS really covers all of Disney history. Not just the popular characters but the ones from EVERY single Disney movie. 'Course some get more spotlight than others but directors/writers Dan Abraham and Tent Correy make the effort to give the less famous guys lines and have them mingle with others.

The nice thing about animation projects with short run times is that more effort can go into the animation as the budget isn't spread around as much. It also all looks standard big budget Disney. What is so impressive is that all the characters feel like they were scooped out of their respective time periods as their animation and design are all tailored to their original periods.

Recommended. I mean it's light entertainment that's basically "remember this," and I guess it's not required viewing. However, it is an enjoyable 9 minutes and a big treat for animation fans.

Snoopy Presents: One-of-a-Kind Marcie

6.5

In this special on Apple+, Marcie (voiced by Arianna McDonald) deals with her introvertedness getting in the way of her goals and responsibilities.

This special does a really heartfelt job of showing children it's okay to be introverted and how to deal with it. Charlie Brown's not in this much, but there is one scene where the special does a great job of reminding us that he's probably one of the most likable fictitious characters out there.

However, this didn't need to be 39 minutes long. There are too many scenes of Marcie having difficulty. Admittedly, this does nail her struggles but also beats the issue to death. Also, kids have short attention spans.

Like the previous Apple+ specials, this still feels like Peanuts diluted. The characters feel more two-dimensional. Peppermint Patty and Marcie have really been Flanderized, reduced to just "the sports one" and "the brainy one." Part of the original strip's success is that through Charlie Brown's insecurities it related with a lot of people. However, the rougher aspects of the original are gone.

Also like the previous specials, this looks great. The scribbly line look of the Peanuts kids feel really strip accurate. The bright colors are not faithful to the classic specials, but they are so colorful, I forgive them. The 2d-animation has never looked better for Peanuts like it's on a film budget.

Kinda recommended. Does deliver a great message for kids and does it well, but it's slow and a poor imitation of classic Peanuts.

Mighty Morphin Power Rangers: Once & Always

7/10

In this Power Rangers 30th anniversary special on Netflix, members of the original Mighty Morphin Power Rangers, recovering from a tragic event, try to stop the evil plans of Robo Rita (voiced by original voice actress Barbara Goodson), the evil energy of original PR Rita Repulsa reconstituted within a robot body (makes more sense when you see the special, still goofy but it makes more sense). 

Man, this was surprisingly dark for the original franchise. I mean it's still Power Rangers, it doesn't veer too far off-course from the campy nature of the show, but it's the first entry in a while to show a human die, and I don't think it, though the series has dabbled with more serious plot points from time to time, especially during the ABC Family years, has had the characters handled as maturely as this. (Also, the continuity is unexpectedly on-point for a show that's been going almost non-stop since the 90's.) The whole thing is a lot more compelling than it has any right to be, even serving as a tribute to late Yellow Ranger actress Thuy Trang who perished in a car accident. 

Unfortunately, the special wasn't able to include the entire original cast due to them either declining to appear or being on probation or deceased. (To make it clear, original Green Ranger Jason David Frank, who sadly committed suicide, was still alive at the time this was made. He just declined because he was working on something else.) But, the special manages to snag actors who played replacement Rangers in later episodes in order to fill any absentees' boots.

If your memories to the very original MMPR are shady or nonexistent, most of the cast are not great actors. David Yost as original Blue Ranger Billy is definitely the weakest and has trouble seeming natural. Original Black Ranger Walter Jones does the best with the material and comes the closest to believably selling their character. Charlie Kersh, who plays the daughter of original Yellow Ranger Trini, is also one of the better elements in this.

Nice to see they got Goodson back instead of a replacement actor, which they've done before. She hasn't done the voice for decades, but she's still got it and brings Rita's trademark cackley voice. The Rita here is so much more evil and convincing as an evil threat.

It's PR, so naturally the budget isn't much, but I give the creators kudos for effort. Unlike most PR shows, which are built off of the Japanese Super Sentai shows, this has completely original footage and costumes. I'm rather impressed by the design of Robo Rita, which is a smidge off-putting. (Also, kudos to the designer's hutzpah for retaining Rita's infamous cone brassiere.) The costumes for the Putty Patrollers, Rita's foot soldiers from the original show (which are still comical but can come off as a bit menacing this time around), are accurate-looking but the fabric in the head areas noticeably bunch up some times.  

Kinda recommended. I mean it's Power Rangers, this probably appeals more to younger kids or nostalgic adults (i.e., me). By the show's standards, though, it's as high quality as it can get.

Harley Quinn: A Very Problematic Valentine's Day Special

7.5

In this Harley Quinn special, we follow Harley (voiced by the Big Bang Theory's Kaley Cuoco), Poison Ivy (Childrens Hospital's Lake Bell), Clayface (Alan Tudyk), and Bane (James Adomian) on Valentine's Day.

This is a generally entertaining special. Wouldn't say it's one of the top entries from the show, but you get some pretty fun lines and DC references throughout. There's a good amount of creativity in this and the various plots, except maybe Clayface's, keep your interest.

This does have two weak points. The whole schtick of Harley being too enthusiastic, making bad decisions and not listening to Ivy has gotten a bit tired. Also, Clayface does better as part of an ensemble than as the lead of his own subplot. Tudyk's hack actor dialogue is amusing in small doses but becomes tiresome when unrestrained.

Overall, recommended. More off-kilter shenanigans. If you like the Harley Quinn show, then you'll probably like this.

Werewolf by Night

9.5/10

In this Marvel Halloween special on Disney+ based on the comic of the same name, a group of monster hunters are summoned for a competition to secede their late leader as the possessor of the powerful Bloodstone. However, there are a couple hunters whose priorities are a little different...

Wow! Marvel's first special knocks it out of the park. It's especially impressive that besides a couple shorts, this is the first directing job from popular film composer Michael Giacchino (that theme from the beginning of Up, that's him.) The action is pretty good. I know a dozen people have already mentioned it, but this is the most violent Marvel offering (not counting Marvel TV) to date being helped by the black-and-white color scheme of the movie.

Humor's pretty good too. A nice touch to this is that the monster hunting society is populated by a bunch of eccentrics, the higher ups being particularly weird, providing some unexpected, fun bits. I think the character of Elsa Bloodstone (played by The Nevers' Laura Donnelly), the daughter of the former leader, is probably my favorite in this as she's the straight man and gives some decent reactions and pushbacks to the insanity around her.

Werewolf by Night looks great, going with a 30's/40's appearance. Some of the outfits, sets, and props are just really impressive looking. The werewolf outfit in this, however isn't as good as what your imagination can come up in. The torso's too puffy and evokes the impression of the actor wearing a wool coat. (On the plus side there is one really strong monster design in this.) In terms of cinematography, this may be the best I've seen a movie replicate the appearance of a different age. Only downside is that like early movies, the camera focus isn't always 100%, especially with the backgrounds.  The blurriness may get to some people.

If there are any other cons about this, the fact that this is only only fifty-two minutes means limited time to build the lead characters of Elsa and hunter Jack Russell (Gael Garcia Bernal). You do get enough to understand the characters, but there is also some having-to-fill-in-the-blanks that may annoy some people. Some may also wish that the ending be a little less open.

Highly recommended, this is a unique and very fun film that looks superb.

The Wonderful Winter of Mickey Mouse

8/10

This comedy special from Disney+'s show The Wonderful World of Mickey Mouse features three Mickey Mouse stories involving winter. 

This special keeps the elements that made the short cartoons from WWoMM and its predecessor Mickey Mouse (show name, not the character) so entertaining, possessing a a 30's/40's throwback feel with clever visual humor and straight-up creativity. The cartoons here effortlessly mesh whimsy, slapstick, weird, smart jokers and the occasional refreshingly dark bits. There's a little something for everyone to like here. Well, maybe not everyone. If you're just not a big fan of old school cartoon physical comedy, you might be bored by this, because that's the most of what the special is. The animation is top-notch in terms of fluidity and physicality of characters. 

Segment breakdowns:

First segment- 7/10: Mickey (voiced by Chris Diamantopoulos) causes chaos when working at a factory in the clouds. Creative slapstick and I liked the whimsical old-fashioned fantasy design of the cloud world, but it quite isn't as substantive or memorable as the other two entries.

Second segment- 8/10: Mickey, Goofy (Bill Farmer), and Donald Duck (Tony Anselmo) stay at a cabin in the mountains and things soon go awry. The best one. It's the old school MG&D-face-trouble routine (such as the classic cartoon shorts where they were firefighters or fought ghosts), but it feels fresh as most of the bits are pretty funny and the situation keeps getting more and more absurd  

Third segment- 8/10: Mickey and Minnie's skating routine keeps getting interrupted by Goofy's ill-fated attempts at ice-fishing. Again, we got a worn out cartoon premise: a character's activities keeps getting interrupted. And again, they manage to keep it fresh. A lot more humor is wrung out of ice skating than you'd expect. Mickey as a character gets his best moments here. I can't deemphasize how good Diamantopoulos is at making Mickey sound funny.

Recommended. You and your kids should probably have a fun time with this.

Snoopy Presents For Auld Lang Syne

7/10

In the first Peanuts special in a decade (found on Apple+), Lucy (voiced by Isabella Leo) becomes depressed after her grandma cancels her Christmas visit and decides to lift her spirits by throwing a New Year's Eve party.  

Peanuts has already tackled, and sometimes retackled, all the major holidays before (there's three other Christmas specials besides the first one), but it makes sense for them to revisit New Year's. The original special was decent, but doesn't leave that much of an impression (how much of it do you remember?), and is up there with the less memorable and less shown holiday specials alongside Arbor Day and Memorial Day. Heck, the Arbor Day one shines more than the New Year's one. (I also feel guilty now that the Memorial Day one has pretty much been forgotten. Was it a bit dry and the humor a little off? Sure. But, the heart was in the right place, gosh darn it!)  

The special is decent. It has one of the most heartfelt endings of all the Peanuts specials. It was also a nice change of pace to make the main focus Lucy. Yes, she's one of the main Peanuts characters, but if you look at ALL the specials, she's rarely ever the lead. She adds to what's going on, but the story is rarely about her. You really do feel her insecurities in this. You also get a subplot about Snoopy's siblings visiting that's a little sweet.

However, not every joke in this lands. The special doesn't quite have that classic Peanuts delivery and pacing. Also, NO RERUN!!! For the unfamiliar, he's Linus and Lucy's younger brother. He hasn't been in that many specials or shows, but during the last five or so years of the strips in the 90's he basically became Schultz's favorite character to write about. (I bothered to keep reading in the 90's for I am a true follow of Peanuts!, unlike you false believers!) He's a fun character, and they totally act like he doesn't exist. You even just see Linus and Lucy's stockings on the mantle. The animation company that created this used  Rerun in those two recent Snoopy shows, they know who he is. (Order of the Knights of Rerun we ride at dawn to smite the infidels in the name of our patron saint!) What really makes this frustration is that this special includes the far more ancillary Tapioca Pudding (Harley Ruznisky) who first and last appeared in 1986 and unlike Rerun has never, ever been in a special before.

Really liked the character animation. I don't think that the squiggly line appearance of the characters from the strip have ever been so accurately replicated. I don't know how I feel about the backgrounds. I like how colorful and striking they are, but the lack of solid lines on a lot of thingsfeels a little off.

Kinda recommended; imperfect but touching. It's not one of the the top Peanuts specials, but it's in the upper third or so. (Glory be to Rerun!) 

Doctor Who- Eve of the Daleks

9/10

In this latest Doctor Who New Years special, the Doctor (played by Jodie Whittaker) and her companions find themselves trapped with the Daleks in a Groundhog's Day situation (yeah, for a show about time travel that's been around since the 60s, I'm surprised that they haven't done this yet) where time resets each time they're killed.

People may be getting tired of current showrunner Chris Chibnall using the Daleks for each New Years special, but they work pretty well as foes for this scenario. If the whole story involves people dying and you need someone for quick kills, the Daleks are the right fit. The show makes good use of their tactical expertise in this more than the average DW episode. 

This is probably one of the most fun and humorous episodes from Chibnall's run. The real strength of this is the two guest characters: grumpy Sarah (Aisling Bea) and awkward, good-natured Nick (Adjani Salmon). They're really the stars of this and not the Doctor & Co. They're both really entertaining and well characterized. The Doctor's newest companion Dan Lewis (John Bishop) is the standout of the regular cast here. He continues to be the most humorous and likable of the gang, and Bishop really sells the character. It's too bad that he'll probably be gone soon due to an upcoming showrunner change (at least it's traditional for companions to change; they might surprise us).

Recommended. This was just an all-around well-done story.

Reno 911!: The Hunt for Qanon

7/10

In this special on Paramount+ (yeah... special is what they're calling it; it's feature film length, but they called the two hour long South Parks "movies"), the deputies of Reno go on a cruise hosting a Qanon convention in order to serve a summons to Q.

It's been a while since I saw the show (and I never saw the Quibi season), but this definitely feels like the weirdest, most out there entry in Reno 911. I was initially into it, because it was different and some of the absurdities are pretty fun. However, the sheer randomness wears thin after a while and it doesn't end when you think it would. The special is only an hour and twenty-five minutes, but it feels a lot longer. (Since Reno 911! relies on improv with basic story setups, several scenes don't feel like they work because the concepts weren't robust enough. The weakest part is definitely the scenes involving the crew of the ship; they feel random and shoved-in and the actors felt the weakest at improv.)

Though uneven, when HfQ is funny, it's really, really funny. The last few seasons of Reno 911!'s original run did feel like they were running out of steam, but this feels like a real return to form. (Again, haven't seen the Quibi episodes. No idea whether they were funny or not.) The first two scenes were HILARIOUS!

The talented main cast all still have that improv magic that made the show. Regular face Patton Oswalt, who was even in the last film (because really, this is a film, not a special Paramount+!), returns as a Q member. He's pretty good in this. He's got a subplot with Wendi McLendon-Covey's Deputy Clementine Johnson and they have excellent chemistry together.

Ian Roberts as Sgt. Jack Declan, who was in season six and the Qibi run, returns. He's got the same issue that he had in his first season: he just isn't given enough time. The guy can be funny (see the mail sketch, one of the highlights of the disappointing season six), but it feels like either the writers who come up with the sketches don't assign enough for him to do, or he just doesn't speak up enough. If you liked Brooklyn Nine-Nine's Joe Lo Truglio as Deputy Frank Salvatore Rizzo, who also appeared in the same seasons as Declan, he isn't returning for this.  

How does this compare to the last film? I like this better. Don't get me wrong, HfQ is uneven, but I felt the jokes were stronger and it definitely leaves an impression. The last film had funny subplot sketches, but the main storyline was pretty lackluster. 

Kinda recommended. If you're a fan of Reno 911!, you'll probably like this, but the lack of direction and sheer over-the-topness may turn some people off, including possibly some fans who feel it doesn't match the feel of the show. Still, I'd say everyone will laugh at least once at this.

Death to 2021

8.5/10

In Netflix's sequel to its special Death to 2020, we get another retrospective mockumentary critical of the past year.

This felt as strong as the last one; just pretty on-point political and social satire. (If you're a conservative, this may not be your cup of tea as the writing is fairly liberal, though it's not like the writers never poke fun at Biden and such.) The specials are a British creation, and as an American it's interesting to see an outside viewpoint of events.

Great cast with some new and old faces. The most fun are returnees Hugh Grant as Tennyson Fobe OBE, a historian who's kind of full of himself, and Cristin Milioti as Kathy Flowers, an average suburban housewife/right-wing extremist. I'm sad to say that Lisa Kudrow doesn't return as her double-talking political PR character.

Highly recommended, this is pretty funny.

Beebo Saves Christmas

7.5/10

In this animated CW Christmas special starring Beebo (voiced by Ben Diskin), the toy who's appeared in the show Legends of Tomorrow, the titular fuzzy character gets a form letter in reply to his letter to Santa. Fearing that something is wrong he goes to find Santa Claus (voiced by Ghostbusters' Ernie Hudson).

This was a rather well made Christmas special. Not one of the greatest of its kind, but it definitely gets the job done. Script is lighthearted, and most importantly, smartly written. You think the special may go down the path of the traditional tropes of people getting too caught up in the modern age and forget the importance of Christmas, but I was pleased to see this have a less suspected endgame. 

Beebo makes for a pleasant lead. They make him upbeat and optimistic but never naive or simple-minded, so when he reacts to things he never feels cutesy or saccharine.   

Strong vocal cast, including some experienced actors. LoT alumni Victor Garber lends his rich voice to the position of narrator. I don't think anyone's really pictured Hudson as Santa, but he lends a fresh take on the Yuletide figure.

Only weak point of this are the songs. They're not particularly strong.

Recommended. This is something that can entertain and is appropriate for the whole family. It's too bad this didn't get much advertising from the CW. This definitely deserves more attention. 

The Simpsons in Plusaversary

 

6/10

In this five minute special made specifically for Disney+ Day, Homer Simpson (voiced by Dan Castellaneta) and other residents of Springfield hang out with various Disney-owned characters.

This entry is sadly weak. There are three pretty good jokes in this but as a whole the writers surprisingly couldn't do a lot with all these Disney properties. Also, the whole thing ends in an odd place that just doesn't work.

On the plus side, I'm impressed how the Simpsons managed to feature multiple big name Disney cartoon characters. I'm really surprised the company gave the go ahead, especially considering that it features these children's characters hanging out and in Moe's Tavern and actually drinking beer. The best part is probably seeing Goofy (Hank Azaria) hang with Homer as they weirdly work well together.

So, yeah, this isn't must-see Simpsons. However, it's an interesting curiosity if only to see Disney+'s equivalent to Warner Bros.'s Space Jam: A New Legacy in terms of shameless self-promotion.

Scooby-Doo, Where are you now?

7/10

This special on the CW looks at the long history of the Scooby-Doo franchise and has the Mystery Inc. crew interviewed by Pretty Little Liars' Janel Parrish and, not unexpectedly, have to deal with a monster haunting the studio they're in. 

This does a good job of going over the over fifty-year-old franchise in approximately forty-five minutes. It manages to look at the series' staples and provides some fun facts about it's creation, including preliminary sketch art. Plus, equal time is shown to clips from the shows' various incarnations over the years. (Well, the better liked ones. I don't think I saw the likes of The 13 Ghosts of Scooby-Doo or Scooby-Doo and Shaggy get a Clue. As has been the practice in later years, not a word is mentioned of Scrappy. A little unfair. I'm not fond of the character, but you can't deny that he had a significant affect on the course of the show for a while.) I like that there is a fair amount of interviews with the behind-the-scenes talent, like directors or voice artists instead of just interviews with public personalities. 

The characters are represented with their original 70's character designs. I find it nostalgic to see these brought back. I would've thought they'd gone with the style they've gone with the for the last decade of the made-for-DVD films and the Supernatural crossover.

However, this is still light CW filler. There are a few fun lines, but many of the attempts at humor don't really land, especially quickie interviews with other cartoon characters.

Parrish does not make for the best host. Her interactions with characters who aren't really there is pretty awkward. Her talking to the audience isn't that great either.

It's a decent time-waster and fans of Scooby-Doo will like this, but it's not required viewing.

Descendants: The Royal Wedding

7/10

In this animated special, Mal (played by Dove Cameron) and King Ben (played by Mitchell Hope) from the Disney Channel's Descendants movies are having their wedding. 

It's an okay story, nothing big, but it does alright when it comes to the character relations and personalities. The ending comes from a positive place. The death of Carlos' actor Cameron Boyce is referenced to in a far more emotional way than you'd expect from the Descendants franchise. Also, they have Audrey (Charmed's Sarah Jeffrey) as a stressed-out, excessive wedding planner and she's probably the best part as she's funny to watch.

However, the special accentuates one of the cringiest parts of the movies: the insistence that two teenagers get engaged and then married. I think they're still in high school. Not a good message for kids saying you should find love and marriage at such a young age. 

The character animation looks off and basic with simplistic clothes and movement. The lips don't even seem to match the dialogue. They kind of look like the cheap cartoons that appeared really early in the morning on Saturdays before the regular Fox Kids, Kids WB, etc. programming blocks came on, such as that Sherlock Holmes show that took place in the future, Liberty's Kids, Archie's Weird Mysteries. In fairness, the animators were going for a far more challenging type of character design than the basic Kalish style you find today. This is more the type of design you'd find during the eighties and nineties. The colorful backgrounds fair better.

A new song was written for this. Not memorable, but I felt it was a nice work.

The special seems to reunite all the actors from the films, but they're not all great at voice work. I think Jeffrey does the best work here, probably since she has the benefit of being the comic relief and getting to just have fun with her lines, while most of the other characters are expected to deliver the plot and the conflict. 

If you have a kid who loves the Descendants, they'll like this. Again, it's alright. Not particularly good or bad. 

 

The Bleepin' Robot Chicken Archie Comics Special

6.5

The stop-motion comedy sketch show Robot Chicken has done both Star Wars and DC specials and now they've set their eyes on the Archie Comics characters.

There's some fairly funny parts. The writers are acquainted with the material and there are some apt jabs at the franchise, including one deep dive (how many people here remember Josie and the Pussycats in Outer Space?)

However, this is Robot Chicken. For every hit there is a miss. The writers like to go blue or gross assuming the joke'll be automatically funny without having to put any effort into it. There is one particular sketch with Principal Weatherbee (voiced by Jared Harris) that goes waaaay too far. 

Voice cast is pretty good, and you get a surprising group of known names. (Seriously, how'd they get Jared "mostly drama" Harris to do this?) However, I thought Amy Sedaris was miscast as Betty. The voice just doesn't fit the character. 

Overall, it's an average Robot Chicken episode. Not the best entry point for newbies or re-entry point if you haven't seen the show in a while. Current fans will get what they want.

Kevin Hart: Zero F**ks Given

 

8/10

In this special on Netflix, Kevin Hart bucks the usual stand-up comedy routine by performing in a large room in his own home. (And it's a REALLY nice room. You would've thought it was a set if you weren't told. The rich sleep well, indeed.)   

I'll make this review a quickie. I thought this was generally funny. None of the jokes stuck with me, but I was amused at the time. 

A lot of people online didn't like this much, complaining that Hart lost the magic. This was my first time seeing his stand-up, so I've got nothing to compare it to. As it is, I had no complaints. I say it's worth a shot.

Yearly Departed

7/10

In this comedy special, a group of female comedians, including Tiffany Haddish, Sarah Silverman, and Rachel Brosnahan, attend a funeral for the year 2020 as they each do a eulogy tackling something that people lost during that year. 

Yearly Departed is alright. There's some good jokes and material here. However, I found nothing to be laugh-out-loud funny. I also didn't like the gimmick of the other comedians reacting to whoever's doing the stand-up. These reactions often feel forced and took me out of it. (Not to be surprised things didn't feel natural since due to COVID, a lot of the reactions were filmed without anyone up on stage.)  

I really can't strongly recommend or not recommend this. If you're a big fan of one the comedians in this, this would probably be worth a watch if you like them in most things.

Retrospective Review- Lupin the 3rd: Blood Seal of the Eternal Mermaid

 

8/10

In this, thief Lupin III and his cohorts go in search of two jewels that are the key to a treasure that is not what it appears to be. Pretty much par the course for this guy. I thought this was one of the better Lupin specials/made-for-TV movies.

Blood Seal does follow the general Lupin formula, but it brings a certain amount of creativity that makes it memorable in the vast crowd that of Lupin films that tend to blend together. One of my favorite Lupin movies has always been Mystery of Mamo, because it went with some far-out sci-fi concepts. This may be why I liked Blood Seal, too. The film goes with some weird stuff, though not quite as heavy as Mamo, you don't see in every Lupin film. (If you don't like when Lupin goes sci-fi, this probably won't be for you.) 

The film continues the tradition of frequently paring up Lupin with a new female character. Here its' a young orphan. She stands out a bit more than the rest. I'm not saying she's the most original character ever, but her backstory is more interesting than most.   

The villains in this are in the traditional Lupin mold and not that original or fleshed out, but they are appropriately vile. They offer some some nice fight scenes. The final battle is definitely a standout in the series.

The animation is television quality, but seems to make the most of its budget and has a rather distinctive color scheme. 

Overall, I consider this one of my top ten Lupin films and recommend it for any fan.