In this remake of the 1994 film based on the graphic novel by James O'Barr, Eric (played by It's Bill Skarsgaard) comes back to life to become the Crow in order to take down the villains who killed him and his girlfriend Shelly (actress/composer FKA Twigs).
To the credit of director Rupert Sanders (Snow White and the Huntsman/the live-action Ghost in the Shell) this doesn't feel like one of those films where the director was coasting. He clearly had a vision, and it didn't feel like producers sabotaged his ultimate tone. (In the grand scheme at least. It does feel like parts were cut.) Sanders tried to approach the story in a new way. The reboot focuses more on the relationship of the doomed lovers and how they got together instead of just jumping into things like in the original. Unfortunately, the execution of this angle doesn't play out. The build up takes way too long, and you're mentally begging the movie to jump to the action.
It doesn't help that the rules to the afterlife and the paranormal are confusing and don't track. The main villain Vincent Roeg (Danny Huston) has a very basic, disappointing 2000's evil paranormal agenda. Plus, there is one part about a character sticking around the city that doesn't make any sense. You know people are after you! Why are you still around?! Heck, you still shouldn't even be in the country!
However, when we finally get to the action, it doesn't disappoint. I believe Sanders started out in music videos, and the guy definitely has style. The violence has a distinct rawness to it that works. (Sadly, it comes too late.) Also, Sanders has an excellent eye for sets and locations mirroring the original's intent to have its own distinct larger-than-life city, though this is more desolate modernism than modern gothic.
Also, I'll give Sanders and the writers a hand for at least making all the baddies feel different enough from each other.
One can't blame the actors for this as most of them are doing the best with what they are given. Skarsgaard feels born to play the character, and really sells Devin's love and rage. It looks like this won't excel at the box office, but I honestly would like to see a sequel under new hands just to see the guy get a chance at better material.
Not recommended. I mean I suppose it's something to watch if you like interesting-looking misfires, but it's too slow and the script isn't strong enough.
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