Violent Night

 

7.5/10

Santa Claus (played by Stranger Things' David Harbor) delivers presents to wealthy Gertrude's house, which at the same time has been taken over by a heavily armed group of thieves. It's up to St. Nick to fight the robbers and save her family. So, yeah, this is exactly Santa Claus in a Die Hard.

Yeah, Violent Night was advertised as a tongue-in-cheek action film and it delivers. The majority of this is the writers trying to come up with inventive, Christmas-themed kills, and they pretty much nail it. (Bear in mind, if this is the sort of thing that bugs you, for a movie that's trying to have goofy fun, the civilian death count is higher than you'd expect.) 

The violence is pretty much why people will watch this, never mind the plot. The script itself is uneven, featuring some fun or clever parts and some that are just okay. Santa is well characterized and his interactions with the matriarch's granddaughter Trudy (Leah Brady), a true believer in Christmas, are well handled. However, the rest of the family are just kinda there, or in the case of Trudy's aunt's family, a little too cartoonish and one note even for this.

Harbor, who I noticed with his new found-fame often picks the let's-have-fun projects like Winter Soldier, Hellboy, and that Netflix special he did, knows exactly what's he's supposed to do in this, playing a jaded  and entertaining Santa, and he definitely nails the John McLaneesque hero-thrown-in-the-fire-pan role. Admittedly, a lot of the cast, played by people I've never seen before, are just alright. To be fair, the script isn't Shakespeare. The two actors who do make the dialogue work are the other two known actors in this, Beverly D'Angelo as the tough, no-nonsense Gertrude and John Leguizamo as the robbers' leader Scrooge (his codename, don't worry about it). Credit should especially given to Leguizamo. Lesser actors probably wouldn't have made the dialogue work. Though Scrooge has a good backstory, he's a basic Christmas villain who happens to have beef with the holiday. Leguizamo really manages to bring personality and conviction to him. Okay, still not the strongest antagonist ever, but it's a solid performance. 

Recommended. I mean, the movie earns its R rating, so if violence isn't your thing then it isn't your thing, but I think most people will have a good time. 

Avatar: The Way of Water

 

6.5/10

This sequel to the highest grossing movie of all time takes place many years after the original. On the planet Pandora,  Jake (played by Sam Worthington) and Neytiri (Zoe Saldana) now have a family of four kids. Soon, they're under threat from the returning Earth military and end up seeking shelter with the water tribes.

Basically this is kinda like the first one. It looks AMAZING! It's fairly obvious by now that Cameron likes oceans, and it really shows. All the water work is top notch. I love the new worlbuilding for the marine side of Pandora. I also appreciate that the water tribes Na'vi look a little different from the land based ones and have a physiology that is more attuned to an aquatic lifestyle.

However, the plot again is just okay. To the movie's credit, it isn't quite as predictable as the "Dances with Wolves" formula of the first one. "Quite" I said. The "evil of colonization" tropes are still heavy-handed here. 

I liked the family dynamic in this and, again, the world building. I was pleasantly surprised with how they handled returning villain Quaritch (Stephen Lang). When I heard they were bringing him back, I wasn't enthused. After Pirates of the Caribbean and The Matrix, I'd grown weary of bringing back a villain who had a solid first run, but didn't really add much in subsequent appearances. Here, they do something interesting with Quaritch, and he has more to do personality-wise.

Movie probably didn't need to be three hours and twelve minutes. Again, plot's not bad but is predictable and not enticing enough to merit everyone's attention spans. (Though, this is a real experiences-will-vary situation. Personally, I never felt bored or found the length unbearable, but I never felt that time flew by either.) There is a lot of Na'vi being mad at/distrustful of humans and each other that gets old real fast. Some scenes just feel like they're setting up the next film without any payback in this. 

Also, the movie repeats the plot of the first one in that Jake must become accustomed to yet again another culture. (The reasoning why he goes to the water tribe feels really forced by the way.)

The acting is solid across the board, including the younger actors. 

Kinda recommended. Overall, if you were mainly into the visuals of Avatar regardless of plot, you get exactly what you're looking for. This looks great on the big screen. If you're not keen on having to sit through another just okay story for a long period of time, then this may not be for you.

Disenchanted

7.5

In this sequel to Enchanted, Giselle (played by Amy Adams), originally from the magical and animated kingdom of Andalasia, and her husband Robert (Grey's Anatomy's Patrick Dempsey) move from New York City to the suburb of Monroeville. Dealing with the stresses of a new baby, the move, and her now teenaged stepdaughter Morgan's resentment of said move, Giselle ends up making a wish that turns the suburb into a fairy tale land. Unfortunately, since Giselle is a stepmother, the spell starts turning her into a traditional fairy tale "evil stepmother."

So, yeah, this isn't on the same level as the first film. The more adult humor and moments are gone and the dialogue and emotional tone isn't quite as on point. The musical numbers aren't as lavish or as well-shot. The animation is kinda shabby for Disney and doesn't compare to the animation from fifteen flippin' years ago. However, the issues are mainly that the movie can't quite recreate the feel of the first. By itself, it's still a fun film and does a lot better than expected for a sequel that came out over a decade since the original. (Think of this like the more light-hearted TMNT II: Secret of the Ooze when compared to the first TMNT film.) 

I think the idea of Giselle dealing with the long term difficulties of living in the real world is an admittedly predictable idea of where to take the story. However, the route the movie goes down feels fresh. The idea of Giselle turning bad is really the best part. Amy Adams was already great at playing an upbeat Disney princess, but she proves how good an actress she is as she knocks the other identity out of the park. I was a little worried about how the villain (besides evil Giselle) would turn out as I thought the weakest part of Enchanted was Susan Sarandon's rather one-dimensional evil queen. I'm pleased to say I'm relieved. Though Maya Rudolph's evil queen Malvina isn't the most complex character, she is enjoyable and has a lot more screen time in which to get to know her. One of the best parts of the film is evil Giselle and Malvina fighting against each other for dominance.

The relationship between Giselle and Morgan (Gabriella Baldacchino) is the emotional backbone of the film and it's done really well delivering a very satisfying climax. The whole final act itself is really good and a lot more satisfying with the action, stakes, and visual spectacle.

Too bad the movie doesn't really know what to do with Robert, who's sidelined Kristoff in Frozen II-style, and King Edward (James Marsden), who's still funny whenever he's onscreen but isn't in this much because the story just doesn't have much room for him.

The songs are done by the king of Disney songs Alan Menken with lyrics by Wicked/King of Egypt's Stephen Schwartz. The songs mostly aren't on the same par as the original film, but they aren't bad and I appreciate they're ability to mimic the old school Disney-fairy tale style (though there's an I-have-a-dream song that is a little too on the nose if you ask me). The biggest issue people bring up about Enchanted is that it has Wicked/Frozen's Idina Menzel, but she doesn't sing a word (in fairness, from what I've heard, she did have a song but it got cut.) Disney has clearly made the effort to remedy this as she gets two songs, including one that really shows off her pipes (too bad it doesn't compare to her songs from both Frozen films). Now, back when I said the songs mostly weren't on the same tier, this "mostly" is referring to the exeption of the song Badder which is both entertaining and a real earworm. (I've been listening to this online on repeat since yesterday.) The last film never got a villain song (heck we haven't had a true Disney villain song for a while), and this movie makes up for it. It's a duet between Adams and Rudolph and they both kill it, especially Rudolph who I didn't realize was musically talented. It's really too bad that the audio is off in the film and the music is loud enough that it's hard to hear the lyrics. I recommend you turn on the subtitles or listen to the song in the end credits where the audio is correct.

Recommended. Again, this isn't the perfection of the first film (with the exception of the one weird out-of-nowhere poop gag; what was with that?), but it is enjoyable and one that's good for family night.

Weird: the Al Yankovic Story

 

7.5/10

This Roku TV film based on the Funny or Die video is about the career of parody singer Weird Al Yankovic (played by Harry Potter/Miracle Workers' Daniel Radcliffe).

I you walk into this not knowing much about Weird Al, I want to make this clear: this is a PARODY film. A few parts are gleaned from slivers of truth, but the majority of this is totally made up. 

This turned out to be a consistently funny film with solid script and dialogue from Yankovic and director Eric Appel. What can I say, Yankovic knows parody, and he completely nails the usual plot points found in music biopics.

Only reason I'm not ranking this a little higher is that since the movie's following a formula, parts can be a little too expected. Also, one can't help comparing this to similar elements in the earlier music biopic parody Walk Hard: the Dewey Cox story. (Though let me be clear, I found this to be a better film than Walk Hard.) The opening with the disapproving father (played by Toby Huss, one of those people who's not a household name but's been in a ton of stuff) feels especially similar to WH. Then again, these feelings might be just me, and if you haven't seen WH, this is probably going to be a fresher experience for you.

Radcliffe does a great job in the lead and clearly understood the assignment. As some of his more recent roles have shown, he's got a taste for comedy and outside-the-box roles. Radcliffe doesn't really do an impression of Al (also, all the songs are clearly dubbed by Al and not Radcliffe's voice), but he's not supposed to. Radcliffe's supposed to play a parody of all singers from music biopics who suffer ups and downs, and he plays the role completely straight. Westworld's Evan Rachel Wood does a surprisingly good job as Madonna and really has the character (I mean the very made-up, fictional version of the singer) mapped out. Expect a lot of known names to make cameos in this, usually as famous people from the eighties, and we get a pretty fun bunch of performances out of this. Weird Al himself plays a music exec in this, and he does a darn good job of playing other than his usual personality.  

Recommended, this is a well done comedy.

Star Trek: Lower Decks- Season 3

9/10

This third season continues the misadventures of the crew of the U.S.S. Cerritos.

I'm impressed at how this show has managed to maintain quality. Okay, no single episode has been as funny as the Badgey and ascension episodes from season 1, but the show remains consistently funny, creative, and does a wonderful job of working with and poking fun at Star Trek tropes.

The stories this season even feel like a step up from season two, and bare in mind that that was also a good season. Episode seven in particular is one of the show's most creative episodes. Though still primarily episodic, this is the season with the most reliance on an overarching storyline resulting in a really satisfying finale that is on par with season one's.

One of the best things about the third season is that the characters grow. Both ensigns Mariner (voiced by Space Force's Tawny Newsome) and Boimler (Scream/The Hunger Games films' Jack Quaid) get some much needed character development. Both the former's need for control and the latter's lack of faith in himself were starting to get old, and I'm glad the writers were realizing that too. Consistently, the two funniest characters remain the tough but secretly sensitive security officer Lieutenant Shaxs (Fred Tatasciore) and the constantly upbeat Ensign Rutherford (Eugene Cordero, one of those actors who pop up frequently in various comedies).

Highly recommended. This remains one of the most entertaining and well written animated adult comedies currently on.

Monster High the Movie

6/10

(Not my demographic but my curiosity gets the best of me.) In this new movie on Nickelodeon and Paramount+ inspired by the popular doll line, half-werewolf/half-human  Clawdeen Wolf (played by Miia Harris; not a typo, there's two i's), who has to hide in the human world, is invited to attend Monster High, but must keep her human side secret or face expulsion.

This is your typical just-okay kids film. Also, a typical Nick channel film in that it's not quite a Disney Channel film. (I know the Disney movies aren't high cinema but there is always that little bit of budget and promising young acting talent that can be found in them.) All the background monster characters are just actors in very basic-looking bright color makeup. The story relies a little too heavily on the Clawdeen and her roommate Draculaura's personal crises. As a children's film this could've tried to have a little more fun and and take itself less seriously. The adult monsters' prejudice and overbearingness is laid on pretty thick. Though, I do give the filmmakers credit for not going the basic children's film route and adding a tinge of darkness to it. The ending wraps things up a little too quickly and neatly.

The movie does have it's fun points. There are a few good jokes in this that did more with the element of the macabre than expected for Nickelodeon. The most entertaining part is the smart but socially awkward, on account of being created fifteen days ago, Frankie Stein (Ceci Balagot). Their lines always sparkle.

Balagot really stands out as the best actress in a sea of actors that are decent but don't shine. Kyle Selig has his moments as one of their teachers. On the other hand, the guy who plays Clawdeen's dad delivers the only truly weak performance in this.

There are songs in this; they're are alright. Not bad but not memorable either.

I know I listed a bunch of cons about this, but it is a perfectly serviceable film for your children. Nor is it something that will aggravate if they rewatch it multiple times. 

Werewolf by Night

9.5/10

In this Marvel Halloween special on Disney+ based on the comic of the same name, a group of monster hunters are summoned for a competition to secede their late leader as the possessor of the powerful Bloodstone. However, there are a couple hunters whose priorities are a little different...

Wow! Marvel's first special knocks it out of the park. It's especially impressive that besides a couple shorts, this is the first directing job from popular film composer Michael Giacchino (that theme from the beginning of Up, that's him.) The action is pretty good. I know a dozen people have already mentioned it, but this is the most violent Marvel offering (not counting Marvel TV) to date being helped by the black-and-white color scheme of the movie.

Humor's pretty good too. A nice touch to this is that the monster hunting society is populated by a bunch of eccentrics, the higher ups being particularly weird, providing some unexpected, fun bits. I think the character of Elsa Bloodstone (played by The Nevers' Laura Donnelly), the daughter of the former leader, is probably my favorite in this as she's the straight man and gives some decent reactions and pushbacks to the insanity around her.

Werewolf by Night looks great, going with a 30's/40's appearance. Some of the outfits, sets, and props are just really impressive looking. The werewolf outfit in this, however isn't as good as what your imagination can come up in. The torso's too puffy and evokes the impression of the actor wearing a wool coat. (On the plus side there is one really strong monster design in this.) In terms of cinematography, this may be the best I've seen a movie replicate the appearance of a different age. Only downside is that like early movies, the camera focus isn't always 100%, especially with the backgrounds.  The blurriness may get to some people.

If there are any other cons about this, the fact that this is only only fifty-two minutes means limited time to build the lead characters of Elsa and hunter Jack Russell (Gael Garcia Bernal). You do get enough to understand the characters, but there is also some having-to-fill-in-the-blanks that may annoy some people. Some may also wish that the ending be a little less open.

Highly recommended, this is a unique and very fun film that looks superb.