Agatha all Along

Grade: B+

In Disney+'s limited series follow-up to Wandavision, amoral witch Agatha Harkness (played by Kathryn Hahn), is back. On a quest to restore her lost powers, she travels on the Witches' Road, which grants the desires of whichever witches complete its challenges, alongside the mysterious young warlock Teen (Hearstopper's Joe Locke) and her new coven.

The showrunner is Jac Schaeffer, who also helmed Wandavision, and this really feels like one of the most seamless transitions from one MCU product to another. Some may be annoyed that the majority of the episodes is just one trial after another without any big story threats, but this still makes for an entertaining piece. Characters are strong, the show is imaginative, and it excels at plot payoff and timing on info dissemination.

However, pacing may bug people. It feels like certain moments and other elements appear haphazardly and aren't done as effectively as they could.

Also, know how what was happening in Wandavision was rather dark? This is a lot more. I can't say this is as dark as that "one" plot point of Moon Knight, but this feels like the most nihilistic of the MCU Disney+ shows (yes, even more than Secret Wars). One can't help but ask "What happened to you Schaeffer? What made you like this?"

This includes a certain team from the comic. If you don't like it when comic movies/shows simplify characters, make them more grounded, and take away some of the over-the-top aspects of them, you won't like what they did here (. Honestly, why even use the characters if you have no love for them. (Admittedly, Disney is trying to make its MCU shows more cost effective and some of the appearances of said characters would've cost dough. Also, this is a team that not everyone knows, so a lot of you probably won't care).

If you feel that Agatha may be too much like Loki, don't worry. Whereas there is part of Loki that wants to be the hero, and he puts up a face to hide his security, Agatha remains a confident, me-first sociopath who's always thinking of a quick way to come out on top. Not that the show doesn't show that she has a human side, but it doesn't try to glide over what she has been or done or suddenly soften her. 

Hahn (who I'm guessing is one of the major reasons this show got made) continues to have this presence about her. Agatha may be awful but Hahn makes her very entertaining as she wisecracks and proves she's the cleverest one in the room.

The cast all around is pretty good. Aubrey Plaza is on the same level as Hahn as Rio Vidal, a mysterious witch that has a past with Agatha. Plaza is the queen of being weird and wild, but she really proves her acting job as she can show her more human side with just a look. Patti Lupone who is a theater star, but doesn't get a lot of high profile show/movie roles these days, is lively as a fortune seeing witch, and Debra Jo Rupp returns as the neighbor from Wandavision, and retains her trademark buoyant personality. SNL's Sasheer Zamata is a witch and high priestess in this. Honestly, I wasn't a fan of hers back on the sketch show. She really wasn't working for me. (Though to be honest, it could be the show may not have been using her properly. Wouldn't be the first time). But she was killing it here as a person with a confident personality and the one who likes Agatha the least. Honestly, I felt Zamata was underutilized here.

Recommended. I don't have quite as high opinion of this as many others online, but it does make for a solid watch that doesn't get boring, and definitely feels more confident and stronger than the recent likes of Moon Knight, Ms. Marvel, and Secret Invasion.

Deadpool & Wolverine

9.5/10

In the new Deadpool movie, Deadpool (played by Ryan Reynolds) is called in by the Time Variance Authority (TVA) and learns of a threat to his universe/timeline. In order to save it, he enlists the aid of a Wolverine (Hugh Jackman) from another timeline/universe for his adventure.

The previous Deadpool movies were definitely funny and and the most loose of the 20th Century Fox films, but the preexisting X-Men rules of the world still kept the elements Deadpool could interact with kinda grounded. Now that MCU owns his film rights, the character has access to the more wild and funny elements he couldn't have before. This is hands down the funniest, most creative, and just plain fun of the trilogy. The whole multiverse aspect gives Deadpool carte blanche to work with whatever Marvel characters or crazy content the writers want to. I know some people may be tired of the multiverse, but I'm still having fun with it, and they've managed to keep it fresh in my opinion; this movie is meta in way the other multiverse works weren't. (The only Marvel multiverse film I thought was unnecessary was the Doctor Strange movie. Felt manufactured and it completely threw out the build up in the last movie of Mordo's path to villainy.) The D&W does an exceptionally good job at surprising you with what happens next, and who'll pop up.

This is the MCU's first R-rated movie and that Deadpool humor stays completely intact in it's shift over to Disney. Given that Wolverine and DP have healing abilities and are almost immortal, the writers can really unload the violence upon them. 

This movie is also surprisingly a love letter to the end of the 20th Century Fox movies in a way that feels genuine and not mean-spirited.

Unfortunately, Deadpool's supporting cast from the previous movies get very little screentime. Deadpool's girlfriend Vanessa (Gotham/Serenity/V's Morena Baccarin) is again treated kinda like an inconvenience despite the fact that Deadpool's love for her is the main focus of his life. Domino from DP2, who I genuinely liked and I thought had a great rapport with the lead, isn't even in this at all. (Neither is DP2's Cable, but I can take or leave him. Honestly with Wolverine in the picture, we don't need an additional grumpy straight man.) 

Especially in the first half of the movie, Deadpool's constant quips and train-of-thought lines feel too frequent and like overkill when compared to the previous films. At a little over two hours, this could've been shorter just by cutting some of the guy's material.

It feels like every film they have to give DP an emotional conflict/journey, and this one feels pretty forced. I think it can be okay for DP to go on an adventure just for the sake of an adventure.

Jackman was good enough to go back on his decision to never play Wolverine again, was game for whatever insanity was thrown at him, and still brings on the pathos when the film calls for more serious moments. However, this movie is definitely Deadpool with Wolverine instead of Deadpool & Wolverine. It isn't really until the third act that the focus is on him as equally as on DP.

A couple of the best performances are from newcomers. Succession's Matthew Macfayden is pretty funny as TVA official Mr. Paradox, who manages to give a delivery that is distinct from DP's but manages to work alongside it. The Crown/Murder at the End of the World's Emma Corrin's Cassandra Nova is one of THE best MCU villains. I'm a little surprised they went with her as a Deadpool enemy as she's a fairly big enemy of the main X-Men team (she's more recent if you're unfamiliar with her), but they really managed to fit her in this story. She can both be creepy and threatening, but also has a sassy side to her. Too bad she isn't in this movie more. (She's kind of like Oogie Boogie in Nightmare before Christmas or the Joker in Mask of the Phantasm in that she is a threat encountered along the way instead of being the instigator of the main crisis.)

The movie looks great and has its moments of visual creativity. I don't think the MCU gets enough credit for how fun the designs look when compared to a lot of other blockbuster pictures. Also, there's a great selection of songs in this. Plus, we finally get to see Wolverine's classic comics costume, and it translates to real life pretty well.

Highly recommended. Even if DP talks a little too much by even his standards, this is still a highly creative and entertaining film that I recommend everyone to see. Unless you don't like R-rated humor or violence. That is fair, and this is DEFINITELY not for you.

Madame Web

 

5/10

In Sony's continued quest to mine whatever Spider-Man characters they own the rights to, we get a tale about the psychic Madame Web which serves as a Spider-Man prequel (but doesn't appear to take place in any specific movie timeline). EMT Cassandra Web (Fifty Shades of Grey's Dakota Johnson) discovers she can see the future and tries to save the lives of three teens (all three to become different spider heroines) from being assassinated by the spider-powered Ezekial Sims (The Mauritarian's Tahar Rahim).

Little surprised they went with MW as the first female lead and used some of the less prominent Spidey women (no offense to Julia Carpenter and Anya Corazon fans). Black Cat, Silver Sable and the first Spider-Woman should've been the logical choices. Oh well. Just musings. Not an attack on utilizing the character. I think anyone can properly be utilized if given the right direction. (The Riddler had only two appearances before in the comics before he was used in the 60's Batman show and look what that did to his popularity).

Here's an actual criticism. Again, this is a Sony Spidey film that feels like it was from the 2000s. (An excellent film to compare this to is Elektra). I don't know why Sony keeps taking this basic serious route when the fun ones, the Tom Holland and Spider-Verse films, are doing so well. The MCU films may be too quippy and DCEU films too dark and serious but at least they had a solid identity. 

The is very uneven. There are a few good comedy bits but there is also a lot of dialogue that just doesn't work. I give the movie credit for naturally introducing multiple characters. However, the movie drops the ball in the third act completely. It feels choppy with odd choices just there to advance the plot. 

I give credit for giving each of the teens a backstory, but the kids-with-sad-lives tropes feels really worn out by now. (Didn't need it in Stargirl and didn't need it here.) Also, I don't feel like any of the trio completed a character arc.

We got a good cast who just can't make the bad script work. There are a couple exceptions, especially Park and Rec/Severance's Adam Scott, who deserve an award for sounding natural, but most can't. Johnson is pretty good in the funny parts but that's the best she can do. 

Credit should be given to the movie for at least basically knowing what it is and having an identity compared to recent superhero films that are messy or feel derivative. Web doesn't have super strength or other offensive powers, only her psychic abilities which makes for a very different dynamic when going against a villain.

Faring the worst is Rahim. He has the worst lines and you can tell he was poorly ADRed at times. To be honest, Sims feels like an odd choice to use as a villain. He wasn't really an antagonist in the comics. (You'd think that they would've learned from the outrage of Psylocke being made a villain in not one but two X-Men films). The sad thing is that Sims in this had the DNA to make a decent baddie. You understand his motive and was pretty competent in his strategy if only he was better written.

Going back to the 2000's feel this has a bland white lighting scheme. However, the action and the look of Webb's vision powers are actually pretty good.

Not particularly recommended or not recommended. This is messy and this is definitely not a must-see. However, I don't think this is bad as some say. It's distinct in its way, and I don't regret watching it. Have no plans to rewatch but would stay in the room if someone else had it on.

Loki- Season 2 (Final?)

9.5/10

In the second and probably final season of Loki on Disney+, Norse god Loki (played by Tom Hiddleston) tries to save the fate of the TVA (The Time Variance Authority).

I mostly liked the first season, which was pretty inventive and the look to the headquarters of the whole TVA was so unique, but I had my criticisms. The story felt a little dragged out, there was too much organizational shadowiness, and though it was fun to see the narcissistic Loki in a situation he didn't have control over, it became exhausting to see him be under the foot of one constant bad situation after another. This season though, it has all the strengths of season one but none of the weak points. (Also, if you were disappointed with the cliffhanger for season 1, it pays off a lot better than you'd suspect.)

This is nothing but great sci-fi creativity, excellent set design (I love the window shots of the massive retro-futuristic world of the TVA so much), and wonderful characterization. The human drama and stakes are so well done here. The finale with the exception of Avengers: Endgame is the best ending in the entire MCU.

Loki continues to be the main strength to this show. Here, the writers have worked most of the redemption stuff out of the way, and for all of those who saw potential for good in Loki, this really paid off. Hiddleston delivers a fantastic performance as a focused and serious-minded Loki trying to do the right thing despite all the odds. His relationship with TVA agent Moebius (Luke Wilson) continues to result in one of the best duos in television history. Wilson delivers one of his best performances, and Moebius' everyday ability to be congenial even alongside someone like Loki works so well. 

The writers seemed to like TVA desk jockey Casey (Eugene Cordero, who's one of those comic actors who's popping up more and more) enough that they upped the role, and he works well when given more serious material to work with. There was always something a little suspicious about Miss Minutes (voiced by prolific voice actress Tara Strong), the TVA's holographic AI in the form of a 1950/60's cartoon clock (brilliant idea by the way), who started to seem a bit suspicious as to her motivations last year. Here we understand what makes her tick as she's become an antagonist and makes for a rather interesting character (although they don't spend much time with her.) I also felt they did a better job with the characterization of rogue TVA judge Ravonna Renslayer (Belle's Gugu Mbatha-Raw) and her motivations.

We get a couple new characters. Ke Huy Quan, whose stock has really risen since Everything Everywhere all at Once, is the TVA's science guy Ouroboros. Quan brings his trademark likableness as the guy who is way too easy going with what's going on.  Jonathan Majors plays yet another variant of the multidmensional warlord Kang, scientist Victor Timely. You're curious as to what role he will play in everything as you're sort of charmed by the smart but awkward man, but know that he has the potential of going bad.

The only weak point to this is that sometimes, especially with the last episode, the writers are trying to be a little too clever with the time travel laws. It can be a little confusing.

Highly recommended, this is one of the best recent MCU entries and one of THE best period. This is just six hours of pure entertainment and superb storytelling.

Secret Invasion

6.5/10

In this new Marvel limited series on Disney+ based on the comics storyline, Nick Fury (played by Samuel L. Jackson) must deal with a secret rebellion planned by rogue Skrulls, alien shapeshifters, refugees who've been living on Earth for decades and are tired of their hidden status and Fury not realizing his promise to find them a new homeworld.

Secret Invasion is a mixed bag. On one hand they're truly surprising reveals, great scenes and character moments or deliveries, and solid action. The sociopolitical history of the Skrulls is interesting. I also give this credit for being one of the darkest and most violent MCU entries.

On the other hand, the story doesn't go to places as good as you've set up in your mind. Everybody's motives are explained, but it always feels like they needed more time or flashbacks to explain things. It really feels like time wasn't properly utilized. Some of the big risks the writers take do not pay off. I definitely wanted more from the conclusion.

It may have been a miscalculation to center the entire show around Fury. For a show about a global plot, this may've worked better as an ensemble show darting back and forth between various players to get a better look at the big picture.

We don't get Fury in the prime of his energy here. Don't get me wrong, this is Samuel Jackson, so he gives a fine performance, but it's as a world-wearier Fury (who was kinda world-weary to begin with) haunted by his failings. Fury has a long history working with the Skrulls, and I applaud the writers for having him have real mixed feelings about how events have turned out.

Ben Mendelsohn returns as Fury's ally the Skrull Talos. He's one of the high points of this as the most optimistic character in the show. He's got a great dynamic with Fury, and you get the feeling that they've been work friends for years. Mendelsohn often gets typecast as villains, and he's clearly jumping at the chance to play a good guy.

Olivia Coleman is both funny yet kinda scary as Sonya Falsworth, Fury's British counterpart who's always cheery and level-headed, yet easily mows down the enemy without mercy. Sort of a lawful chaotic character.

I wouldn't say Skrull terrorist leader Gavrik is one of the top Marvel villains, but his actor Kingsley Ben-Adir (who was recently the loyal friend to the main Ken in the Barbie movie) iss clearly talented and when the script gives him the chance to shine, he sure does. His final confrontation with Fury is one of the highlights of the show.

If you're expecting so see a lot of Skrull makeup or CGI, prepare to be disappointed. Disney is clearly saving on money by having them appear in human form as much as possible. 

The opening credits are controversial because they used AI to create them (though, they say that actual creatives oversaw the whole affair). I must say that I haven't had an open credits catch my attention like this in some time. (With the exception of the opening credits to Housebroken, an adult animated show about pets. The theme song is catchy as hell.) It has this intriguing, surreal quality to it that has to be seen. 

Kinda recommended. The show never reaches its full potential, but there are some very good parts in this. This is one of those situations where people will probably be divided on whether they like it or not.

Marvel's Moon Girl and Devil Dinosaur- Season 1

8.5/10  

In this Disney Channel/Disney+ show based on the Marvel comic (and surprisingly spearheaded by Lawrence Fishburne who's the executive producer), young super-genius Lunella Lafayette (voiced by the Madea Halloween movies' Diamond White)  fights crime under the alias of Moon Girl with Devil Dinosaur (animal noises by voice actor Fred Tatasciore), her pet T. rex who came from a portal she opened.

While it takes some shows many episodes to lock into place what they want to be (and sometimes over a season, looking at you Parks and Recreation and Legends of Tomorrow), Moon Girl and Devil Dinosaur had everything locked down since the beginning in what was an extremely confident and engaging first episode. 

I'd kinda like to call this the Kim Possible of this decade, since it's a fun affair starring a girl hero with colorful characters (in fact, KP and MGaDD share a showrunner). Lunella is a plucky, determined  and three-dimensional character. Due to Devil Dinosaur being huge and a lot of scenes taking place at Lunella's home or school (most people don't know her secret identity), he doesn't get quite as much screen time as you'd expect for him being in the lead (don't get me wrong, it's not like he doesn't have episodes focusing on him), but he's delightful when he's on. The guy's kinda like a big puppy dog and the animators do a great job with his facial expressions. There's a third member of the team, Lunella's friend the social media-savvy Casey Calderon (Sneaky Pete's Liby Barer). She's just as enjoyable as the leads. Both her voice and animation have this gutsy liveliness to her.

Moon Girl lives in the Lower East Side of New York and her neighborhood is a really vibrant melting pot. The show also hosts a series of villains, more often original creations than not, that are fun bunch of distinct classic cartoony-types (also like what you'd find on Kim Possible).

The animation is so stylish. If you're one person who gets tired of cartoons these days looking too similar or not taking any risks, you'll be pleasantly surprised with this. MGaDD has a very distinct type of character animation, especially the line work, that kinda has a comic/graffiti pop art feel to it. There's also an impressive selection of songs in this (Moon Girl likes to fight with music playing).

Most of these episodes revolve around Lunella, who means well, but her over-confident reliance in science to solve all her problems can be her downfall resulting in her having to learn a lesson. Don't get me wrong, the morales are good for kids, but Lunella causing a large portions of the threats in the show can get a bit old. Next season, you could at least have more episodes featuring other characters having to learn lessons. Also, it bugs me that Lunella's father looks and acts so young. I thought he was her older brother at first.

Highly recommended and great viewing for your kids. My wording really isn't doing justice to the heart put into the show. This is definitely a worthy successor to the ranks of the best humorous kids superhero cartoons, such as Darkwing Duck and Kim Possible.

Antman and the Wasp: Quantumania

8/10

Scott Lang/Ant-Man (played by Paul Rudd), Hope Van Dyne/The Wasp (Evangeline Lilly) and company are shrunken and sucked into the Quantum Realm and have to survive and find a way out.

I'm seeing a lot of criticism of this film online. I'm not seeing it. It's not the best Marvel movie but there were weaker entries more deserving of a rotten tomato score. Yeah, not much about this, except maybe the villain, really bucks the Marvel/big-budget popcorn film mold at all, but it's exactly the type of movie I was looking for to have a nice time. I found the story to be entertaining with a decent amount of humor, plus it's well-paced.

Though a traditional Marvel film, this is a change of pace for the Ant-Man films. Whereas the Ant-Man movies have been more lighthearted escapades, the characters are suddenly thrown into a Guardians of the Galaxy/Thor big strange worlds adventure. Whereas the stakes were smaller in the past, Ant-Man has to go against a truly serious Thanos-level threat in the form of Kang the Conqueror (Jonathan Majors). 

Paul Rudd remains the heart of the films. Scott is just a likable guy, and I love his sort of every man reaction to events. (Also, compared to the last two films where Scott started in not the best situations, he's finally in a good place, and it's kind of nice seeing him actually being treated well by society.)  A big part of this is his relationship with his daughter Cassie (Freaky's Kathryn Newton) which works pretty well. 

Kang may be the most intimidating villain in the entire MCU. He's the speak-softly-but-carry-a-big-stick type who doesn't let anything deter him and has the immense power to back himslef up. I won't go into much detail about the film's secondary villain who isn't featured in the trailer that much, but it's one of the prominent Marvel villains you're surprised they haven't done yet, and I was rather pleased with how they were handled.

Visually, I'm afraid this would look a little too much like the worlds of GotG/Thor, but this ended up more distinct than I thought it would. Some creativity went into to making the lands and creatures of the Quantum Realm distinct. 

While I don't think this movie deserves a lot of complaints, this isn't like it doesn't have it's weak points. The epilogue feels rushed and there are a couple editing issues, an abrupt transition and it felt like scenes (seen in the trailer) had been cut which made a line near the end feel off. 

There are way too many characters in this. The Good Place's William Jackson Parker has a fun role, but he isn't given much to do. They make it seem like Bill Murray's character is going to be a key player but then they don't use him much. Due to this taking mostly place off Earth, you lose several of the supporting human characters you've grown to know including Scott's trio of ex-con buddies who were never crucial to the plot but were fun.

Recommended. I'd rank this above the first Ant-Man and below the second, which I felt did the best in being diverting. In the grand scheme of the MCU, I'd rank this near the middle, but of phase 5 I find this to be one of the most rewatchable. (Not better than Spider-Man: No Way Home, I'm not nuts.)

Werewolf by Night

9.5/10

In this Marvel Halloween special on Disney+ based on the comic of the same name, a group of monster hunters are summoned for a competition to secede their late leader as the possessor of the powerful Bloodstone. However, there are a couple hunters whose priorities are a little different...

Wow! Marvel's first special knocks it out of the park. It's especially impressive that besides a couple shorts, this is the first directing job from popular film composer Michael Giacchino (that theme from the beginning of Up, that's him.) The action is pretty good. I know a dozen people have already mentioned it, but this is the most violent Marvel offering (not counting Marvel TV) to date being helped by the black-and-white color scheme of the movie.

Humor's pretty good too. A nice touch to this is that the monster hunting society is populated by a bunch of eccentrics, the higher ups being particularly weird, providing some unexpected, fun bits. I think the character of Elsa Bloodstone (played by The Nevers' Laura Donnelly), the daughter of the former leader, is probably my favorite in this as she's the straight man and gives some decent reactions and pushbacks to the insanity around her.

Werewolf by Night looks great, going with a 30's/40's appearance. Some of the outfits, sets, and props are just really impressive looking. The werewolf outfit in this, however isn't as good as what your imagination can come up in. The torso's too puffy and evokes the impression of the actor wearing a wool coat. (On the plus side there is one really strong monster design in this.) In terms of cinematography, this may be the best I've seen a movie replicate the appearance of a different age. Only downside is that like early movies, the camera focus isn't always 100%, especially with the backgrounds.  The blurriness may get to some people.

If there are any other cons about this, the fact that this is only only fifty-two minutes means limited time to build the lead characters of Elsa and hunter Jack Russell (Gael Garcia Bernal). You do get enough to understand the characters, but there is also some having-to-fill-in-the-blanks that may annoy some people. Some may also wish that the ending be a little less open.

Highly recommended, this is a unique and very fun film that looks superb.

M.O.D.O.K.

7/10

M.O.D.O.K./Mental Organism Designed Only for Killing, the Marvel villain who grew popular due to his distinctive appearance, he's got a giant head disproportionate to his body and moves around in a hover chair, gets his own stop-motion comedy on Hulu. In it, M.O.D.O.K. (voiced by Patton Oswalt) is faced with a tech giant buying his evil organization A.I.M. and his wife Jodie (Lucifer's Aimee Garcia) leaving him.

This is a mixed work. The biggest issue with this is that it exercises worn character types and their associated jokes without adding anything new to the table. M.O.D.O.K. is the typical selfish, kinda dumb, and oblivious character. The show goes all in on him, but his jokes can be soooooo predictable. The Super-Adaptoid (Jon Daly) is the guy who gets dumped on for no reason, a trope that is really worn out. You could leave him out and the show wouldn't really change that much. M.O.D.O.K.'s son Lou (Ben Schwartz) is the weird one. Usually that guy is the really funny one, but I've never seen this type fail so hard. Most of his lines bomb. He goes into these ramblings about magic or dancing, and they're so indulgent and run out their welcome.   

On the other hand, the show can be pretty funny at times. The first half of the show is finding itself. The humor hits its stride in the second half. There are approximately three jokes in this that are truly inspired. A.I.M.'s second-in-command Monica Rappacini (Reno 911's/The Goldberg's Wendi McLendon-Lovey) is rather fun. She's a little nuts and has an obsession with weird biological experiments like cyborg manatees.

Occasionally the show will get a little more serious, and those moments really work. Although M.O.D.O.K. can get tiresome, you can feel for him sometimes. Oswalt really nails these moments. The finale... Wow! It's really something. Not the usual type of finale. It'll keep you hooked.   

The stop-motion in this is pretty impressive given all the high concept superhero world stuff that happens in this. M.O.D.O.K. usually hovers and that must've been very hard to pull off.

I see this as one of those shows that'll get a lot of mixed reactions. Some'll really like it and some'll be turned off. Though I'm definitely coming back to the second season, I don't know if I can just recommend this to everyone as the writers often do coast and there are just so many stronger comedies out there to watch. Still, this can be an interesting watch if you so choose to stick through this.

Retroactive review: Spider-Man: Homecoming

9/10

I really like this movie.

At the time of its release, Spider-Man Homecoming was my favorite Spider-Man movie. (Now it's Spider-Verse). It is such a fun film with a good combo of humor and action. Now, fans of Spidey's more tragic and angsty side may not like the fact that this is more of a generally crowd-pleasing, popcorn film. However, after five movies that were big on tragic events, I was okay with this being more lighthearted. 

This is one of the most natural feeling of the SM movies. I liked the original trilogy, but it did have a retro feel and the Amazing films lacked a concrete identity. After five films, this movie does a surprisingly good job of re-inventing Spidey. There is a lot more of a focus on Peter Parker (Tom Holland) as a regular teenager in a regular teenager environment. The movie also manages to provide drama in Pete's life without resorting to the picked-on-nerd cliche. Now, he's in a school for science and technology instead of a regular high school and it's an interesting place to watch. Another nice twist is changing Flash Thompson (Grand Budapest Hotel's Tony Revoleri) from a jock/physical bully to a preppie/verbal bully. 

Holland does a great job as an earnest, very well-meaning Spider-Man. However, the film's one flaw lies with the main character. Peter Parker is supposed to be an awkward, not-quite-mature teen, but he can be so impetuous and delusional here that it can get annoying. Not a deal breaker, but that side of Parker could've been toned down.

The Vulture (Michael Keaton) is a great villain. I liked that he was a more practical, down-to-Earth antagonist. There were no big plans of revenge or mass destruction plots, he's just a guy running a business, albeit a very crooked one. The character is multi-faceted, at times charming, sympathetic, and intimidating. I also feel that his villain outfit is such an inspired and eye-catching adaptation of the comic one.

The whole movie looks great from the well-lit look that shows a bright side of New York to some wonderful action scenes and effects.

I highly recommend this to any superhero movie fans.