Wish

7/10

In the new Disney animated film Wish, the island kingdom of Rosa is ruled by the sorcerer king Magnifico (voiced by Chris Pine). People give him his dreams (LITERALLY) in return for him using his magic to bring them to reality someday (which he does sporadically throughout the year). Teen Asha (voiced by the West Side Story remake's Ariana DeBose) becomes disillusioned with the system and wishes upon a star for things to change. An anthropomorphic wishing star named Wish falls from the sky and helps her to make things right.

The best part about this is the story. Rather than being another adaptation of a classic fairy tale, this is a completely original story of the type, and it's a rather original idea at that. How the whole wish storage works was creative and done well, and I really gelled with the movie's emphasis on the importance of wishes. The third act is really where it comes together with an emotionally resonant climax.

However, there are flaws to the narrative. I fear this is a Fox and the Hound/Great Mouse Detective/Atlantis level Disney film and not a Frozen/Little Mermaid/Beauty and the Beast level one. This is one of the most exhibition heavy Disney films (at least in the first half) and parts can be a bit dry, a term you don't usually associate with Disney. The natural comedy/song flow doesn't work here. The songs pop up at unnatural times where you just want the story keep going, another thing you'd never think you'd hear about Disney. These issues do dissipate by the aforementioned third act.

The best element of the story is probably Magnifico. I think Disney got the note that people miss the classic straight-up evil/not hidden Disney villains. They give him a backstory that explains why he is the way he is, but if you're tired of all the three-dimensional/tragic villains these days, the movie doesn't lean too hard into that at all. Magnifico is portrayed as an unabashed egotist which makes him come off at times as little funny and others times as threatening or delightfully despicable. Unlike most Disney villains that want to acquire something, his whole motive is holding on to what he already has. You also see him morally descend, which is a little different for Disney baddies ('cept maybe Gaston, but he never tried to be benevolent in the first place). However, I thought his losing it s*@! felt a little too rushed. He's also, I believe, the first Disney villain since the Queen of Hearts to be married. His wife Queen Amaya (Life in Pieces' Angelique Cabral) has a solid purpose for being in this story, but I'm not loving the dialogue they gave her in this; felt weak.

Admittedly, Asha is a little in the cookie cutter vein of Disney Princess/similar female protagonists, but I felt they gave her a personality and motivation that was tailored to the scenario. DeBose did a fine job of making the character empathetic to others and determined. 

Likable supporting/comedic cast in this. Asha's talking goat Valentino (voiced by Alan Tudyk who's become a Disney movie regular for the last decade), is one of the funnier animal sidekicks (has some of the better one-liners). As always, Tudyk is great with the delivery. However, he's using the same voice he used for Clayface on Harley Quinn. If you've seen the show, it's hard not to disassociate. Asha, has a large friend group who all have distinct personalities. Going back to the pacing issues, it would have been nice if they had more screen time. 

All the credit should be given to the animators on this. Apparently this was a combination of 2D watercolor animation and 3D models in what is an impressive output. The film does look like an old-timey fairy tale illustration brought to life. The background animation is gorgeous. However, it takes a while to get used to the movie's look. The coloring is something one's unused to, and and the 3D models juxtaposed against the background don't immediately feel like they're filmed in the same place. When seeing characters from a distance, a couple times it felt like I was watching a recent Dragon Quest video game, and not a Disney movie. But again, one assimilates. The design for Wish is pretty cute and he's probably going to sell merchandise.

The songs by Ben Rice and Julia Michaels don't have the usual Disney magic. Thing is none of them are bad, but they're not memorable. (Too be fair, the villain song ain't too shabby and one of the last songs is pretty good.)

Most of the main cast are also superb singers. One thing you can't criticize about the songs is that they give DeBose the chance to show off her powerful singing voice. Pine is also a surprisingly good singer maybe not as strong as some of the others, but he manages to actually survive singing alongside DeBose.

Recommended. Yes, this isn't top tier Disney and it could've been improved, but this is still a very watchable and enjoyable Disney film. The opening box office for this wasn't great which is too bad because the animators and writers really put a lot of heart into this.

Miraculous: Ladybug & Cat Noir, the Movie

 

5.5/10

This movie version of the popular French cartoon series is a retelling of the show except it's a musical now (I guess to spice things up; best not to worry about it). It's currently on Netflix in the US. In this, young teenagers Marinette Dupain-Cheng and Adrien Agreste are gifted with magical jewelry known as Miraculous which turn them into the superheroes Ladybug and Cat Noir.

This feels like one of those late 80's or 90's animated movies that were not by Disney or Don Bluth. Story feels very basic. Even emotional moments feel very simple. (In fairness, I believe this is for younger viewers.) A lot of this involves Marinette's insecurities which feel very manufactured. There are moments with jokes and other scenes that feel like a little effort when in, so this isn't a complete no-one-tried effort, but nothing really shines.

One may ask why retell the same story instead of coming up with a new adventure? I wouldv'e preferred more creativity, but I can understand why they might want to make this accessible to newcomers. Also, the show was still in production, so I can also see why they wanted to avoid continuity issues.

Visually this movie is excellent. Yeah, this doesn't have a Disney or other American studio budget, but this is the second most expensive French film ever made. One part of what made the show so successful is its fun look to its heroes and villains and their outfits, which clearly sells dolls, and a fanciful depiction of Paris. The larger budget here gives the animators a chance to include a lot more detail. The scenery is so picturesque and the bright use of color is so well done here.    

The songs are pretty innocuous; again that basic animated movie feel. Also, a lot of the songs sound the same. The English singing voice for Marinette (at least I think the speaking and singing were separate people) is, I'll give you that. The background score for this, well at least in the third act, is more effective than the songs themselves.

Not recommended for adults by themselves, unless they're big fans of good animation, but children will probably like it. If your kids are already fans of the show, there will probably be no complaints. Again, this has a bright and colorful look that will definitely catch a lot of younger eyes.

Ruby Gillman, Teenage Kraken

7/10

In Ruby Gillman, Teenage Kraken, the titular Ruby (voiced by To all the Boys I've Loved's Lana Condor) is a Kraken, legendary creature of the deep, whose family have disguised themselves as humans and live in the coastal town of Seaside. Ruby's never been in the ocean and her mother forbids her from entering. However, soon an event will cause Ruby to get in touch with her Kraken heritage.

So, yes, it's the coming-of-age story that was Turning Red but told more simply and not as well. However, by itself RGTK ain't a half bad watch. 

Ruby's likable enough and though this is no Turning Red, her relationship with her mother Agatha (Toni Collette) works well enough. The humor is also decent and the writers were clearly having fun.

The best part is the look of Seaside. It's a very creative looking place that doesn't exist in the real world and is like an American Venice. The design and color for the settings all pop.

At first I didn't think I'd like the character animation. I'm not a big fan of simplistic looks, but I changed my mind on this. All the characters have a unique appearance with differing body and head shapes and the movement animation works gels with the simplicity. Also at first, it bugged me that the Gillmans are able to pass for human when they are blue and have fin ears. However, they explain it away in the movie in a manner that was amusing and worked for me.

Voice acting's alright. The standout here is Schitt's Creek's Annie Murphy as popular new girl Chelsea Van Der Zee. Her voice has this energy to it that jumps off the screen. On the other hand, SNL/Last Man on Eath's Will Forte voices sea captain Gordon Lighthouse, and he doesn't work. Forte's trying but it sounds like he's attempting to be a sea captain rather than actually being a sea captain.

Besides the simplicity of the story, the movie has two weak points that prevents it from being better.: 1) Though Agatha's reasons for not returning to the ocean are explained, it felt like the backstory should've had more detail and tried to hit harder emotionally. 2) The outcome of Chelsea's storyline just aren't as narratively interesting as possibilities you could've come up with in your head.

Kinda recommended. Yeah, it's not perfect and the story goes for basic children's film rather than try to be ambitious, but it's still a fun watch, and I definitely recommend checking out Seaside. This is Dreamworks' lowest grossing animated film at the box office, and it doesn't deserve that. It's much better than the likes of Shark Tale, Antz, Spirit, and Sinbad. Your kids will probably like it; my nieces and nephew had a fun time watching this.

Star Wars: the Bad Batch- Season 2

8/10

In this second season, the members of the genetically unique clone squad known as the Bad Batch continue taking whatever jobs they can to support themselves while trying to stay out of the eye of the Empire.

I felt that this was stronger than the last season. Some may be annoyed that this is more episodic-heavy, but it worked for me. The various situations the characters are thrown into keep things fresh. (The only weak spot would be the episode Retrieval. Not bad but it's the type of story that's been told plenty of times.) Not to say there is no ongoing plot. The show continues to look at how the clones were decommissioned after Revenge of the Sith but before A New Hope. The plight of these soldiers and how they were disposable pawns works surprisingly well as an analogy to the treatment of vets. Though a lot of the stories were misadventures, when things get serious, the writing especially pops; the last two episodes make for a hell of a finale.

I think the writers realized the cyborg Bad Batch member Echo (voiced by Dee Bradley Baker) had the least amount to do last time around, so he gets some development as the one clone who feels they should be acting against the Empire and not just hiding. Tech (also Dee Bradley Baker cuz' y'know clones), the very smart and logical member, is getting a lot more time to shine and it works.

The various locations and background designs make for a real sci-fi visual delight.

Recommend. Can't say the show is as engaging as much as the recent live-action ones, but it's a well written and animated affair.

Puss in Boots: The Last Wish

 

8/10

In this sequel to the first film (which was ELEVEN years ago, I'm surprised Dreamworks is revisiting the property two, but rumor has it they're trying to revive the Shrek franchise), adventuring feline Puss in Boots (voiced by Antonio Banderas) is on the last of his nine lives. When, he hears word of a magical wishing star, he goes forth to find it, but several other parties are also after it.

The last PiB movie was just okay. It was stronger than Shrek 3 and 4 and the montage bit was comedy gold, but it was something you watched once and had no interest in revisiting. So, I was surprised at how much better this one was. It was like the creators of Last Wish made notes of everything that didn't work the last time around.

This is one part a fantasy adventure story. Last Wish has more action to it than any other film in the Shrekverse, and the only one where the fight scenes stand out.  

Problem with the last PiB was that the quest wasn't that memorable. Here though, a lot of thought was put into the enchanted forest that Puss and company journey through. It's more creative than you'd think and has a pure unadulterated, children's fantasy feel to it that I haven't seen in a long time.

This new film revamped the the physical look a bit, which to be honest, was really needed for the human characters. The original Shrek came out during the early days of 3D animation when some films tried to make the characters realistic looking before it became the trend to go with more stylistic designs. These resulted in humans whose appearances haven't aged well. They can look kinda off-putting and uncanny valley-ish. In Last Wish, the people look decent. This movie combines 3D with sort of a 2d-ish cell shadingesque effect that makes everything look stylish and results in action scenes that work really well. 

A lot of thought went into the plot this time around. Dialogue is strong and funny, but it's really all about the characters' personal journeys. Puss has a very solid personal storyline this time, the most solid since the first two Shrek films. (Although I think it's a good story, a lot of people online love it a lot more than me. Maybe I'm dead inside. Ehhhh, I'm not going to let it bother me.) Another thing the filmmakers realized was missing from the last entry was a comic relief character. Perrito (What we do in the Shadows' Harvey Guillen) is basically the Donkey to Puss' Shrek. The super-good-natured, optimistic character has been done before, but Guillen brings such a positive warmth to the dog that he never feels cookie cutter. The relationship between the main trio, Puss, Perrito, and Kitty Southpaws (Salma Hayek), returning from the last film, feels really natural. 

Remember when I said that one part of the film was a fantasy adventure? The other part of this is basically a "The Good, the Bad, and the Ugly" scenario. What really makes this movie and keeps it interesting are all the other characters, with varying levels of antagonism and varying motives, who are also after the star. Goldilocks (Florence Pugh) and The Three Bears are really likable. Wolf (Narcos' Wagner Moura), is the only antagonist in the Shrekverse who's a real physical threat and the only one who's ever been really intimidating. The other foe in this hasn't been shown much in the trailers, so I'll let you find out who they are, but they are definitely one of the funniest parts.

For those with younger kids, be forewarned that this has a lot more death and violence than your typical Shrekverse film.

Highly recommended. Again, the best Shrekverse movie since the first two. I'd rank it below 2 and above 1. It's just a really well told and entertaining story.

Sing 2

7.5/10

In the sequel, koala Buster Moon (voiced by Matthew McConaughey) takes his theater colleagues to the big city to put on an equally big show.

Admittedly, the movie rehashes the basic plot points of the first one. The animals try to put on a performance but face obstacles, Buster makes things difficult for himself by telling a lie, and all the performers have to deal with their own personal struggles.

Also, the various storylines either go very quickly (the subplot about reclusive lion music star Clay Calloway (Bono) really feels like the script is trying to break a record for speeding through the plot beats) or feel stretched out (too much time is given to wolf financial backer/antagonist Mr. Crystal (Bobby Canavale)).

However when you get down to it, the story is told decently enough and has a general sense of fun throughout. The big show they're creating really is imaginative, eye-catching, and well thought out. I would love to see something like that if it existed in reality.

Cast remains strong. (McConaughey really feels like he's giving his all to voice a character and not just do his regular style.) The three new characters brought in, Black Panther's Leititia Wright's Nooshy, a street dancing cat, the aforementioned Calloway, and Crystal's daughter (Halsey). Credit should especially be given to Halsey who's a singer and doesn't usually act. Like McConaughey, she's really playing a character, and when she sings, it feels like she's singing as her character and not herself. I am disappointed that Buster's sheep friend from the last film didn't return, but the cast is already crowded as is.

I was impressed with the animation. The designs of the flashy and/or ornate city buildings look really good. Surprisingly good direction and storyboarding. Many a non-verbal movement and shot feels well-thought out; much is said without a single word a times.

The song selections for this jukebox musical are all pretty good.

Kinda recommended. I can't say this is one of the most robust children's movies made. Nor does it do much to differentiate itself from it's predecessor. However if your kids liked the first, they'll probably like this. This movie feels like it came from a good place and it's a decent time waster. 

Encanto

 

9/10

This new Disney movie follows the Madrigals, a family gifted with magic powers. However, the magic seems to be fading. Mirabel (voiced by Brooklyn Nine-Nine's Stephanie Beatriz), the only family member not gifted with powers, takes it upon herself to find out what's causing the trouble.  

This is definitely one of the more different Disney movies. There's no main villain, including a last act twist one. This is a surprisingly character-based film. I'm impressed by the sheer amount of world building in this. A lot of thought went into the characters and the backstory of the magic. That having been said, the movie does suffer from from having to juggle one too many family members; Mirabel's cousins felt like they had more dimension to them than her own sisters. 

This is a Disney movie, so it's no surprise this is well animated. The detail is strong enough that I could see the hairs on the back of a character's neck.

The songs are from Lin Manuel-Miranda and their really good. Now, I wouldn't say they're Hamilton level. Also, I wouldn't say the totality of the songs are as catchy as some of the best known entries, Disney such as Little Mermaid and Beauty and the Beast. But that's just in comparison to other works. Again, really good songs that should entertain you. Also, "We Don't Talk about Bruno" is a true earworm. 

Highly recommended. This is something the entire family can enjoy. 

My Little Pony: A New Generation

8/10

This new MLP movie on Netflix (intended to sell the new toyline and kick off a new show) takes place in the land of Equestria, presumably long, long after the events of the Frienship is Magic TV show. Magic no longer exists in the land, and the three different types of ponies no longer co-exist and each live apart from each other in fear and distrust.  One earth pony Sunny Starscout (voiced by Vanessa Hudgens) meets and befriends a unicorn Izzy Moonbow (Kimiko Glenn), and the two team up to bring magic back to the land. 

Friendship is Magic became an unexpectedly big hit because it went above and beyond what you'd find in your usual girls cartoon in terms of world building, writing, and characterization. To the best of my knowledge, none of the show's writers worked on this. So the question, is this new world on the same level as the FiM? No, it doesn't quite have the magic it did. Feels a little simplified. It particularly shows in the ponies living in three specific places whereas the show made it clear that many towns and cities existed. (To be fair, the movie's only an hour and thirty minutes, and you can only do so much.)

However, this movie doesn't trail behind the original show by that much. Effort definitely went into this. The script is fun and there are several good lines. Thought is given to the world here. The pegasi mountain city is the most impressive. 

Some genuine heart is given to Sunny's storyline. Her loyalty to the memory of her father, who taught her that all the ponies once lived in harmony, and desire to get the ponies to all get along feels honest and earnest. 

The computer animation in this ain't too shabby. This was originally supposed to be a theatrical release before COVID hit and there is clearly a decent budget. My compliments to the scenery designers; being MLP, the animators are given carte blanche to be as colorful and whimsical as they want. (There is one scene with a tree in a field of flowers that's really pretty.) The direction and camera angles felt very basic. Though, there is one shot in the first act that bridges sudden changes in mood really well.           

Songs are decent. None of them are memorable, but they're not bad.

Recommended for kids or general MLP fans. Again, not on the same level as FiM. Not the most unique work, either. But it is a well made, good-natured work. 

He-Man and the Masters of the Universe (2021)

8/10

Not to be confused with Kevin Smith's other Masters of the Universe entry this year. Mattel went with an interesting strategy: go with a show for the more adult audience (MotU: Revelations) and this, a show specifically for the children. This is a complete reboot of the MotU universe where the Masters of the Universe are now teens. In this, amnesiac Adam (voiced by Yuri Lowenthal) has been raised in the forest by the Tiger Tribe for some time. One day he encounters witch and thief Teela (Kimberly Brooks) who has stolen the Sword of Power and is on the run from villainous foes who want the power for themselves. This all sets up a new journey for Adam as he becomes the hero known as He-Man.

For a redo of He-Man, I thought this was well done. Now, this was clearly made to entertain children and sell toys. Story isn't ambitious with the story (by children's show standards) like the recent She-Ra reboot was. However, it's a fun story. The world building isn't too in-depth, but the writers did made an effort. All the characters are pretty fun and likable. 

Visually, this looks really good. I mean television 3D animation still isn't able to match the larger budgeted theatrical films, but it's amazing the leaps and bounds it has taken. Everything looks sharp, clean and colorful. The design of the world is really strong and sells the fantasy world. The city of Eternus is especially impressive. I mostly liked the new decisions for the character designs and costumes. There are a some rather radical departures, but I felt they worked. (The nose part on the helmet for Adam's tiger friend Cringer (David Kaye) is a bit flat and off for my taste.) As I said, this show looks like it's selling toys, and these characters all will make good ones. They took the basic concept of He-Man, a really ripped guy and multiplied it to 11. He's basically a mountain of muscle and it works. The main players all have superpowered forms/costumes, which probably is a fun concept that the kids will probably like.  

I think grown MotU fans can have fun with this and children will definitely love it. This does have a very basic 80's Saturday morning cartoon adventure feel and there's nothing wrong with that. This makes for nice light watching.

Vivo

9/10

Vivo out on Netflix is about the titular kinkajou (voiced by Hamilton's Lin Manuel-Miranda) who travels from Cuba to Florida on an important mission to deliver a letter. (I know that synopsis is a little vague, but the trailer is also keeping certain things vague, and I don't want to spoil any particular parts of emotional impact.)

This tries to copy the Pixar formula, and I mean that as a compliment. Okay, this doesn't have quite the writing strength or ingenuity of Pixar, but it comes so much closer than most other film studios when it comes to echoing the style, and probably comes the closest to recreating the emotional gut punch that the is known for such Pixar films as Up. The story the creators up with for this is a truly unique and touching one. 

I've seen complaints that the middle is your basic odd couple/road trip children's film. Personally, I'm not hating it. Yeah, it's the type, but I think it's a pretty well done road trip that's boosted with a good sense of humor and adventure and a fun cast. Plus, it's surprisingly well paced; there was one part particular scene that didn't wow me, but that was quickly over and on to the next thing.

I got to admit that Vivo is overshadowed in his own film. The scene-stealer here is Gabi (Ynairaly Simo), the young girl who accompanies Vivo on his quest. She's a wild child and fills the screen with her enthusiasm and jokes, plus she also has some pretty emotional underpinnings behind what she does and her relationships. We also get an amusing trio of girl scouts, each having distinct personalities, whose goals conflict with Gabi and Vivo's. The lead scout Becky is voiced by Scandal's Katie Lowes, while all the other child characters are voiced by kids. Odd choice, and it kind of sticks out.   

This may not have a Pixar or Disney level budget, but this is a really well designed film. There is an excellent use of vibrant color that brings the world to life. Can't think of any children's films off the top of my head that take place in Florida. This really got the general look. But it's during three of the musical numbers that the movie becomes a real visual delight, just some very creative choices and really well animated.

I rather liked some of the character designs in this are pretty good, but a few seem odd. (There's something about the shape of Gabi's mom's head that seems off.) However, it may be unfair of me; the movie does seem to be making an effort of showing different body types. 

Manuel-Miranda wrote the songs in this as well, and they're all good. Nice variation of styles.

Highly recommended. Again, not quite Pixar or Disney but close. A touching story that is enjoyable for kids and adults.

Luca

8/10 

In Luca now on Disney+, Luca Paguro (voiced by Jacob Tremblay) is a young Italian sea monster who's curious about the human world. (Yes, the sea monsters have regular people names. It's best not to think about it too much.) He meets the adventurous, uninhibited sea monster Alberto Scorfano (Jack Dylan Grazer) who introduces him to the surface world, and the two end up deciding to visit a human town (they can take human form) where they befriend a human girl Giulia Marcovaldo (Emma Berman). 

Now, this lacks some of that special narrative backbone or innovation that the best of the Pixar films have. The plot is not the most original what with having clear Little Mermaid similarities, a "learn-to-look-past-people's differences" message that makes the ending predictable, and a traditional bully protagonist with two lackeys. In fact, I was thinking of rating this a notch lower at first. Then the third act came, and they hit all the emotional beats out of the park. The biggest strength to this is the relationships between the three kids and you become invested in their goals and the changes in their journeys.

Giulia's father Massimo (voiced by Marco Barricelli), a large, imposing, yet caring guy, is a fun character, though he isn't in this that much. I also got to give director Enrico Casarosa credit, he does not shy away from the occasional moment of the boys getting physically hurt. I mean it isn't something that happens a lot, but this isn't something you see in many animated children's films.

Being a Pixar movie, Luca looks really, really good, managing to captures the old-timey Italian seaside. The character design is probably the most cartoonish of all the Pixar movies. Yeah, I mean as cartoon characters they all look cartoonish, but the designs really go for the simple, stylized look. Have you seen the Pixar short Luna? Casarosa directed that too; same style.

Again, not one of the best of the Pixar movies but definitely a good watch. I think children will especially love this. Recommended.

Olaf's Frozen Adventure

7/10

Olaf's Frozen Adventure is a short film on Disney+ that shows what the titular snowman (voiced by Josh Gad) did during the first Frozen film between his coming alive and meeting up with Kristoff and Anna. Ever heard of or see Lion King 1 1/2? It's basically the same concept, a series of humorous scenarios linked to the events of a popular movie. It's okay.

This is the definition of innocuousness; there's nothing wrong with it, but it doesn't register much with you either. It's mostly just Olaf wandering around and nothing big enough happens.

Olaf's naivety- and positivity-natured humor and Gad's performance remain true-to-form. There are a couple heartwarming moments. Also the Disney animation remains strong, especially the last scene which looks really, really good.  

This is the weakest of the three Frozen shorts, but if your kids like Olaf, then they'll like this. Running at only eight minutes, this is a quick watch anyway.