Tiny Toons Looniversity: Spring Break

6.5/10

In this spring break special for the Tiny Toons reboot on Cartoon Network/Max (coincidentally or not the original also had a spring break special), the Tiny Toons crew go to visit their families for spring break. 

This is alright. Everything comes together in the end for a satisfying, heartfelt finale and there's some decent humor, but this is a weaker entry when compared to several episodes of the show. For a longer special, it doesn't go big enough. Though Looniversity has some good storylines, the show has become more reliant upon teaching lessons and, due to the university setting, a more grounded use of characters, resulting in more relationship/character oriented stories. One can miss the more free-form stories and comedy of the original.

Kinda recommended. Kids will probably be fine with it. If you like the show, you'd probably be satisfied. 

Imaginary

7.5/10

In Imaginary, Jessica (played by Jurassic World: Dominion's DeWanda Wise) and her husband and two stepdaughters move into her childhood home. The youngest girl Alice (Superkitties/Erin & Aaron's Pyper Braun) finds an old stuffed bear named Chauncey who becomes her new imaginary friend. However, there's something sinister about the bear who begins to have more and more control over poor Alice.

Wasn't expecting much from this movie; Blumhouse didn't give this much advertising. But, this turned out better than expected. This is one of those horror films that is trying to have fun, which is refreshing with so many movies going with the serious psychological horror route.

There are some pretty good scares in the beginning. I've seen so many horror movies that I've become desensitized. I rarely get scared, so it was refreshing to have a couple of the scares get to me. (The film's pretty good at catching you unexpected.)  Also, the film does a surprisingly good job of making a stuffed bear with minimal movement be creepy. The final act isn't as effective in being scary, but it makes up for it by being one of the more visually creative finales to a horror film.

For yet another movie where the child's imaginary friend turns out to be a monster/ghost/demon, the story is told better than most. Jessica makes for a compelling protagonist who's worried about her stepdaughter, and Alice makes for a sympathetic kid.

This is a Jeff Wadlow movie (the Fantasy Island movie, Truth or Dare, Wolf Creek) and this has the flaw I've seen in his other horror movies. Guy has some solid ideas and scenes, but the plots are always uneven. There are parts of this where the dialogue and exposition could've been tighter. 

There's some pretty good casting. Wise in particular is one to watch as she's so convincing. However, there are two actors playing figures connected to Jessica's past that really don't work out.

Recommended. Yeah, this could've been more polished, but this is an entertaining and spooky work.

The Second Best Hospital in the Galaxy- Season 1

8/10

In this new animated comedy on Amazon Prime, alien doctors Klak (Nope's Keke Palmer) and Sleech (Everything Everywhere all at Once's Stephanie Hsu), known for breaking the rules, try to find a cure for anxiety.

This is a very creative show. With animation as a medium, you can go much farther with bringing imagination to life. There are so many bizarre, unique aliens in this. (If you have a low weird tolerance, this isn't for you.) The show doesn't really have any humans in this, which makes it a nice change from sci-fi comedies like Tripping the Rift or Futurama. There's no asking yourself why you hear so many topical human references being made by everyone including aliens but not a lot of references to other cultures. The world of SBHitG may have similarities to us but never feels like the writers are copying humans verbatim. 

The jokes are fairly funny (there's also a solid mix of dark and light humor), but I wouldn't say the greatest. It's the stories and overreaching plot points that make this entertaining. The character's lives and the situations they find themselves in is what makes this show. The cast may be wacky but they all have solid flaws, fears, dreams, etc.

I was on the fence for the first episode; too much introduced too quickly. I recommend you stick till the third episode before passing judgment. 

The animation is one those recent adult animation types like you find on Max that kinda look like they were out of an adult indie comic. It hasn't worn out itself out yet and makes a nice relief from super-simplified character designs. The world is very colorful, detailed and distinct.

Palmer is known for usually playing confident characters, so it's nice to see her show her range by doing the opposite and giving a very believable portrayal as a person suffering from anxiety. You know who also surprised me in their performance? Maya Rudolph as Dr. Vlam, an intern and centuries old robot. She gives a completely different and slightly more grounded portrayal than anything she's ever done before. I didn't know it was her until I looked it up.

Recommended. This might be a little too odd for some, but this is a compelling work.

Dune Part Two

8.5/10

In part two of this adaptation of Frank Herbert's novel, exiled space nobleman Paul Atreides (played by Timothee Chalamet) allies himself with the Fremen rebels, who want to wrest control of the planet Arakis back from the Harkonen family.

I liked the first one, but this one is stronger as we get to the payoff and more stuff seems to be happening. As Paul is considered to be a prophet by many Fremen, we get a well-designed look at how religion can be used to control, not to mention the long-term affects of colonialism and how radicalism amongst the natives can develop in response to it.

Overall, this is a mostly well told movie. It's long, but for the first two acts it does a really good job of moving a plot and balancing all the political machinations. Only weak point might be that by the final act, you do have a few characters repeat voicing their goals/concerns a little too much, especially Paul (we get it, you're conflicted by your role as a false prophet.) 

We continue to have a wide cast of interesting characters, old and new. Although, the Harkonen's evilness for the sake of evilness is ramped up to a 100, and they were already really evil. They kill so many of their own people that it gets cartoonish, and it's hard to believe how they don't have any rebellion within their ranks.

Chalamet really sells a character that is trying to do good but must struggle with the weight of his responsibility. Zendaya as Fremen Chani has chemistry with Chalamet and her character serves as a solid voice of reason amongst people consumed by their goals. Ferguson continues to shine as Atreides' mother who masterfully manipulates the populace in order to survive, and Javier Bardem continues to be a great performer as a very religious Fremen who wants to believe in Paul. Elvis' Austin Butler debuts as Feyd-Rautha Harkonen. He overshadows his already larger-than-life family members as a psychopath with a strange honesty about his violence and a charisma to him.

Director Denis Villeneuve's direction continues to be amazing. This will definitely be remembered as one of the best looking films of 2024, continuing the original film's memorable 60'/70's sci-fi aesthetic (particurlarly that type of sci-fi design that specifically seems to come from European directors). Though one could argue that the Harkonen's all black aesthetic feels a little too simplistic.

Highly recommended. The message gets slightly worn near the end but this is still top-notch cinema.

The Irrational- Season 1

6.5/10

In this new NBC show based on the nonfiction book Predictably Irrational by Dan Ariely, behavioral psychology professor Alec Mercer (played by Law & Order/The Flash's Jesse L. Martin) uses his knowledge of irrational behavior to help the authorities solve crime.

This starts off weak. The first couple episodes or so have some troubled dialogue. The last line of the first episode feels like a parody of network television mysteries. The writers do find their voice but even then it is still an average show of its type in regards to writing and characterization.

The best part is the info dumps about human behavior. They're interesting (and the only well written section of the first episode is the introduction to the irrationality of man). The individual stories aren't too shabby and the show is pretty flexible in the cases Mercer takes on, they're not all murder mysteries. There is an overarching storyline about a tragedy in Alec's past. It doesn't break the network television storyline mode, but it is a competently told and decently paced narrative with a respectable resolution. 

Martin's trademark smooth attitude works for making Mercer feel authoritative. However, this is one of Martin's weaker roles. Mercer as a character is low-key and does not give the actor the opportunity to bring the charisma he has been known. Mercer also has a burn scar on his cheek and the makeup doesn't look great.

Kinda recommended. It's your basic network fare but makes for decent time-wasting, and I do like the look at how irrational people are.

Drive-Away Dolls

8/10

In Drive-Away Dolls, during the 90's lesbian friends, uptight, serious Marian (played by Miracle Workers' Geraldine Viswanathan) and southern twanged free spirit Jamie (Margaret Qualley, the hitchhiker from Once Upon a Time in Hollywood) go on a trip to Tallahassee, not knowing that there's been a mix-up and that the car they're dropping off is carrying a package that some dangerous people want.

This is the first solo film directed by Cohen brother Ethan. Whereas Joel showed that he may be the more serious brother and went with his adaptation of MacBeth, Joel may be showing that he's the more comedy-oriented one. (Not claiming this as an original idea. I'm not the first one to make this conjecture online.) DAD may be the guy's most over-the-top film and makes for a fun ride. This has that Cohen/Pulp Fiction style of chaotic, gonzo, pulpy comic feel that latter movies haven't been able to recapture. There are some solid comedy bits with a great cast and unexpectedness to where the story is going. This is also Cohen's raunchiest comedy, so if you like hard R than this is for you. 

Admittedly, at a short 84 minutes the movie does still have a few scenes that felt unnecessary or drawn out. There are definitely two dream segments that could've been cut. Also, there are a few trippy interstitials that feel indulgent and the budget for the graphics doesn't feel great. The endgame of what is in the car may not live up to expectations of what you want it to be.

Viswanathan and Qualley make the film. They may be playing ropes, but they really manage to shine with great delivery and chemistry amongst them. Qualley shows that he she finally deserves a lead role. Viswanathan who was already a great comedic talent in Miracle Workers, but the first three seasons did have her shackled down with a straight man role, gets to show her talent a lot more. Other fun performances are Beanie Feldstein as Jamie's rightfully angry ex-girlfriend and Twisters' Joey Slotnick as a goon who is also a people person.

Recommended. This was a pretty good time. This isn't top tier Cohen like Fargo and Big Lebowski, but it's up there, and I liked it better than the likes of Brother Where art Thou? or Hail Caesar. 

Madame Web

 

5/10

In Sony's continued quest to mine whatever Spider-Man characters they own the rights to, we get a tale about the psychic Madame Web which serves as a Spider-Man prequel (but doesn't appear to take place in any specific movie timeline). EMT Cassandra Web (Fifty Shades of Grey's Dakota Johnson) discovers she can see the future and tries to save the lives of three teens (all three to become different spider heroines) from being assassinated by the spider-powered Ezekial Sims (The Mauritarian's Tahar Rahim).

Little surprised they went with MW as the first female lead and used some of the less prominent Spidey women (no offense to Julia Carpenter and Anya Corazon fans). Black Cat, Silver Sable and the first Spider-Woman should've been the logical choices. Oh well. Just musings. Not an attack on utilizing the character. I think anyone can properly be utilized if given the right direction. (The Riddler had only two appearances before in the comics before he was used in the 60's Batman show and look what that did to his popularity).

Here's an actual criticism. Again, this is a Sony Spidey film that feels like it was from the 2000s. (An excellent film to compare this to is Elektra). I don't know why Sony keeps taking this basic serious route when the fun ones, the Tom Holland and Spider-Verse films, are doing so well. The MCU films may be too quippy and DCEU films too dark and serious but at least they had a solid identity. 

The is very uneven. There are a few good comedy bits but there is also a lot of dialogue that just doesn't work. I give the movie credit for naturally introducing multiple characters. However, the movie drops the ball in the third act completely. It feels choppy with odd choices just there to advance the plot. 

I give credit for giving each of the teens a backstory, but the kids-with-sad-lives tropes feels really worn out by now. (Didn't need it in Stargirl and didn't need it here.) Also, I don't feel like any of the trio completed a character arc.

We got a good cast who just can't make the bad script work. There are a couple exceptions, especially Park and Rec/Severance's Adam Scott, who deserve an award for sounding natural, but most can't. Johnson is pretty good in the funny parts but that's the best she can do. 

Credit should be given to the movie for at least basically knowing what it is and having an identity compared to recent superhero films that are messy or feel derivative. Web doesn't have super strength or other offensive powers, only her psychic abilities which makes for a very different dynamic when going against a villain.

Faring the worst is Rahim. He has the worst lines and you can tell he was poorly ADRed at times. To be honest, Sims feels like an odd choice to use as a villain. He wasn't really an antagonist in the comics. (You'd think that they would've learned from the outrage of Psylocke being made a villain in not one but two X-Men films). The sad thing is that Sims in this had the DNA to make a decent baddie. You understand his motive and was pretty competent in his strategy if only he was better written.

Going back to the 2000's feel this has a bland white lighting scheme. However, the action and the look of Webb's vision powers are actually pretty good.

Not particularly recommended or not recommended. This is messy and this is definitely not a must-see. However, I don't think this is bad as some say. It's distinct in its way, and I don't regret watching it. Have no plans to rewatch but would stay in the room if someone else had it on.