The Beekeeper

7.5/10

In this new David Ayer movie, kindly older woman Eloise Parker (played by The Cosby Show's Phylicia Rashad) is digitally scammed for all her life savings which results in a tragic event. Beekeeper Adam Clay, who was renting a barn from her, vows revenge. Turns out he's a retired agent from a super, super secret government agency known as the Beekeepers and he's got a skill set that's going to make him very hard to take down by the villains or law enforcement.

The Beekeeper is enjoyable in how over-the-top and action-packed it gets. I haven't seen Jason Statham go this hardcore in a while (in fairness, I haven't seen the Crank films). Action is hardcore, well choreographed, and violent with moments of creativity. Several villains are dressed more colorful than in your usual action flick, which makes for a nice change.

It also helps that the movie never dawdles. Plot points are introduced quickly and usually organically. Clay gets to visit different set pieces to fight in, and the many, many villains are really varied. One could worry that too many characters could be overkill, but it all works. The plot itself, while not too ambitious, is more thought out and interesting than you'd expect from a basic popcorn action film.

'Course this is is a David Ayer movie. He's the guy who wrote the script for Training Day but also created Suicide Squad's gangster Joker. As is often the case with the guy, he's got good ideas and bad ones. The setup with Parker felt a little too rushed. Clay makes way, way, WAY too many bee analogies. It's weird, and to be clear, he wasn't trained as a beekeeper as cover for his job, he decided to become an actual one after he retired. He's TOOOO focused on bees.

Parker's daughter and FBI agent Verona (The Umbrella Academy's Emmy Raver-Lampman) gets the worst dialogue here. She's got a few good lines, but a lot of stinkers. Also, she is dogged in her pursuit of Clay even though she knows he's avenging her mother and punishing the ones who wronged Eloise. She gives a reason about believing in the law, but it doesn't ring true. (On the other hand, I liked her partner played by Bobby Naderi. He's a quick-tongued fella). 

Statham delivers classic Statham, no more, no less. However, it's the actors playing the villains that have the most fun. The standout is Jeremy Irons as the consultant to the main baddie. He's like the mob boss in the first John Wick movie, he didn't have anything to do with what ticked off the protagonist and didn't want to be dragged into this. He's very watchable as the guy who knows he is trying to dig through solid rock with a spoon but doesn't see any option but to keep digging.

Recommended. The whole thing's kinda crazy and over-the-top but oh-so watchable.

Reacher- Season 2

8/10

In this second season, based on Bad Luck and Trouble, the eleventh book in the Jack Reacher series by Lee Child, Reacher (played by Ritchson, a guy who looks like a full brick wall magically came to life), former MP and current vagabond, teams up with his old Special Investigations Unit when one of their members is murdered.

This season feels like it moves quicker. Instead of Reacher mostly being stuck in one town, he gets to travel around and keeps things more varied. There is a lot more focus on action this time (and the show was already pretty action heavy). Violence is more creative. Though I do miss Reacher's rapport with his team mates last time (the whole point of Reacher is he is a lone traveler who doesn't have a constant team), the new guys are a pretty likable bunch.

Understand that this is blatant escapism. If you prefer a more grounded affair, don't expect any real world legal restrictions on Reacher's path of revenge. If you just want a tale of good guys with guns defeating the wicked then this is for you. (As with all Reacher stories, the villains are all super evil and killey). Reacher does feel a little too cocky, and it can get annoying. Also, this season the guy is a straight up executioner who doesn't only act in defense or to save people. He doesn't just want to beat the bad guys, he wants them DEAD. It gets a little weird. (Say what you will about the material, but one can't question Ritchon's soft-spoken self-assured portrayal).

Recommended. A fun, action-packed time, and Ritchson is very watchable.

Fargo- Season 5

9.5/10

In season 5 of the FX anthology series, housewife Dot Lyon (Ted Lasso's Juno Temple) finds her life and family under threat when a shadow from the past pursues her.

The last couple seasons haven't been as strong as the first two, so I'm proud to say that 5 is a real return to form. It both feels like the classic Fargo formula while also reinventing itself. (I especially appreciate that this has more of the main character's family life, which I felt really helped make seasons 1 and 2 work and juxtaposes well against the crueler aspects of the world of Fargo.) What ensues is a pretty well written look at the American political divide and the nature of debt coupled by an interesting story and characters. Creator Noah Hawley's gift for excellently crafted dialogue and monologues is at full speed here. The last three episodes may have been the most engrossing cap off to a season of Fargo there's been, and the very last scene of the entire show may be one of the best moments on television I've ever seen.

Going in though, understand that this is also the darkest season of Fargo (and that's saying something.) Sure, the show's always been about violent crime, but this one focuses on a pretty sensitive subject that may not be for everyone and DOES NOT shy away from the matter.

Visually, the show is also still top knotch with some film-quality shots. Plus, there's some of the best use of music the show's ever done.

I'm glad Temple's work on Ted Lasso really helped jump start her career in America. (Unlike the rest of the British cast on that show she'd already been working regularly in the US, but a lot of her films were flops or limited release.) She brings such a humanity and determination to her character (all with a pretty fun midwestern accent.) Rest of the cast is also great. Jennifer Jason Leigh excels as Dot's sarcastic, cold-blooded billionaire mother-in-law Lorraine Lyon, who inexplicably has an outdated transatlantic accent.

Mad Men's Jon Hamm is antagonist Roy Tillman, a constitutional sherriff and rancher from a line of sheriffs who rules his county like a fiefdom. He's different from previous Fargo villains. Most of them are the love to hate types. Tillman, however, is designed simply to be hated. Hamm is really pulling off the loathsome. (Most villains are honest with themselves in their criminality whereas Tillman clearly feels he's the hero of his story.) You don't watch because of fascination of the character, you want to see if he'll get his just deserts or not. But don't worry, the show still has its interesting villain. Ole Munch (Sam Spruell, who was the main baddie in Jodie Whittaker's last season of Doctor Who) is this season's contract criminal. The tall, kilt-wearing Danish man is a fascinatingly eccentric fellow who doesn't have a personal stake in the matters at hand and brings his own personal philosophy into the events.

Unfortunately, there are so many characters that some of them don't get enough screentime. Kids in the Hall/Newsradio's Dave Foley gets to be Lorraine's one-eyed lawyer/fix-it man Danish Graves who's got a flair about him. New Girl's Lamorne Morris gives the best performance I've ever seen him do as a kind-hearted cop caught in Dot's story. Both of them you truly wish you got more of. 

Highly recommended. This is peak golden age television.

Lift

6.5/10

In Lift, master thief Cyrus (played by Kevin Hart) and his crew are recruited by Interpol agent Abby (Belle/Loki's Gugu Mbatha-Raw), who was previously after them, in order to steal a large shipment of gold being transported via plane to terrorists.

This is a fairly basic heist film in terms of characters, dialogue, and set up, but it is still a light, breezy experience that managed to keep my attention. I particularly liked that this was trying to be an escapist film without civilian casualties, but the filmmakers also managed to make the villains fairly nasty/reprehensible enough within the PG-13 boundaries.

The most unique aspect of this is the flight-based heist. I won't spoil anything, but I hadn't a heist done this way before (haven't seen money plane, but I'm pretty sure they're going a different route than Money Plane). This is a popcorn film, and they make the exterior and interiors of planes in this (one of which is first class) pretty appealing with sleek and colorful modern design.

It's kinda apparent that Hart is doing this to prove that he can also be a dramatic/action star. Known for his particular comedic style, he plays it completely straight here without jokes, and he does a decent job. Wouldn't say he's become the most charismatic action star, but he sells the character. Vincent D'Onofrio plays the flamboyant member of the gang and as the actor has proven in The Magnificent Seven and Dumb Money he relishes whenever he can go over-the-top. Attention should also be given to Torchwood/Pacific Rim's Burn Gorman (who is unappreciated in my opinion) as the villain's right hand who brings a little bit of personality to the role.

Kinda recommended. Not the greatest heist movie ever but makes for a passable time waster.

Mean Girls (2024)

8/10

In this film adaptation of the Mean Girls musical adaptation of the original 2004 Mean Girls movie which itself was loosely based on the book Queen Bees and Wannabees (whew...), Cady Herron (played by Angourie Rice who was Betty Brant in the latest Spider-Man trilogy), who has lived in Africa and been home schooled all her life, gets to experience American school life for the first time. Here, she captures the attention of the glamorous but mean queen bee of the school Regina George (The Sex Lives of College Girls' Renee Rapp who also originated the role on Broadway) and soon finds herself in Regina's toxic clutches.

Screenwriter Tina Fey had the unenviable position of adapting a musical to film while also having to remake her own film. I heard the original musical followed the original's pretty closely but Fey couldn't just have them repeat all the dialogue. She did a surprisingly good job of still following all the general beats while coming up with an original script. Yeah, the original movie was funnier but this is a pretty entertaining follow-up where the script and dialogue don't falter. Admittedly, what with this having songs in it, some story parts felt a little rushed or slimmed (I definitely would've liked more time with Regina's followers Gretchen Weiners (Bebe Wood) and Karen Shetty (Avantika)) when compared to the original but the whole affair still runs pretty smoothly).

The best part of this is that Fey's had twenty years to think about what parts about popularity and girl cruelty could've been better said or handled. I thought this movie honestly did a better job of actually showcasing and analyzing mean girls. The movie has Regina be more three-dimensional and imply without directly saying why she is the way she is. Cadie being sucked into the "mean girl" world felt more prominent and the battle with her selfish side feels a lot stronger here.

If you're a fan of the original musical, I've got to warn you: Approximately seven songs are cut or replaced (I'm not counting the reprises). I haven't seen so many songs cut since the film adaptation of Best Little Whorehouse in Texas back in the eighties and that wasn't even that many. A lot of songs also feel like their rhythm has been altered; not that this has never happened before with adaptations (like the Mungojerrie and Rumpleteazer song in Cats or the wolf song in Into the Woods), but I've never seen it so prevalent. In fairness, you have to give the creators credit for making sure the script worked and wasn't bogged down by requisite musical numbers. They remember that this is a movie and not a show and have this piece last an acceptable, non-indulgent 1 hour and 52 minutes. As for the songs in this movie themselves, yeah, most of them are pretty good with Regina's songs being the real highlights.

This was originally shot for Paramount+ before the execs thought this could make the big bucks in the theaters. Because of this, the movie definitely has a mid-budget feel. You can see this was shot at an older school and not one of those nicer ones you usually see used in theatrical films, and "Africa" is clearly just some field in America. However, I give directors Samantha Jayne and Arturo Perez Jr. credit for doing a lot with what they had. This is their first feature-length fiction film, and I wish them the best as they show promise. The musical numbers pop in terms of choreography and visuals. 

The original movie had iconic casting, but the gang here isn't shabby, even the ones who don't shine as brightly as the originals still are pretty good. The standouts here are Rapp, who has the best voice, kills her numbers and has a slightly tougher version of Regina that is on equal with that of Rachel McAdams, and Auli'i Cravalho (the voice of Moana), as Cady's friend Janis 'Imi'ike, she's also a great singer and has this more fun energy to her that I feel out does original actress Lizzy Caplan. Although I think Amanda Seyfried was the best and more well-rounded Karen, the simple-minded member of the clique, Avantika is pretty entertaining as she makes the choice to make the character a wide-eyed space case 85% of the time. Weakest actor might actually be lead Rice. She does alright but has the weakest singing voice and her speaking voice feels a little muted in the beginning. However, when it comes to her personality being influenced by the events around her, I actually thought her changes were done stronger than original actress Lindsay Lohan.

Recommended. Sure it isn't as good as the original but is definitely an entertaining time by itself and frankly came out better than I thought it would. This really does have some of the best shot musical numbers of recent years.

Rebel Moon: Part 1--A Child of Earth

5.5/10

In Zack Snyder's new film on Netflix, a small village on a moon face the threat of a warship from the galactic empire known as the Imperium, which wants their crops. To save themselves, villager Gunnar (played by Treme's Michiel Huisman) and newer resident with a mysterious past Kora (2017's The Mummy's Sofia Boutella) go in search of warriors to help fight back.

This is a very derivative sci-fi space film. The plot is basically Seven Samurai/Magnificent Seven in space, and they already did that in the early 80's with Battle Beyond the Stars. The Imperium feels a lot like the military in Dune. The empire's soldiers dress way too similarly to Nazis. (At least the military uniforms in Star Wars were "generally" fascist.)

Almost all the Imperium soldiers are way too one dimensional super, super EVIL. Gets exhausting.

There isn't much special about this movie, but there are moments where there are clever ideas.

Snyder has always been know for style over substance, and has delivered some truly epic visuals that most aren't capable of achieving. So, I'm disappointed to say that this is one of his least impressive looking films. The sets in particular just don't feel that ambitious. In fairness, credit should go to the digital effects teams because their detail work when it comes to space ships or cities is pretty good.

No complaints about the casting here. The actors aren't given much to work with but they do their best. This feels like Boutella's main lead role in a major motion picture, and she steps up to the plate even if she is the typical "tough female warrior". I hope this advances her career. Though he plays a cliched fascist, Ed Skrein is clearly having fun playing the warship's commander. Credit should also be going to Mishuis, who does a good job of displaying Gunnar's noviceness, but not ignorance, when dealing with the world outside his village. (Also, props to Ant-Man's Corey Stoll as the village's leader, a role very different form his usual ones. The guy is almost unrecognizable; didn't realize he had that range.)

The best you can say about Rebel Moon is that it is a film. The movie isn't particularly weak but there is barely anything original about it. Can't recommend but can't say you need to avoid either.

Night Swim

7.5/10

In Night Swim, Ray Waller (played by Falcon and the Winter Soldier/Monarch's Wyatt Russell), a former baseball player suffering from multiple sclerosis, and his family move into a new house with a pool, but it's not a regular pool, it's a scary supernatural murder pool.

I'm surprised that a pool has never been turned into a an average--object-turned-element-of-murder movie. Pools are kinda scary. People can drown, strike their heads on the cement parts/diving board, and there's something unknown/ominous about the gaps where the water flows through. This movie makes good use of the concept and does a diverse job of showing various ways in which this pool just ain't right. There's some fairly creepy imagery, including seeing things in the background that aren't in focus. However, the scares are diminishing returns; the best parts are earlier on.

The plot itself is decent but could've been improved upon. There are plenty of horror movie families, but you don't usually see one dealing with a family member with a disease, which adds a little more to the usual formula. You get a feel for the characters, especially the dad, but the script doesn't go for that extra mile in their characterization. Some scenes and dialogue are mixed in quality. (This was originally a short film and you can see some of the growing pains in fleshing the story out.) Cast is good, especially Russell, but there is one small role that really isn't working.

Special effects and makeup are fairly good, though there a couple moments that feel a little weak. This is one of those horror situations where the supernatural threats aren't as effective as when you clearly see them.

Recommended. Story is good but not great. What makes this work definitely is the scares.