Ghosts- Season 2

8/10

In season 2 of this comedy, Samantha Arondekar (played by iZombie's Rose McIver), who can see ghosts after she hit her head, and her husband Jay (Utkarsh Ambudkar) finally open up the country house Samantha inherited as a bread and breakfast.

This season's much like the last: a good mix of solid jokes and distinct, enjoyable characters. The majority of the cast remains great. I don't have time to go into them all, but I think the one who shines the most is Jay. Ambudkar has such great comic delivery, and his character steals the show with his nerdy enthusiasm toward the ghost world and the way he reacts to all the chaos around him.

There are a couple things that are wearing a bit thin: 1) Jay and Samantha doing a poor job of covering for themselves when Samantha is hearing the ghosts or the ghosts have put the two into a situation is repeated way too often. You'd think the couple would've learned to how to do a better job of posturing. 2) The ghosts being selfish and constantly pushing Samantha into doing stuff. Sure, they usually feel bad or see the consequences of their actions when things go too far, but it's so repetitive. You want Samantha to just say no once or a while (admittedly we wouldn't have much of a story there).

Overall, the show's still pretty funny. Recommended.

American Auto- Season 2

8.5/10

In season 2 of this NBC comedy about a bunch of dysfunctional higher ups at Payne Motors, CEO Katherine Hastings (played by SNL alumni Ana Gasteyer) and her team must get the stock up to a certain number within the year or they'll all lose their jobs. 

If you're familiar with the show, this is from Superstore creator Justin Spitzer, and American Auto is sort of its opposite. Whereas Superstore was a positive ode to the people working at the bottom, this is a cynical, but silly critique of those at the top, looking at how people don't intend to be unethical or uncaring and such but how it just happens. And man does the show do it so well. This is one of the two funniest series I'm watching right now (the other being Rick and Morty). It's such a delightfully pointed jab at the corporate world, and the jokes work so well. I highly recommend the episode The Letter, funniest and best written one of the season, a savage take on outrage culture. 

Though most of the cast is self-serving, this season does makes more of an effort have the characters be three-dimensional. You may not sympathize with their choices, but you get where they're coming from and see them as actual people. I especially appreciate that the show cut down a bit on Katherine messing up public interviews and announcements. Given that she was a CEO of a pharmaceutical company for a while, it's a little hard to swallow that she has absolutely no experience handling these things.

Cast remains great. Wesley Payne (Superstore's Jon Barinholtz), the last remaining member of the Payne family working at the company, is definitely the MVP. He's kinda the most likeable because he's kinda the most honest in his goals in that he truly wants his family legacy to survive. He's like a big child that wants approval. Gasteyer, Michael Benjamin Washington as snarky and completely pragmatic and self-serving Chief Product Designer Cyrus Knight, and Harriet Dyer as CCO Katherine Hastings, one of the saner voices that has to deal with everyone else, all give excellent performances. (Gasteyer, I apologize for thinking back in the day that Cheri Oteri would be the one that would go on to other stuff and that you'd be the one who'd vanish. I've shamed myself.)

Highly recommended. The show is hilarious. Unfortunately this may be the last season as its viewership numbers are even less than last season's which wasn't great. Too bad, I really felt this was one of the best comedies out right now.

Sisu

10/10

Sisu, a new Finnish movie mostly in English (I'm not sure if it was recorded in both English and Finnish or just English, research was inconclusive; definitely not dubbed, I'll tell you that, the lips matched perfectly), Aatami, a gold miner during the Lapland War (which was part of World War II but also kinda its own separate campaign, look it up), strikes the motherload and determinedly takes his haul across the war torn landscape. He come across a bunch of Nazis who become determined to take the gold for themselves, but Aatami's not going let go of it without a fight.

This is basically Mad Max: Fury Road meets John Wick combined with a war movie and a smidge of Tarantino. There is nothing groundbreaking about the story, really it's all been done before, but it's done so spectacularly.

This is one of those movies where action takes precedence over everything else. This is an action fan's Valhalla. Yeah, a lot of it can be downright cartoonish but man is it entertaining. The movie can get creative including one of the most insanely unique survival techniques I've ever seen in film. In case you haven't guessed, this gets really gory; great if you love that and definitely a red flag if you don't. (There is also reference to sexual violence if you're squeamish about that. Nothing onscreen though.) There's one scene that's rather impressive in its intensity. 

Probably, the best part of this is its cinematography (worthy of an Oscar nomination but probably won't due to it not being a prestige film), the whole thing looks great and was clearly planned down to the details. The Lapland landscape looks gorgeous (including one of the most beautifully shot scenes of its type (I'm deliberately keeping it vague as to avoid spoiling it) I've seen). It gives the film a natural feel but the lack of any plants that aren't small growth also gives off a desolate nature. (The setting can also work against Aatami as he has to deal with limited hiding places.)   

This is that rare film that's light on dialogue. It's not like no one ever talks, but there are stretches that are completely reliant on the action, visuals, and physical acting. I rather like the less-is-more approach. 

Good casting in this. Though the Nazis are there to be mowed down, I give credit to director/writer Jalmari Helander (the same guy behind the dark Christmas film Rare Exports and the Samuel Jackson flick The Big Game) for giving actual personality to the villains. I mean they're all awful, but you clearly get each of them, some bit parts, merely by minor actions and expressions. They also play the villains smart. Yeah, they're all overconfident, but they are realistic of the danger of the man they're pursuing and react appropriately to the their adversary.

Highly recommended, unless you're not a gore fan. This is one of those films that are pure cinema and nail the execution.

The Mandalorian- Season 3

 

9/10

In the third season of The Mandalorian, Din Djarin/The Mandalorian/Mando (voiced by Pedro Pascal) and his ward Grogu go on a quest to the abandoned world of Mandalore.

I like this as much as the last two seasons. though the show is still fairly episodic, there's more of a connecting plotline this time around. After spreading tidbits of the fall of Mandalore and how the Mandalorian people are scattered, this season puts them at the center. Though maybe more time could've been put into adding a little more detail of the Mandalorian history and culture, it's rather interesting to watch a bunch of space warriors with a code, but they have different factions with differing ways of interpreting those codes.

We get to see a lot more of Bo-Katan Kryze (played by Battlestar Galactica's Katee Sackhoff), former leader of Mandalore. The character has excellent chemistry with Din as two fellow warriors who respect each other. Sackhoff gives a great performance, there's just something about her delivery. Bo-Katan is a character originally from the computer animated shows Star Wars: The Clone Wars and Star Wars: Rebels. It'd probably help to know about her if you watched this shows, but The Mandalorian provides easy access for the unfamiliar, throwing Bo-Katan in there and making her feel natural without going too heavy on her backstory.

You don't see a lot of Carl Weathers' Greef Karga, now the governor of a planet, but it's always great to see Weathers in anything.

The show feels like it's doing a lot more world building for the general universe of Star Wars this time around. I admit, I was getting tired of a lot of Star Wars taking place in deserts and other desolate areas. Finally, the show remembers that SW has populated cities. We finally visit places that look fancy, and they all look impressive (a lot of money obviously went into this.) 

We also see building blocks of how the first order from the current film trilogy rose from the ashes of the original Empire. I felt the show did a valid job of showing how the New Republic dropped the ball in wiping out the Empire's influence.

Again, the action, effects, and design are all exquisite. The finale may the best and most action packed of them all. 

One episode does have a plot point that may frustrate many as it's far too cartoonish and implausible for its own good. You know the parts of The Book of Boba Fett that felt goofy? it's like that. It especially doesn't compare well to the plotting of the recent and far more serious and grounded Andor, making the two shows kinda feel like they're taking place in different realities.

A lot of fans didn't like Chapter 22: Guns for Hire. I'm not seeing it. I thought it was a fun little diversion and again a decent world builder.

Highly recommended, The Mandalorian continues to be a pretty impressive space adventure.

Mighty Morphin Power Rangers: Once & Always

7/10

In this Power Rangers 30th anniversary special on Netflix, members of the original Mighty Morphin Power Rangers, recovering from a tragic event, try to stop the evil plans of Robo Rita (voiced by original voice actress Barbara Goodson), the evil energy of original PR Rita Repulsa reconstituted within a robot body (makes more sense when you see the special, still goofy but it makes more sense). 

Man, this was surprisingly dark for the original franchise. I mean it's still Power Rangers, it doesn't veer too far off-course from the campy nature of the show, but it's the first entry in a while to show a human die, and I don't think it, though the series has dabbled with more serious plot points from time to time, especially during the ABC Family years, has had the characters handled as maturely as this. (Also, the continuity is unexpectedly on-point for a show that's been going almost non-stop since the 90's.) The whole thing is a lot more compelling than it has any right to be, even serving as a tribute to late Yellow Ranger actress Thuy Trang who perished in a car accident. 

Unfortunately, the special wasn't able to include the entire original cast due to them either declining to appear or being on probation or deceased. (To make it clear, original Green Ranger Jason David Frank, who sadly committed suicide, was still alive at the time this was made. He just declined because he was working on something else.) But, the special manages to snag actors who played replacement Rangers in later episodes in order to fill any absentees' boots.

If your memories to the very original MMPR are shady or nonexistent, most of the cast are not great actors. David Yost as original Blue Ranger Billy is definitely the weakest and has trouble seeming natural. Original Black Ranger Walter Jones does the best with the material and comes the closest to believably selling their character. Charlie Kersh, who plays the daughter of original Yellow Ranger Trini, is also one of the better elements in this.

Nice to see they got Goodson back instead of a replacement actor, which they've done before. She hasn't done the voice for decades, but she's still got it and brings Rita's trademark cackley voice. The Rita here is so much more evil and convincing as an evil threat.

It's PR, so naturally the budget isn't much, but I give the creators kudos for effort. Unlike most PR shows, which are built off of the Japanese Super Sentai shows, this has completely original footage and costumes. I'm rather impressed by the design of Robo Rita, which is a smidge off-putting. (Also, kudos to the designer's hutzpah for retaining Rita's infamous cone brassiere.) The costumes for the Putty Patrollers, Rita's foot soldiers from the original show (which are still comical but can come off as a bit menacing this time around), are accurate-looking but the fabric in the head areas noticeably bunch up some times.  

Kinda recommended. I mean it's Power Rangers, this probably appeals more to younger kids or nostalgic adults (i.e., me). By the show's standards, though, it's as high quality as it can get.

Ghosted

7.5/10

In this new Apple+ movie, Cole Turner (played by Chris Evans) falls in love with one Sadie Rhodes (Ana de Armas) after going on one wonderful date with her. He leaves her his number but doesn't get a reply. Finding out she's in London, he decides to surprise her with an ill-advised visit. He quickly finds out she's a spy and gets embroiled in one of her missions.

This is a lighthearted and fun enough work. (The movie has one scene in it that's super amusing.) The spy plot is predictable, but Evans and de Armas both are likable performers and work well off of each other. It's their love-hate chemistry that makes this work.

Admittedly, this movie is based on a guy making unhealthy decisions. To the movie's credit, more than one person calls him out on it, and he's punished for his bad decisions. However, this is still a movie making light of and showing positive benefits from what would be considered creepy behavior in real life.

Also, Burn Gorman from Torchwood among other stuff has a small role as a stereotypically lower-class British cabby, and I felt his talents were squandered. Anyone could've played that role.

For a movie that's a comedy, it takes the action seriously. There were a couple shots that seemed off (I think the greenscreen work might be the movie's weakest point), but as a whole the stunts and choreography are well-executed. The action has a couple moments of sheer creativity, including the memorable last fight, that you wouldn't expect.

The movie does have a bit of an odd grey tint to it. (Though, this may be an Apple+ issue. I noticed that Central Park's look a bit muted as well.)

Recommended, the movie works as a good time to sit back and relax.

The Owl House- Season 3 (Final)

8/10

This final season is only three hour-long episodes. (From what I've read, they were lucky to get that. Viwership was alright, but certain Disney suits felt the show didn't fit well within the brand. I'm worried that this may be the end at least for now of serialized fantasy/sci-fi shows on the Disney Channel. All it's current animated programming is episodic and leaning more on the comedy side.) In it, Luz Noceda (voiced by Sarah-Nicole Robles) and her friends try to find a way to return to the Boiling Isles, which has been taken over by the Collector (Fryda Wolff), a god-like child who doesn't really get right and wrong.

You can definitely feel the time constraints in this. The amount of time for this world that had gotten pretty character heavy was limited and not every person you may like will have a spotlight on them (Amity's sibling get pretty much zilch in this). Sadly, witch Eda (Just Shoot Me/Hot in Cleveland's Wendy Malick), one of the biggest characters in the show doesn't get to do much.  It's clear the writers weren't able to address everything they probably had in mind (in particular, the mystery of the Bat Queen's past is never addressed, and if you thought there might be more to the story about Eda's curse, you get butkiss.) The show is able to give you enough explanation of the Collector and the show's main villain Belos (The Americans' Matthew Rhys) that's it's satisfactory but basic. I get the feeling we would've gotten flashbacks and lot more filling in of the details if this had been a full season.

What this season is able to accomplish, it does very well and should please those who like this show. We get some great character work, especially in the first episode. Luz really goes through a heroes' journey as she struggles with her choices in the show. We finally get to spend some time with Luz's mom (Elizabeth Gullion), and they do a great job with developing her as a strong, supportive mother. If you're one of those viewers who felt there was a clear divide between her actions at the beginning of season one, and her portrayal in the second season, the show explains the reasoning behind why she sent Luz to camp, and you get a surprisingly emotional backstory behind the mother's actions.

The third episode is the big action-packed finale, and man does it nail it. (Second episode is decent. I would've cut the the A-plot and have the third episode split into the second and third, giving the third more room to breathe.) This finale is peak epic imaginative fantasy. The animators and design team were clearly giving it their all in the look to this. Be sure to watch the streaming version on Disney+ or Youtube (it's there legally on the Disney Channel channel) and not on broadcast. They cut the epilogue short for time. I saw it on the Disney Channel and originally felt a little disappointed. Imagine my surprise to later find out there was 7 MORE MINUTES. You really need to see the full epilogue which is such a wonderful send off to the world of the Boiling Isles.

Highly recommended. Though this clearly wasn't the ideal story creator Dana Terrace wanted to tell, the show still bowed out an entertaining and pretty emotional note.