Lift

6.5/10

In Lift, master thief Cyrus (played by Kevin Hart) and his crew are recruited by Interpol agent Abby (Belle/Loki's Gugu Mbatha-Raw), who was previously after them, in order to steal a large shipment of gold being transported via plane to terrorists.

This is a fairly basic heist film in terms of characters, dialogue, and set up, but it is still a light, breezy experience that managed to keep my attention. I particularly liked that this was trying to be an escapist film without civilian casualties, but the filmmakers also managed to make the villains fairly nasty/reprehensible enough within the PG-13 boundaries.

The most unique aspect of this is the flight-based heist. I won't spoil anything, but I hadn't a heist done this way before (haven't seen money plane, but I'm pretty sure they're going a different route than Money Plane). This is a popcorn film, and they make the exterior and interiors of planes in this (one of which is first class) pretty appealing with sleek and colorful modern design.

It's kinda apparent that Hart is doing this to prove that he can also be a dramatic/action star. Known for his particular comedic style, he plays it completely straight here without jokes, and he does a decent job. Wouldn't say he's become the most charismatic action star, but he sells the character. Vincent D'Onofrio plays the flamboyant member of the gang and as the actor has proven in The Magnificent Seven and Dumb Money he relishes whenever he can go over-the-top. Attention should also be given to Torchwood/Pacific Rim's Burn Gorman (who is unappreciated in my opinion) as the villain's right hand who brings a little bit of personality to the role.

Kinda recommended. Not the greatest heist movie ever but makes for a passable time waster.

Lupin III: Prison of the Past

7.5/10

In this latest Lupin anime TV movie, master thief Lupin and the gang try to break Finnegan, a famous Robin Hood-style thief, out of a formidable prison in the Kingdom of Dorrente.

This is one of the most lighthearted Lupin movies in recent years. The director Hatsuki Tsuji was a key animator during the second series during the eighties, perhaps a reason for it's more playful, old-school feel. 

The movie's creative in a weird way. A lot of unexpected concepts are thrown at you. Though this isn't the first story where Lupin has had to get out of a prison, this is the best executed. In fact the movie manages to be one of the more memorable Lupin entries in general as it does things a little differently than the traditional formula. (Not to say that you won't find certain Lupin cliches in this.)

Movie's entertaining, but I admit it's not perfect. There are a lot of fun ideas, but, especially in the beginning when the exhibition is set up, you also get a bunch of dialogue scenes that are just okay. Some of the random or goofy parts might be too random or goofy, especially if you prefer more adult or serious Lupin. It's difficult to connect point A to point B when it comes to the villain's plan and how he or she got his or her operation set up in the first place. 

The movie does a good job of juggling all the main cast and having them interact with each other. This is one of those situations where Lupin and his rival Investigator Zenigata end up being in the same boat and have to work together. That's always fun because it doesn't happen too often. I'm liking how they handled Zenigata all together here. The script manages to include him in the main story more than a lot of other films. They also play him smart and resourceful here, which not always interpretation of Zenigata does. Interestingly, this special reuses a character other than the main five. (Lupin is like Scooby-Doo in that's it's a small gang of recurring characters.) Zenigata's assistant Goro Yatagarasu returns from Lupin series six. I'm okay with adding someone new to the formula. Since Zenigata isn't on Lupin's side, it makes sense to finally give him a regular to talk to and interact with. Though the movie might lean a little too hard on Goro's being wet-behind-the-years, he's a decent enough character who's endearing in his earnestness. 

Since this is TV, you can't expect the film to be theatrical quality. The budget only goes to far, but the animators are clearly doing the best with what they have. Especially like the backgrounds in this; nice use of color.

Recommended. Not perfect, but it's fun. Not one of the best Lupin entries, but one of the better ones. Definitely more likely to leave an impression than many of the other Lupin films that tend to merge together in your memory.

Army of Thieves

7/10

This Netflix prequel to Army of the Dead tells how safe/safecracking enthusiast Sebastian Schlencht-Wohnert (played by Matthias Schweighofer, also the director) would become professional safecracker Ludwig Dieter. Not a perfect movie, but I had a fun time.

I like that this is a very different film than Army of the Dead and is trying to be it's own thing. (Say what you will about how Zack Snyder handles films, but I've realized from interviews that when it comes to him creating shared universes he always gives complete respect to the other directors' visions and in case of the zombies' verse gives ample control of other director's films to the director.) The zombies are barely referenced (this takes place in Europe far from the outbreak in Las Vegas). The kills in Amry of the Dead that are gone. This isn't an action horror/ heist film, this is a pure heist comedy movie.

As for the plot itself, it's generally entertaining. There's nothing that original about it, but it's fun and confidently directed. The middle act could've been shorter. The film's major strength and weakness is Sebastien. Promoting supporting comic relief to a lead role always has the risk of the character being overextended and becoming tiresome. (I think most of us agree that Fat Amy pulled focus in Pitch Perfect 2 and 3. The original worked because of the ensemble not just her, gosh darn it!) That's kind of the issue here. The character and the actor's performance proves that Sebastien is interesting and likable enough to take center stage. However, way too many lines are given to the guy. If Schwighofer (man, the names were a pain to spell this time around) just exercised restraint, this would've been a stronger work.

Kinda recommended. This is a nice way to spend your time, it's just not something you have to see immediately.

Locked Down

 

8/10

In Locked Down, Paxton (12 Years a Slave's Chiwetel Ejiofor) and Linda (Anne Hathaway) are a couple in England who've just broken up. However, the COVID quarantine has them stuck in the same house together for a couple weeks. Soon a series of events will occur that will surprisingly lead to them planning a heist. This was an interesting work.

If you've seen the commercials, this may seem mostly about the heist. However, a lot of the movie is the build-up to planning it. This is primarily a character-based comedy, and it works pretty well. Ejiofor provides great delivery with the erudite Paxton and Hathaway brings an energy to the stressed Linda. The movie mostly follows the leads, but you get a good cast of supporting faces, including several well known ones.

The movie has a slice-of-life feel as it jumps from one event to another. I think this is the first film attempt to showcase the struggles of living during the COVID crisis, and it does a decent job of looking at the toll of it.

The dialogue may not work for everyone. It has a sort of stage play feel: a lot of exposition needs to be delivered and can't be done visually due to limited scenery. So, the writer does his or her best to make it all sound natural and doesn't do a half bad, job but can't 100% nail that realism. It took me fifteen minutes or so to get accustomed to the dialogue, especially the cultured Paxton. 

I liked the camerawork and editing in this, everything runs smoothly and there is a slightly more grounded feel than most comedies.

I recommend this. It's a unique. I can't say it's to everyone's tastes, but it's worth giving a chance.