Saturday, April 29, 2023

Sisu

10/10

Sisu, a new Finnish movie mostly in English (I'm not sure if it was recorded in both English and Finnish or just English, research was inconclusive; definitely not dubbed, I'll tell you that, the lips matched perfectly), Aatami, a gold miner during the Lapland War (which was part of World War II but also kinda its own separate campaign, look it up), strikes the motherload and determinedly takes his haul across the war torn landscape. He come across a bunch of Nazis who become determined to take the gold for themselves, but Aatami's not going let go of it without a fight.

This is basically Mad Max: Fury Road meets John Wick combined with a war movie and a smidge of Tarantino. There is nothing groundbreaking about the story, really it's all been done before, but it's done so spectacularly.

This is one of those movies where action takes precedence over everything else. This is an action fan's Valhalla. Yeah, a lot of it can be downright cartoonish but man is it entertaining. The movie can get creative including one of the most insanely unique survival techniques I've ever seen in film. In case you haven't guessed, this gets really gory; great if you love that and definitely a red flag if you don't. (There is also reference to sexual violence if you're squeamish about that. Nothing onscreen though.) There's one scene that's rather impressive in its intensity. 

Probably, the best part of this is its cinematography (worthy of an Oscar nomination but probably won't due to it not being a prestige film), the whole thing looks great and was clearly planned down to the details. The Lapland landscape looks gorgeous (including one of the most beautifully shot scenes of its type (I'm deliberately keeping it vague as to avoid spoiling it) I've seen). It gives the film a natural feel but the lack of any plants that aren't small growth also gives off a desolate nature. (The setting can also work against Aatami as he has to deal with limited hiding places.)   

This is that rare film that's light on dialogue. It's not like no one ever talks, but there are stretches that are completely reliant on the action, visuals, and physical acting. I rather like the less-is-more approach. 

Good casting in this. Though the Nazis are there to be mowed down, I give credit to director/writer Jalmari Helander (the same guy behind the dark Christmas film Rare Exports and the Samuel Jackson flick The Big Game) for giving actual personality to the villains. I mean they're all awful, but you clearly get each of them, some bit parts, merely by minor actions and expressions. They also play the villains smart. Yeah, they're all overconfident, but they are realistic of the danger of the man they're pursuing and react appropriately to the their adversary.

Highly recommended, unless you're not a gore fan. This is one of those films that are pure cinema and nail the execution.

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