In a Violent Nature

7/10

In a Violent Nature, undead Jason Vorhees-esque killer Johnny (played by Ry Barrett) goes on a killing spree in the woods as he purses a golden locket that was taken from his resting place. This is a twist on the slasher genre in which instead of focusing on the final girl and future victims the movie follows the silent killer for 90% of the film. 

This is definitely an interesting idea. People crack jokes about what the killers in these films are up to between kills and how they transport from place to place. Well, here we get it, and it's an interesting concept. I've heard complaints online (and from one random stranger at the movie theater) that the movie is too much of Johnny walking around the woods. Personally, I didn't find this to be a deal breaker (and I honestly didn't think there was THAT much walking), because the cinematography and sound are excellent. The movie is short like a nature documentary kinda in that a lot is silent observation of a being in the woods. I don't think I've seen a forest-set horror movie that truly one hundred percent felt like it was filmed in a natural park. There are so many excellent captures of foliage and the natural landscape. Except for a couple moments at night, the lighting feels natural. There's no soundtrack in this. My congrats to the sound guy or guys because they make the environment feel so natural like you're actually outdoors. 

The movie should be particularly congratulated for using pieces of dialogue overhead by Johnny as he stalks and the general conventions of slasher flicks that we are easily able to piece together what's happening on the victims' side of the story without spending much time on them. 

Also, there are some great uses of angles and reveals. Given that Johnny is the main subject, there is an interesting use of focus where often he'll be in the foreground and his victims a little out of focus when he's observing or pursuing others. 

Going back to the "movie is a lot of walking" criticism, when we get to the actual kills, they are worth the wait. This is up with Thanksgiving as one of the most violent slashers of recent years. IaVN has two of the most memorable, over-the-top kills I've seen in quite a while. Also, the movie doesn't waste time with the pursuit of the victims. It's all about the violence.

Whereas the pacing didn't feel like that big a problem, there are a weak spots. Admittedly, Johnny is a little too derivative of Jason Vorhees. The killer's mask, which is an old time firefighter's hood is a unique idea, but it looks a little too much like a mosquito and doesn't feel like it quite lands. 

The dialogue for the regular people is mostly bad. The script goes with the regular tropes of horror movies, but with less effort. I know a lot of the victims in these movies die because of being jerks or being too carefree, but these guys just a rub you the wrong way a little too much.

Remember that line about the movie being 90% Johnny? Those who like the concept may not love that the movie doesn't go that extra 10% to commit to the concept. Lastly, people are going to have mixed feelings about the ending. I'm honestly unsure how I feel about it.

Kinda recommended. The pacing and offbeat nature may not be for everyone (also, if you don't like gruesome violence, you won't like this), but others amongst you will find this interesting. Worth giving a chance. Even if you're not a fan, this isn't painfully bad.

Ninja Kamui

7.5/10

In this new anime show available on Cartoon Network's Adult Swim and Max, Joe Higan seeks revenge on his former ninja clan for killing his family. 

Can't say that this story is a ninja action anime story that breaks the mold. The basic plot feels derivative of previous works, but to the show's credit, it is a competently told story. Although, I feel that some of the backstory could've been introduced a bit earlier and a few more elements of what spurred the ninja clan to change its methods been added, overall Ninja Kamui is very well paced. None of the thirteen episodes feel wasted at all. It feels like there is just the right amount of characters and story in this that the show is neither too fast or too slow. 

The characters also, aren't the most unique or best written, but they mostly work. Higan makes for a capable and determined protagonist. Probably the best character is the FBI agent Mike Morris, he's the honest everyman who might be getting too old for this but won't back down, which is stuff we've seen before, but he does make for the most relatable character. (Also, props should be given to his voice actor Shawn Hamilton, who is hands down the best one in the dub.) Another strong point is that the head of the ninja clan makes for a solid antagonist. He is one who you don't agree with their methods, but you understand their point of view and how they are trying to do this for the greater good. He's also one of those smart antagonists, who don't fail by making mistakes. 

Be forewarned that one of the villains is the "really filthy-mouthed, raunchy one". He's just too much without any subtlety, but he doesn't dominate the entire show.

The animation in this is quite nice. I'm always impressed with when animators can go with more realistic-looking characters and make them move smoothly rather than when animators go with more simplistic designs because it's easier to animate. If you're looking for anime ninja action, this is fits the bill. I think this is one of those anime that was commissioned by Adult Swim, and fells specifically aimed towards American action lovers. The ninja's cyber suits, which are a combination of 2D and 3D, are neat.

Recommended. Ninja Kamui makes for a simple but well told story.  

May the 12th be with you

5/10

This is yet another Simpsons Disney-synergy special. In it, Marge Simpson (voiced by Julie Kravner) takes several Disney characters to the world of Star Wars in order to celebrate Mother's Day.

Yeah, this might be the weakest Simpsons Disney special yet. It's just a bunch of forced-in Disney cameos without much plot and only three jokes that work. To the show's credit, this does conclude better than some of the specials.

Not recommended. You'r not missing anything.

Unfrosted

7/10

Jerry Seinfeld is an interesting guy, after having one of the most popular sitcoms of all time, he's been limited in his output. The only major projects he's spearheaded afterwards are Comedians in Cars with Coffee and the animated children's film Bee Movie. And now he's co-written and directed a really fictional Netflix comedy account of Kellog's creation of the Pop-Tart and its competition with Post.

This is a throwback to films like Naked Gun or Airplane, movies that are just completely silly, wacky, and gag/schtick heavy. (The co-writers were the same guys who worked on Bee Movie, which may give a hint at the tone of this.) The film is the writers throwing a bunch of stuff at you. Not every bit or line is a winner (Seinfeld's got an interesting style of rapid-fire dialogue that may not work for everyone), but something that works will quickly come along afterward. If you're a fan of 60's nostalgia, Unfrosted is filled to the brim with humorous depictions of famous figures.

The movie is  a who's who of well known or at least experienced actors, usually comedic. Unfrosted is one of those works where you might want to tune in just to see who'll pop up next. Seinfeld and Melissa McCarthy, as the one's overseeing the creation of the Pop-Tart, and Jim Gaffigan as company owner Edsel Kellog III make for a solid trio that work well alongside each other. Unfortunately, there are way too many good performances to list in this. I think we have time to mention Hugh Grant, who's been doing more and more comical performances, but this is appears to be his first pure comedy that isn't also a hybrid film. Here he plays a thespian actor who also plays the Tony the Tiger mascot (seeing Grant in the costume alone is a delight).  Though admittedly he already played a full-of-himself actor in Paddington 2, I found this performance to be just different enough. He plays himself more faux serious and less pomp here. Grant is doing the most ridiculous stuff he's ever done in his career, and the famous actor is completely game for anything. 

A lot of credit should be given to the look of the film. It's very colorful, again evoking 60's nostalgia.

Recommended. I'm not saying this is the funniest movie of all time, but if you want something light that you want to turn your brain off for, then this may be for you.

Spy X Family Code: White

 

7/10

(Full disclosure: I did fall asleep for a small part of the film. I wasn't bored, I'd up my guanfacine dosage for my ADHD and was very tired.)

In this the first film for the anime Spy X Family, spy Loid Forger and his family head up to the northern country of Frigis in order to help adopted daughter Yor find the recipe for a dessert she intends to enter into a baking contest. On the way there, Yor accidentally gets herself involved in a secret military plot. 

This isn't one of those anime movies spun from a show, like the action ones, where you can coast and not worry too much about not seeing the original. Don't get me wrong, the movie does give newcomers a refresher on the basic plot, but the whole world and additional characters felt like a little too much for me (not enough detail). I think the biggest issue is that this is an imaginary, Cold War-esque world with its own helping heap of political backstory and international policy. (I do appreciate the world-building.)

But if you're already a fan of the show, I feel like this may be up your alley. I'm surmising that a main draw of this is the humorous situation the characters get into and the core characters themselves (this really feels a like a character piece for the family). That having been said, I as a newcomer did feel like a lot of the scenes of the family just hanging out went on too long.

There is action, but it mostly isn't till the end. Still, when it happens, the fight scenes are well handled enough. Also, the villain in this isn't too shabby. Since a lack of filler stories for ongoing anime stories can feel basic or lackluster, this guy at least had a bit of a personality to him. His design ain't too shabby, either.

This is one of those show-to-movie adaptations where basically it's television animation that looks a little better. This isn't a huge budget, but I'm not knocking it. The animators were clearly putting in the effort, and I particularly liked the amount of detail in the backgrounds.

Kinda recommended. I think the fans will be pleased, but this would probably be more of a 6/10 for newbies in a story that feels just okay without context.

Velma- Season 2

NOTE: This review doesn't spoil anything this season, but there are a couple sentences that are kinda a spoiler for last season.

6.5/10

In season two, Velma (voiced by The Office/The Mindy Project's Mindy Kaling) tries to catch a serial killer targeting men.

There does seem to be an effort by the writers not to be quite as aggressive with the material that turned off viewers, however it does feel like just a 10% reduction. You've still got Velma being judgey and mean and political/social and hip modern commentary that does feel like it's being thrown aggressively at the screen, but, still it does feel more natural this time. 

I especially think a lot of the characters are more likable this time around. I felt that Fred (Always Sunny in Philadelphia's Glenn Howerton) is funnier and feels more like a character than an over-the-top popular kid/man child. The season manages to expand the characters of Fred's dad William (voiced by original voice of Scooby-Doo's Fred Frank Welker) and Velma's mom  Diya (voiced by The Unicorn's Sarayu Blue). William who was mostly a disapproving father with limited screentime gets fleshed out a little, and he's more fun to be around (though, yeah, there are a lot of rich guy jokes with him). At first, Welker's approach, which was a raspyish, older version of the original Fred voice, didn't work on me, but it's grown. It does have a unique quality. Diya, who's role was more story-driven last time and didn't have time to breath. Here, she turns out to be as ridiculous and fun as most of the other parents.

I also felt the jokes were funnier this time around. Some may complain about the pop jokes, but I felt there were some solid bits.

Though many hate this, I do give the show credit for having a very unique feel that is character-centric, but also high energy weird and wacky. I liked the storyline this season better as the show goes to some pretty weird and unexpected places. (They really go all in on the brains in jars with them just hanging out as regular high school students.) Got to give the show this, it's not boring. One could fault it for repeating the hallucinations storyline, but with Norville (Veep's Sam Richardson) having them this time instead of Velma. However, this part does pay off in the end.

I'd have to say that the strongest part of last season was that the mystery itself was solid. You couldn't figure it out too far ahead of time, and it felt like everything and added up and paid off. This season does this but even stronger. Again, this show knows how to surprise you and there are many twists and turns.

The animation is still strong, continuing with a unique visual style and color scheme, and it's so much more fluid than you'd imagine for a comedy.

Kinda recommended. If you didn't like the first one, it hasn't course-corrected enough to draw you back. I concede that the humor is a mixed-bag, however, but I still had fun. The show is so unpredictable, and the writers do feel like they're enjoying themselves.

Civil War

9/10

This movie follows a group of journalists and photographers as they travel across a United States ravaged by civil war.

First off, the trailers make this more of a film focused on the action and battle movements, while this is actually a more measured piece that focuses on the journalists' journey. This is written and directed by Alex Garland (Ex Machina, Men) and if you've seen his Annihilation, this is kinda the same formula (a group on a journey) minus the sci-fi. When the action happens, it's well executed but the core of the film is a lot of showing and talking about the situation.

Don't confuse this being plot heavy for this being a boring movie. Far from it. This reminds me a lot of The Big Red One in that this is a travelogue looking at the madness of war that is composed of various thematic elements. This movie does a solid job of changing gears from the eeriness of desolate, war-torn America to dark comedy to moments of real tension. Civil War has one of the most gripping, suspense scenes I think I've ever seen.

The main focus of this film is on the musings in the last few years that the United States could go to war. This has a real world message in that an ACTUAL civil war in the United States would be a terrible, bloody thing that'd pretty mess up most people lives. 

For those radicals arguing in favor a civil war, this movie also makes a point that having one in a place as vast as the United States wouldn't be a single concentrated effort. (In this movie we've got factions and smaller rebel groups.) A lot of people may want the Democrats toppled, but how much you wanna bet they all don't have the exact same view on the government that comes after or what they want or what the real threats are? (Did you see the footage of the gathering assembled to stop immigration at the border? There was some infighting between individuals and factions).

The movie also a well-written look at what it is like to be a journalist during war.

Garland makes the scenario audience-friendly (and more importantly audience-money-friendly decision) by not to base this movie off of any real world politics. Texas and California are in an alliance and that ain't happening in the real world (maybe parts of rural California but not all of California). Garland does an interesting job of laying out the hints of how the civil war came without straight up directly telling the audience exactly what went down. 

In terms of visuals and audio, this is pure "cinema." The cinematography is excellent, featuring well-placed camera work and a strong design sense with what is undoubtedly going to be considered one of the most hauntingly beautiful movie scenes of the year. I do not have discerning ears, so audio work doesn't usually stand out to me. Not here, though. I won't go into detail, but prepare for some of the most effective movie sounds in a while.

Kiersten Dunst delivers what is probably one of the best and most distinct performances in her career as main lead photojournalist Lee. She is a cool-headed, hard-headed veteran of war coverage. Dunst really manages to deliver an objective and hardened, but human-beneath-it-all individual. Also really good in this is Dune Part One's Stephen McKinley Henderson as journalist Sammy, the eldest and wisest of the group. I noticed that the guy's stock in in the film world has gone up in the last ten years or so, because he does a quality job as an authoritative but approachable person.

If there any possible flaws to this film, some may find the final act to run a bit long.

Highly recommended, this is such a well-constructed film. Garland delivers his first movie that isn't sci-fi (or whatever genre Men was supposed to be), which has resulted in his most accessible film.