Showing posts with label Children's. Show all posts
Showing posts with label Children's. Show all posts

Saturday, December 21, 2024

Sonic the Hedgehog 3

Grade: A

(Note: This review will briefly discuss an element in the movie that has already been shown through a lot of promotional material. However, said element is kept a mystery for a little bit of the film and if you're coming in completely cold turkey to this, you may want to avoid this review if you want to be completely surprised).

In the third Sonic the Hedgehog movie, Sonic (voiced by Ben Schwartz) and friends must confront the mysterious and dangerous Shadow the Hedgehog (Keanu Reeves) who is angry at the world.

3 differentiates itself from the last two movies by being the franchise's Empire Strikes Back. This is noticeably darker and contains more mature, tragic elements. (Since the movie features Shadow, they drew a lot of the story from his premiere game which had his origin story Sonic Adventure 2, one of the most serious games in the franchise. Yes, there are more serious Sonic games).  This culminates in a touching and well told story about loss and about how we deal with our past. 

Using the Sonic games anti-hero Shadow was always going to be a bit of a risk as they had just already used an equally fast rival to Sonic in the form of Knuckles (voiced by Idris Elba) in Sonic the Hedgehog 2. Of course there was the risk of Shadow being just more of the same, but he manages to feel fresh. Whereas Knuckles was goodhearted but misguided and had a silly side to him, Shadow is bitter and angry and is played completely straight. He works as a great opposite to Sonic. He's also a boss when he fights, being faster than Sonic and friends and has a wider skill set than them, featuring some style of fights that haven't been done before.

As much as I've talked about the darker elements, that's not to say this movie doesn't have jokes. Honestly the more serious parts and the humor manage to coexist really well. That all having been said, I did think they could've cut down on a few of Sonic's snarky lines.

The whole story culminates in the most impressive final battle in the series. It knocks the other two out of the park as it goes full EPIC.

Admittedly due to the movie being plot heavy and having a lot of characters, some scenes and elements felt like they were sped through too quickly. Also, some of the human characters from the previous films don't have much screen time. (I know some people complain about them, but I like 'em).

Shapiro remains a great casting choice as Sonic. He's an expert of displaying bravado in a fun manner, but when it comes the time for Sonic's more emotional side, he's able to pivot so easily. 

Yes, Jim Carrey as Sonic's enemy Dr. Ivo Robotnik, and this time also playing his grandfather Prof. Gerald Robotnik, continues to be one of the highlights with his comic performance. I was worried that Gerald would be played too similarly to his grandson, and while there are similarities between the two, the guy really feels like a separate person. While in the previous, Robotnik has basically been played as a cartoon villain, this movie dives into his past and what makes him tick, and for the first time Carry gets some more dramatic material, and he really manages to knock it out of the park. (Given that in the past Carry hadn't been a fan of making sequels and that he'd said recently that he was planning to retire, the script here makes it completely obvious why he decided to come back as it gave him more to do).

Highly recommended. Director Jeff Fowler and his writers have reached that extremely rare achievement where all three films in a trilogy are good and there is no quality degradation. 3 manages to be as good as its predecessors but in a different way. 

Friday, November 29, 2024

Red One

Grade: B+

In this new Christmas movie, Santa Claus (played by J.K. Simmons) is kidnapped. His bodyguard Callum Drift (Dwayne "The Rock" Johnson) is forced to team up with underworld tracker Jack O'Malley (Captain America's Chris Evans), who was used to locate Santa’s location, to find him.

This is sort of like the movie Constantine. It sounds like a concept that will be done in a very basic manner, but you are surprised to find out that the directors/writers put more effort into it than expected.

Director Jake Kasdan, who directed the recent Jumanji movies, brings the kind of energy he brought in those. The action scenes are well choreographed, and the movie is well placed. Also, the build up to final bad guy is built up to surprisingly well.

More importantly, it feels like Kasdan and the writers had fun with the idea of juxtaposing an action/spy movie with a Christmas movie, with ideas that could've been too obvious in theory that work in practice. What I liked best about this is that instead of going with a more colorful children's type of film, that could've had candy cane fighting staffs, a Santa's village with bright colors and traditional-looking elves in security outfits, this feels a lot more inspired by classical/mythological Christmas that's been getting more popular with the spread of Krampus. I appreciate that this includes a Christmas-related folkloric being that hasn't really been given emphasis in film before, and not just go with only Krampus again (there are actually a lot of other anti-Clauses and other Christmas-related figures throughout world history than you think; Alsac Lorraine has Hans Trapp, a scarecrow that eats children, for instance. No, he isn't in this. Yes, I'd like to see that one day, too).

The "guy-on-the-naughty-list-finds-his-Christmas-spirit-and-his-humanity-again" has been done plenty of times, and I cannot lie that Jack's character progression isn't the most obvious and least entertaining part of this, but I do give the writers credit for realizing that. Red One is kind of the movie Chef in that the redemption story is lean and mean and doesn't bog itself down with obvious "the-character-has-briefly-turned-away-from-what-he-has-learned" tropes. Also, Callum as Jack's conscious honestly gets through to him using some discussions that haven't been done in these films before.

Evans is a highlight of this, as he’s always good at playing the cocky guy. It is also appreciated that while he’s a criminal, they do make him three-dimensional enough and his apathy understandable instead of an over-the-top Ebenezer Scrooge-type.

Johnson on the other hand doesn’t fair as well. He’s being “serious Rock” here and not “charismatic Rock”. He feels wasted, and also it feels a little odd that his character, for a morally good person, is so unpractically aggressive and threatening to Jack, before he even has the chance to refuse to spill information.

The best part of this is the look. The movie’s takes on Santa’s sled and the reindeer are solid reinventions. (Not loving the elves, but it is a choice, and I give the filmmakers props for trying something new). Going back to this being more mythological Christmas-inspired. This has one of the most traditionally cozy-looking Santa villages (remember when they used to make Christmas-themed buildings for model trains? It is like that), and honestly I feel it is one of the best renditions.

The editing can be a little choppy at times, but it isn’t a deal breaker.

Recommended. Admittedly, having to go through the “message-of-the-film” moments again may kill the rewatch value, but this is a fun time. If you liked the recent Jumanji movies, you will probably like this.

Sunday, October 27, 2024

Sing: Thriller

5.5/10

In this new short on Netflix, from the Sing franchise and featuring the popular Michael Jackson song Thriller, Buster Moon (voiced by Matthew McConaughey) and company head to a party, only for the guests of said party to be infected by a strange goo and transformed into zombies. 

This has a pretty good opening, but the rest is unimpressive. Stuff happens, but plot is minimal, and the short doesn't feel fun or visually interesting enough to keep one's attention.

This does manage to maintain several of the big name stars (and their impressive singing voices) from the original films, but no Reese Witherspoon, sadly.

Not recommended. I mean if your kids liked the movies, there's a good chance they'll like this. However, this won't have much of an affect on adults.

Monster High- Season 2

8/10

Continues to follow the exploits of Clawdeen Wolf (voiced by Gabrielle Nevaeh), Frankie Stein (the West Side Story remake's Iris Menas), Draculaura (Courtney Lin) and the other monsters at Monster High. Also, Clawdeen has to deal with being the new Were Ruler.

MH continues to do a solid job of being both entertaining and teaching kids lessons. I also admire this as one of the more progressive shows out there. Characters are still fun, and they do a surprisingly decent job of giving a large cast (due to this being made to sell all the toys) distinct personalities (mostly, I don't think the writers really decided on how to write the ghost Spectra (Valeria Rodriguez)). 

Ongoing plot isn't as strong as the last season, which was kind of impressive in that it had more going on than you'd expect, however the storyline ain't half bad.

Animation is still nice: colorful with distinct character and building design. For a computer animated show, they manage to include more background characters than some others do; really makes Monster High feel populated.

Recommended for kids. Doesn't have strong grown-up crossover (though, I think many will appreciate how modern some of the lessons are). I think kids, particularly the main demographic of young girls, will like this.

Saturday, October 5, 2024

Monster Summer

7/10

In Monster Summer, kids on a small island town are being attacked and turned into shells of themselves by a mysterious being. Young Noah (played by The Black Phone's Mason Thames) teams up with grizzled, retired cop Gene (played by Mel Gibson) to track the monster down.

This is one of those movies like Monster Squad (or the 1999 TV movie the Darklings; highly underrated), it's kind of a kids film, but the content is edgier than expected. The movie earns its PG-13 rating.  A lot of this feels like traditional children's fare and there's no explicit violence, but the threat is dark and dangerous and the finale is surprisingly tense.  (It's kinda like that Nancy Drew movie with Millie Bobby Brown where people were surprised with how close the villains were to messing Nancy up.) The biggest "Wha...?" about this that there are straight up references to child predators/abductors and the characters compares the antagonist to them. They never specify what child abductors do, but it's still shocking coming from a movie with more basic children's leads and shenanigans.

Admittedly, the mix of light and dark and this sort of retro old-school darker 80's kids movie feel works in Monster Summer's favor. It is a unique blend that made me nostalgic for the yesteryear of children's movies. Can't say the movie is perfect. You're just thrown into the plot and the characters. I wished Noah and friends were introduced more naturally (the movie doesn't mention that Noah has a little sister until like a half hour after you meet him and his mom; she's just there all of a suddenn), seeing them hanging out and living their lives more before the poop hits the fan. 

The look of the movie also goes for that old school 80's and 90's feel. This is the second film from Wizards of Waverly Place lead David Henrie, and for a newbie director working with a small budget, he does fairly well for himself. He uses too many closeups, but he's got some solid stuff going on too like some nice panning shots of the island and he manages to make the villain's car intimidating as of itself. Speaking of the island, they picked a pretty photogenic place to film.

A lot of the casting is just alright, but the few known actors they got for do this do lighten up the proceedings. Gibson gives the best performances and is probably the most interesting character in this. Also, the characters of Gene and Noah just work really well off of each other. Credit should also be given to King of Queens' Kevin James, who seems to be in this just to show everyone that he does a really good southern accent. (It's weird. Between this and Becky, it seems that lower budget, lower profile films are the ones that really managed to let James shine as an actor).

Recommended. Admittedly, Monster Summer feels a bit confused as to who its demographic is, but it makes for a decent watch and its divergence from the norm keeps things fresh. (Also, watch The Darklings if you can find it. It's a kids' version of Rear Window.)

Saturday, August 31, 2024

Total Drama Island (2024)- Season 1

8.5/10

The reboot of the long running Canadian cartoon franchise sticks to the original concept: a bunch of teenagers compete on an island (northwestern, not tropical) for a million dollars.

I'm pleased to say that this really retains the original feel of the show. You've got a cast of distinct, likable, and funny characters. I particularly like the plucky Priya (voiced by Homeschooled's Farzanah Haqq). She was raised by her parents for her entire life to compete on this show. They could've portrayed her as being hardcore or completely lacking social skills, but I liked that they wrote her as positive and nice, and you can't help but root for her.

Dialogue is fun and the writers come up with a lot of crazy, over-the-top situations and challenges for the campers. Also, the show still has its gross humor, which I wasn't fond of, but a lot of kids will probably love.

It may bug some how over-the-top straight up dangerous and deadly a lot of the challenges the show's host Chris McLean (Terry McGurrin, the current voice of Snoopy) comes up with. They've really flanderized the guy with his sociopathic desire for ratings and causing suffering for his own amusement. The challenges feel kinda crazy when compared to earlier seasons and all credulity about how this show is even allowed to continue is thrown out the window. However, it's a kids show, and realism probably isn't a priority. 

Also, almost every episode seems to involve the island's animals. The characters being attacked by random critters loses its impact after a while.

Highly recommended. This is one of those shows that has elements that appeal to both younger and older audiences.

Sunday, August 4, 2024

Saving Bikini Bottom: The Sandy Cheeks Movie

5.5/10

In this new Netflix film based on the SpongeBob SquarePants show, all of the ocean town of Bikini Bottom is stolen by mysterious forces from above. It is up to Sandy Cheeks (voiced by Carolyn Lawrence), the squirrel scientist who lives underwater in diving equipment, and SpongeBob (Tom Kenny), the constantly optimistic fry cook, to save the town and their friends.

I give this movie points for having a more original plot than the last film, which had too many similarities to the first one, and I give the creators credit for creative randomness and just trying to have fun. But the jokes are really hit and miss. The plot ideas in here are all just okay; nothing that is particularly strong. 

I do admire for them giving the focus to Sandy, who to be honest doesn't get as much spotlight as some of the other characters (at least back when I saw the show, it's been a while). Heck, she's had so little to do in the last three films. I fear that the show's writers didn't have as much fun writing for her as the other main characters, but here they do manage to pull off the character being the center of your attention. There are many weak points, but Sandy is not one. She's always been the most adventurous of the characters and works well as someone facing a lot of physical obstacles. Also, her camaraderie with SpongeBob is so natural. The sponge himself also remains on point in his writing and his lovable personality. 

The animation like the jokes and story is hit-and-miss. Main characters and main props look good, but ancillary characters and parts of background don't feel as smooth. I do give the animators credit for doing such a good job translating the colorful 2D world of SpongeBob to 3D. Also, the slapstick and general motion animation are really smooth; the animators and storyboard artists really put their all into this..

Not strongly recommended or not. This is one of the weaker SB films, which is too bad, because it is clear that the directors and writers cared and were trying. If you're an adult SP fan, this like a lot of the later material just isn't the franchise at its finest, however kids probably won't have a problem with this, and it's an easy film to sit through.

Sunday, July 21, 2024

My Adventures with Superman- Season 2

8/10

In the new season, Superman (voiced by The Boys' Jack Quaid) uncovers the truths of his origins while still being the target of the government agency Task Force X, now run by the far more zealous and dangerous Amanda Waller (MadTV alumni Debra Wilson). 

Glad to say that the show keeps up the quality. MAwS gets more serialized and serious. The final bad guy is appropriately hateable and dangerous and superior to season 1's Parasite.

MAwS continues to do what makes the show strong: solid new takes on Superman. The whole Superman origins thing isn't exactly anything that hasn't been done before when it comes to the general plot points, but yet they somehow managed to make it feel fresh and entertaining. Same applies to the season finale final battle. It doesn't do anything that hasn't been done before, but it's done so well. A lot of animated shows these days are signed up for two seasons due to how long the animation process can be, and I think the writers were perfectly willing to let this be a series finale and a gratifying conclusion if the show didn't do well. They really nail the emotional bits here with characterization being a real strong point.

Though I mentioned that the show gets a little more serious, the comedic aspects and more light-hearted feel to the world than compared to some DC adaptations sitll exist. The writers are definitely having fun with the cast of characters they've created. They clearly seem to love writing for goofy sports reporter Steve Lombard (Vincent Tong). Unfortunately due to the smaller number of episodic stories, the supporting characters don't get as many chances to pop up; so, not that much Steve overall, which trust me is a bad thing.

I also like how ambitious they are with the end credits animation, changing it to fit with each episode's plot.

The biggest weak point is that the characters' struggles feel a bit obvious and trite. Lois Lane's daddy issues are just really basic and so many shows have done this already. Though the idea of Superman being seen as a threat due to his being alien is a compelling idea, the way they handle it isn't. The dialogue of those who don't trust him never feels how someone would talk about it in real life. (In fairness though this is an Adult Swim show, MaWS was originally meant to be a family show and appeal to children.)

Recommended. I preferred the first season a little better, as the episodic episodes tended to be the more enjoyable, but this is just a well-written, animated, and acted Superman show where everyone cared about the final product.

Wednesday, July 17, 2024

Descendants: The Rise of Red

6.5/10

In the fourth Descendants film (on Disney+ and Disney Channel in August), former villain and pirate Uma (played by Black Lightning/A.N.T. Farm's China Anne McClain) becomes the new headmistress of Auradon Prep. She decides to give a second chance to the kingdom of Wonderland, which has been sealed off from the rest of Auradon, and invites Princess Red (Gabby Duran and the Unsittables' Kylie Cantrall) to attend. Her mother The Queen of Hearts (actress/singer Rita Ora) uses the opportunity to sneak in her troops and stage a coup. Red, who doesn't want to be evil like her mother, and Cinderella's daughter Chloe (Malia Baker) use a time travel device to go back in time in order to stop the event that turned The Queen of Hearts evil.

This is a movie that starts out promisingly, I even initially thought it would be better than Descendants 3. The first act does an effective job of setting up the characters and plot. The second act has fun introducing the past younger versions of various famous Disney characters. However, things start falling apart by the end. Characters seem to be forgotten and tossed to the side, but it's especially the ending that feels lackluster. It doesn't have the traditional big emotional moment and spectacle you'd expect for the finale; it just kind of ends. The weirdest thing is that this doesn't go where you think it'd go based on comments and set up earlier as well as the usual tropes for person-goes-back-in-time-and-meets-their-younger-parents stories. People online were speculating that scenes were cut, but the executive producer gave an interview and apparently that wasn't the case. They intentionally made these weird decisions. Also, it's a time travel movie, so it's always a headache figuring out the rules.

The strongest part is the growing friendship between Red and Chloe, the core of the story and only part that is done without complaint. Red has the better characterization and personality, but Chloe has the better progression as the privileged princess learns everything isn't always black-and-white. However, I feel it's because of the filmmakers' dedication to this storyline above all else that other aspects fell to the wayside and supporting characters were treated like chopped liver.

This has a completely new director and writers from the original trilogy. There is a bit of change in tone here as this entry feels a little darker and more serious (by Disney Channel movie standards I mean). It works when it comes to the stakes; The Queen of Hearts is much more dangerous than any previous villain in these films. However, I felt things got a little unpleasant for a movie where people in bright colors sing and dance. Whereas the villainous not-great parents in previous movies where portrayed as comical, the ones here are straight-up verbally abusive. I honestly think this might hurt replay value, because some may just not want to go through the hard moments over again. Also, I feel there are less "fun" scenes as in the past. I feel the writers were too obsessed with "the hero's journey and struggle" than remembering this is a kids' movie and just trying to have fun. (This movie is weirdly like Disney Channel's Teen Beach 2, a sequel that went darker, made things weird with time stuff, and feels slightly disconnected from its source.)

On the visual side, you can't fault this. Again, this movie has a budget that's not theatrical level but not exactly shabby. In fact, I think this one might have had a slightly higher budget than the previous films. A lot of the sets look great (Wonderland is pretty impressive) and has this childish sort of fantasy fun to them. Admittedly, the places that feels like they were filmed on location fail a little in comparison and Merlin Academy (Auradon Prep before it became Auradon Prep) feels a little too simple and austere. 

Again, this movie continues a one of the trademark parts of the franchise: the costumes. Again we get delightfully over-the-top and colorful outfits with the villain ones going with this leather sorta child's version of cool and edgy. While the lead characters' outfits are good, they are not quite as distinctive as those of the original stars. However, there is one standout: the Queen of Hearts' outfits. They're flashy and delightfully over-the-top with a dress front designed to resemble a rose. (Though, I don't think her hair style when worn long really with the rest of her look.)

Again, the Descendants continue to have surprisingly entertaining song and dance numbers, provided they're kids' pop. The choreography really goes all out. The dancing for the villain songs in particular hits a lot harder than you'd expect for a children's film. Some of the songs are just okay, but there are some pretty catchy ones, especially the villains songs. The song for Uliana (High School Musical: The Musical: The Series' Dara Renee), Ursula's younger sister, is particularly catchy and The Queen of Hearts' song is one of the best instances in quite a while of a song providing the exposition.

As has been the case again, we've got a pretty good cast here. Cantrall is likable as the rebellious but well-meaning Red and has a great singing voice. However, it's Ora who's the star player. She really hams up the Queen's coldness and has the best singing voice in all of the franchise. She slays her number.

This is one of those movies that is hard to rate and recommend or not. Some will enjoy the look and musical numbers of the whole. I think kids in particular will be less picky and happy with what they get. However, I think a lot of people will also be frustrated with the experience. I know Disney Channel movies aren't known for their well-thought out plots, but I am genuinely confused with the writers' reasoning and their potential disdain for a traditional  story structure.

Saturday, June 22, 2024

No Time to Spy: A Loud House Movie

7/10

In the second animated film based on the Nickelodeon cartoon show (whereas the first was on Netflix, this is on Paramount+), the Loud House family go to a tropical getaway for the wedding of their grandfather Pop-Pop/Albert (voiced by Piotr Michael, who performs a lot of sketch characters on Jimmy Kimmel Live!) to ex-secret agent Gran-Gran/Myrtle (voice actor Alex Cazares, replacing Jennifer Coolidge in the role). While they're there, Loud son Lincoln (Bentley Griffin) and Myrtle run into the forces of her old enemy Dr. Dufus (The Fantastic Beast movies' Dan Fogler).

This is definitely a stronger effort that the last LH movie, which felt rather basic and like the creators were struggling to come up with an idea to last an entire film, and feels slightly stronger than the film of the LH's spin-off The Casagrandes. The plot, while nothing stellar is a decently structured effort with the emotional message at the ending of the film being the one element that really stands out. The humor ain't too shabby with the jokes coming fast-and-loose; one joke that may not work for you is quickly being replaced by one that may. The funniest part is definitely the strangely good-natured henchman who always seem to have the best lines. Also, the comical action scenes aren't too shabby.

The biggest flaw is that Lincoln's constant need to go on a spy mission with Myrtle, despite everyone trying to focus on the wedding, does feel a little too selfish and poorly thought out for the character.

Also, like the last film, Lincoln is the main lead. The whole family is there, but none of them are given a specific spotlight. One'd think they'd go for a change of pace and give one of the many Loud sisters a bite of the main plot. Also if you're a fan of Lincoln's best friend Clyde (Jaeden White), he again is relegated to basically a cameo, which admittedly makes sense given the large cast and the change in settings in order for the movies to feel like something different.

The simplistic, but distinctive character design is interesting. The look of Fifi (Strangers with Candy's Amy Sedaris), a comic relief tourist, is especially eye-catching with her noodle-thin body, long pointed noise, and wavy hair. It's hard to compare her look to anything. As is the case with the show, the color palette is a little too muted for my taste.

Either a good or bad thing depending on your opinion, this isn't a musical like the last film.

If you're a parent who's very conservative about the violence you're children see, there is a a moment where a female character is struck surprisingly hard. I mean nothing PG-13 or anything, but you just usually see a children's show like this go so hard.

Recommended. The movie won't differentiate itself from the average made-for-TV/streaming children's film, but makes for an entertaining affair that I think will please the fans.

Sunday, June 9, 2024

Big City Greens the Movie: Spacecation

7.5/10

In this Disney Channel/Disney+ movie, the Greens, a family of farmers living in the big city, end up going to space in order to farm space crops for rich scientist Gwendolyn Zapp (voiced by SNL's Cheri Oteri).

The first half or so, admittedly, does feel a little like a stretched out version of the show. Usually, an episode has a traditional someone-learns-a-lesson-after-letting-things-go-a-little-nuts structure which takes up fifteen minutes. Here, we have the same blueprints trying to be applied across a full hour and twenty-two minutes. However, things really pick up in the second half when the conflict kicks into motion. The outer space and sci-fi technology setting really make for a good physical threat for the Greens, plus it is something that elevates this as a movie and something a little different from the show. 

The movie includes the show's trademark humor: the sometimes silly and sometimes clever kind that works for adults and kids. (This show doesn't get enough credit for being arguably the best written children's comedy currently on.) There are even a few delightfully dark bits.     

This is yet another episode where Green son Cricket (voiced by show co-creator Chris Houghton), ends up causing chaos when he purses something he's told not too. Usually, the formula works because his scampishness doesn't usually cross the line too much. Here however, he goes too far and feels a little too selfish. This is used to make a point in order to create a more emotional storyline than usual, but I don't feel the movie properly condemn him for his behavior. 

Houghton does still excel at Cricket's high energy and confidence, and Marieve Herington still excels with her unique salt-of-the-Earth accent as empathetic but odd Green daughter Tilly. We get a newcomer in Hamilton/Girls5eva's Renee Elise Godlsberry, who is clearly having fun with a commanding voice as stickler-for-the-rules space captain Colleen Voyd (one wishes she had more time in this).

If you've been watching the show and have been disappointed that Zapp hasn't been in any recent episodes, you'll be pleased with her presence here. (Though some may be disappointed that the movie doesn't include the show's main baddie Chip Whistler, but I give the creators credit for going with what chaacters fit the story.) Zapp is a nutty lady whose priorities are much different than others. I feel a little bad that Oteri's career after SNL kinda plummeted, because between her delightfully wacky vocal inflections matched with the character's goofiness and unpredictableness, Zapp makes for the most entertaining person in the film. 

The movie focuses on the main characters, which is a good call when you're trying to write a tight script and don't want to focus on too many of them. However, that means popular recurring faces don't appear or are given very little to do. 

I wouldn't say the songs in this are the greatest ever, but there are some solid ones. I've relistened to them several times.

The animation is like that of the show but a little better. The color seems to be a little brighter and there appears to be a greater frame rate to the characters' movements. The action scenes are pretty fluid for a made-for-television budget.

Recommended. I wouldn't say the movie is as good as some of the show's best episodes, but it definitely is a fun time and your kids will probably like it.

Saturday, March 9, 2024

Tiny Toons Looniversity: Spring Break

6.5/10

In this spring break special for the Tiny Toons reboot on Cartoon Network/Max (coincidentally or not the original also had a spring break special), the Tiny Toons crew go to visit their families for spring break. 

This is alright. Everything comes together in the end for a satisfying, heartfelt finale and there's some decent humor, but this is a weaker entry when compared to several episodes of the show. For a longer special, it doesn't go big enough. Though Looniversity has some good storylines, the show has become more reliant upon teaching lessons and, due to the university setting, a more grounded use of characters, resulting in more relationship/character oriented stories. One can miss the more free-form stories and comedy of the original.

Kinda recommended. Kids will probably be fine with it. If you like the show, you'd probably be satisfied. 

Sunday, December 17, 2023

Hamster and Gretel- Season 1

8.5/10

In this new Disney Channel cartoon from Phineas and Ferb co-creator Dan Povenmire, elementary school-aged girl Gretel (voiced by Povenmire's daughter Melissa) and her hamster Hamster (SNL alumni Beck Bennett) are granted superpowers by aliens and become superheroes. Meanwhile, Gretel's brother Kevin (Love, Victor's Michael Cimino), who was standing right there and got diddly squat, ends up in the thankless job of being the guy in the chair and trying to coral his young and impetuous sister.

If you've seen P&F or Milo Murphy's Law, it's the same kind of humor. Stuff that's clever enough for adults and goofy enough for children. What we get is a bunch of varied and enjoyable villains of the week, who are a fun bunch with goofy gimmicks. Though the episodes are mostly self-contained, the show does a decent job of building the world upon existing characters (I thought the villain Professor Exclamation (MadTV veteran and prolific voice actor Phil LaMarr) was a little one note at first, but he and his single-minded inability to be chill and get over his tragic origin (which is kinda silly) got sorta interesting to watch.)

The three main characters make the show. Kevin is a solid straight man/fall guy who has to deal with helping his sister amongst the various insanity thrown at her There's something about Gretel that's just so darn contagiously optimistic. At first I thought Melissa's casting was just a case of nepotism, but her voice really grew on me. It's got a unique quality. Funniest character hands down is Hamster. He's the one who's surprisingly cool and laid back. Bennet's naturally deep tone is accentuated here and he manages to make delivery that is always in the same tone be consistently funny. Originally the writers had him as a guy of few word like P&F's Ferb, but I think they quickly realized what a personality expert one-liner they had on their hands.

Highly recommended. Show is just fun. On the Povenmire scale, it's below P&F and above Milo Murphy's Law.

Saturday, December 16, 2023

Chicken Run: Dawn of the Nugget

7/10

In this Netflix sequel to the popular 2000 claymation film, the chickens are living a happy existence away from man but now must deal with an ominous new modern chicken farm being built nearby.

At the very beginning I was a little hesitant. The plot's bones felt a little predictable with the story being the chickens breaking into a chicken farm instead of out of it (they even state the obvious fact in the movie) and there being a subplot of a child and parent at odds and having to understand each other. Luckily, the predictability didn't become an issue once we get to the farm. DotN feels like it's from a 70's dystopian sci-fi film if it was made for kids. What happens in the fortress is dark but hidden under an extravagant/colorful facade, and how they contain the chickens is a little freaky. If you miss the "dark" children's films from yesteryear than this might be for you.

The movie is fairly entertaining. The humor is mild but there are a few good moments, including one joke that is pure genius.

Since this is an Aardman film, the claymation looks great. Everything is colorful and all the characters have distinct body shapes to them. Visually the cinematography is active and feels like how'd you shoot a live-action film. (The intro to the main villain is so well paced with its build up.)

Recommended. Not saying this is the best kids movie ever, but it is something your children may have fun with and the captured chicken scenes really stand out.

Saturday, November 25, 2023

Wish

7/10

In the new Disney animated film Wish, the island kingdom of Rosa is ruled by the sorcerer king Magnifico (voiced by Chris Pine). People give him his dreams (LITERALLY) in return for him using his magic to bring them to reality someday (which he does sporadically throughout the year). Teen Asha (voiced by the West Side Story remake's Ariana DeBose) becomes disillusioned with the system and wishes upon a star for things to change. An anthropomorphic wishing star named Wish falls from the sky and helps her to make things right.

The best part about this is the story. Rather than being another adaptation of a classic fairy tale, this is a completely original story of the type, and it's a rather original idea at that. How the whole wish storage works was creative and done well, and I really gelled with the movie's emphasis on the importance of wishes. The third act is really where it comes together with an emotionally resonant climax.

However, there are flaws to the narrative. I fear this is a Fox and the Hound/Great Mouse Detective/Atlantis level Disney film and not a Frozen/Little Mermaid/Beauty and the Beast level one. This is one of the most exhibition heavy Disney films (at least in the first half) and parts can be a bit dry, a term you don't usually associate with Disney. The natural comedy/song flow doesn't work here. The songs pop up at unnatural times where you just want the story keep going, another thing you'd never think you'd hear about Disney. These issues do dissipate by the aforementioned third act.

The best element of the story is probably Magnifico. I think Disney got the note that people miss the classic straight-up evil/not hidden Disney villains. They give him a backstory that explains why he is the way he is, but if you're tired of all the three-dimensional/tragic villains these days, the movie doesn't lean too hard into that at all. Magnifico is portrayed as an unabashed egotist which makes him come off at times as little funny and others times as threatening or delightfully despicable. Unlike most Disney villains that want to acquire something, his whole motive is holding on to what he already has. You also see him morally descend, which is a little different for Disney baddies ('cept maybe Gaston, but he never tried to be benevolent in the first place). However, I thought his losing it s*@! felt a little too rushed. He's also, I believe, the first Disney villain since the Queen of Hearts to be married. His wife Queen Amaya (Life in Pieces' Angelique Cabral) has a solid purpose for being in this story, but I'm not loving the dialogue they gave her in this; felt weak.

Admittedly, Asha is a little in the cookie cutter vein of Disney Princess/similar female protagonists, but I felt they gave her a personality and motivation that was tailored to the scenario. DeBose did a fine job of making the character empathetic to others and determined. 

Likable supporting/comedic cast in this. Asha's talking goat Valentino (voiced by Alan Tudyk who's become a Disney movie regular for the last decade), is one of the funnier animal sidekicks (has some of the better one-liners). As always, Tudyk is great with the delivery. However, he's using the same voice he used for Clayface on Harley Quinn. If you've seen the show, it's hard not to disassociate. Asha, has a large friend group who all have distinct personalities. Going back to the pacing issues, it would have been nice if they had more screen time. 

All the credit should be given to the animators on this. Apparently this was a combination of 2D watercolor animation and 3D models in what is an impressive output. The film does look like an old-timey fairy tale illustration brought to life. The background animation is gorgeous. However, it takes a while to get used to the movie's look. The coloring is something one's unused to, and and the 3D models juxtaposed against the background don't immediately feel like they're filmed in the same place. When seeing characters from a distance, a couple times it felt like I was watching a recent Dragon Quest video game, and not a Disney movie. But again, one assimilates. The design for Wish is pretty cute and he's probably going to sell merchandise.

The songs by Ben Rice and Julia Michaels don't have the usual Disney magic. Thing is none of them are bad, but they're not memorable. (Too be fair, the villain song ain't too shabby and one of the last songs is pretty good.)

Most of the main cast are also superb singers. One thing you can't criticize about the songs is that they give DeBose the chance to show off her powerful singing voice. Pine is also a surprisingly good singer maybe not as strong as some of the others, but he manages to actually survive singing alongside DeBose.

Recommended. Yes, this isn't top tier Disney and it could've been improved, but this is still a very watchable and enjoyable Disney film. The opening box office for this wasn't great which is too bad because the animators and writers really put a lot of heart into this.

Thursday, November 23, 2023

The Naughty Nine

6.5/10

In the Disney Channel/Disney+'s The Naughty Nine, kid Andy (played by Winslow Fegley, who's name you might not know but he's been a lead or at least main character in a surprising number of films recently) doesn't get a present from Santa Claus (Lethal Weapons' Danny Glover) because he's on the naughty list. Feeling cheated, the self-serving Andy decides to assemble a crew of other kids on the list in order to break into the North Pole and get the presents they wanted.

What follows is an average Disney Channel story. The characters, the moral lesson and the plot are alright. However, the film never reaches as high a beat as it could have. The idea of a Christmas heist film is a good one, and one watches it and cannot ignore the wasted potential and think how this could've been done better. Still, this is from the jaded adult mind. I don't see your children being so picky.

This is a Disney Channel movie in which there isn't a theatrical film-level budget, but the budget is higher and the creators put more effort in than you expect. The North Pole/Santa's Village doesn't look half bad. (Would've preferred more variation with the various buildings, but I'm probably nitpicking.) Sets, effects, and costumes are all colorful. The outfits in this especially stand out.

The child actors here are on average just okay. The two actors who play Andy's parents I felt weren't so great. (Though in fairness, it could be the script and direction. They're the type of parents who aren't aware of their child's wrongdoings and they come off as kinda dumb.) The advertisements for this stress that Danny Glover is in this, but he isn't in it that much, it's the situation where the famous actor clearly came in for one day's worth of filming.

Recommended specifically for children. For adults, you've probably got other films that are a better way of spending your time, but this will probably pique children's interest.

Saturday, November 18, 2023

Goosebumps- Season 1

7.5/10

In this the second show to be based on the popular children's horror series by R.L. Stine, a group of teens accidentally open a secret room unleashing a collection of cursed objects upon their town.

I give the creators credit for doing something other than the same ol' with the Goosebumps style. Instead of the more colorfully shot tales like with the original stories and the films that star children, this has the leads being teens and the story being told with bleaker lighting and somewhat more grounded writing. The show has more weight and story than your regular Goosebumps. I rather liked the whole backstory of the secret behind the accursed objects and other forces. This took a few risks for a Disney+/Hulu family program. However, the show still manages to be macabre and scary without crossing content lines. (Parents be forewarned that the very last episode is more violent than the entirety of the rest of the show.)

Though a more serious Goosebumps, the writers are having fun. There's a decent amount of humor to balance the tone.

The main teens though maybe not the most standout characters, are all good enough. This is another one of those "teens with parental problems" shows. The show doesn't do much new with the formula. I'm so tired of every series/movie starring teens having emotional trauma issues. I get it, a lot of people in this world don't have super parents, but seeing this done ALL the time is exhausting and kinda depressing. Can't we just have teens going on an adventure that focuses on just the adventure and not their problems? At least the parental issues in this aren't as strong as they would have been if this was more of a teen/adult show.

Standout in this is Justin Long (who'd have guessed at the start of his career that he'd become so associated with horror?) as the teens' teacher Mr. Bratt. He gives a pretty lively, offbeat performance. Childrens Hospital's Rob Huebel (who I'm surprised isn't in more things as he's good with drama or humor) is also pretty watchable as a semi-ineffectual school counselor.

Recommended. Goosebumps purists may not love the somewhat radical changes, but this managed to deliver something new without feeling like its completely discarded the elements of the books.

Wednesday, November 15, 2023

Villains of Valleyview- Season 2

6.5/10

The second season of the Disney Channel sitcom continues the misadventures of the Maddens, a retired supervillain family, as they live in modern suburbia.

Best part of this continues to be the friendship of the polar opposites bad girl Amy Madden/Havoc (played by Isabella Pappas) and the sunny Hartley (Kayden Muller-Jansen). They work so well off of each other. The rest of the cast remains strong, the humor is still decent and something kids will probably enjoy, and I like the effort they put into the costumes.

Though the family loves each other, the writers lean in even more on the insult humor between each other even more this season. Parents may not love the example it sets, and besides that, it gets a little tiresome.

Youngest child Colby/Flashform (Stuck in the Middle's Malachi Barton) continues to feel unnecessary. Don't get me wrong, Barton delivers his A-game, but as the youngest the writers always feel at a loss as to where to put him. He doesn't get to associate with many his own age and is mostly relegated to B-plots where he interacts with his parents.

The show started with the characters trying to change their ways and seeing the value of good, but this season went in a weird place. The way they portray villains as being mostly lineages has resulted in them being shown  a little as a mistreated class, which seems to disregard the importance of moral choices. A little weird for my tastes and again not a great message for kids.

Kinda recommended. I think your kids will really like it. As a show by itself, it's got a lot of good things going for it, but it's also hampered by its weaknesses. 'Course I might be giving a Disney Channel show too much thought.

Sunday, October 22, 2023

Once Upon a Studio

8.5/10

In this short Disney special, the characters lining the animation cells on the walls of the Disney Studio come to life and come together for a photo.  

Now this is how you do an anniversary special! OUaS really covers all of Disney history. Not just the popular characters but the ones from EVERY single Disney movie. 'Course some get more spotlight than others but directors/writers Dan Abraham and Tent Correy make the effort to give the less famous guys lines and have them mingle with others.

The nice thing about animation projects with short run times is that more effort can go into the animation as the budget isn't spread around as much. It also all looks standard big budget Disney. What is so impressive is that all the characters feel like they were scooped out of their respective time periods as their animation and design are all tailored to their original periods.

Recommended. I mean it's light entertainment that's basically "remember this," and I guess it's not required viewing. However, it is an enjoyable 9 minutes and a big treat for animation fans.

Friday, October 13, 2023

Monster High 2

6/10

In this made-for-TV Nickelodeon sequel, Draculaura's future practicing witchcraft is threatened when witches attack Monster High. Plus, Clawdeen's attempts to make the monster world more progressive is threatened by returning student Toralei Stripes (played by Salena Qureshi).

First film was stronger. I miss a bit of the humor from that one. The main villain pales in terms of personality and motivation in comparison to the last movie's one. MH2 is all about the three main leads trying to stop the war between vampires and witches. They talk a lot about the reasons why to be sympathetic with witches, but we don't get to see enough benevolent witches, so it's hard to see how peace can be achieved when the understanding is one-sided.

That all having been said, I do credit the writers for putting effort into the plot. This could've been complete fluff and general Nickelodeon hijinks but the movie has a clear message about getting along and diversity. Thought was given into the whole history of the witch/vampire war and the whole affair does feel like a genuine threat to monster kind.

Songs, except for one that pits Clawdeen Wolf (Mila Harris) against Torali, aren't very memorable, but I wouldn't say any are bad either.

Sorta recommended. Not the greatest children's movie ever made but decent, and kids will probably like it.