In Drive-Away Dolls, during the 90's lesbian friends, uptight, serious Marian (played by Miracle Workers' Geraldine Viswanathan) and southern twanged free spirit Jamie (Margaret Qualley, the hitchhiker from Once Upon a Time in Hollywood) go on a trip to Tallahassee, not knowing that there's been a mix-up and that the car they're dropping off is carrying a package that some dangerous people want.
This is the first solo film directed by Cohen brother Ethan. Whereas Joel showed that he may be the more serious brother and went with his adaptation of MacBeth, Joel may be showing that he's the more comedy-oriented one. (Not claiming this as an original idea. I'm not the first one to make this conjecture online.) DAD may be the guy's most over-the-top film and makes for a fun ride. This has that Cohen/Pulp Fiction style of chaotic, gonzo, pulpy comic feel that latter movies haven't been able to recapture. There are some solid comedy bits with a great cast and unexpectedness to where the story is going. This is also Cohen's raunchiest comedy, so if you like hard R than this is for you.
Admittedly, at a short 84 minutes the movie does still have a few scenes that felt unnecessary or drawn out. There are definitely two dream segments that could've been cut. Also, there are a few trippy interstitials that feel indulgent and the budget for the graphics doesn't feel great. The endgame of what is in the car may not live up to expectations of what you want it to be.
Viswanathan and Qualley make the film. They may be playing ropes, but they really manage to shine with great delivery and chemistry amongst them. Qualley shows that he she finally deserves a lead role. Viswanathan who was already a great comedic talent in Miracle Workers, but the first three seasons did have her shackled down with a straight man role, gets to show her talent a lot more. Other fun performances are Beanie Feldstein as Jamie's rightfully angry ex-girlfriend and Twisters' Joey Slotnick as a goon who is also a people person.
Recommended. This was a pretty good time. This isn't top tier Cohen like Fargo and Big Lebowski, but it's up there, and I liked it better than the likes of Brother Where art Thou? or Hail Caesar.
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