100 Years of Warner

8/10

This new documentary mini-series on Max (formerly HBO Max), traces the history of Warner Bros. through four episodes that divvy up the time periods. 

I felt this was a well put-together mini-series. It flows well with solid choices in film and interview clips. 100 Years really serves as an ode to film-making itself. It's interesting to see how the film-making process changes over these episodes.

Of course, they don't have time to go over everything, and they don't cover everything one would want to see. Though, they do plug in a ton of clips, even ever so brief, from the Warners catalog.

100 Years does well in covering the change in racial and gender coverage over the years, including firsts in representation. The mini-series doesn't hide from less savory parts of Warner's earlier years. (Jack Warner, not a great guy.) However, it's clear that Warner isn't in the mood to discuss more recent issues, such as the fallout of the DC Snyderverse or AT&T's acquisition of the company and then letting it go after it realized HBO Max wasn't working out. Current Warner Bros. Discovery CEO David Zaslav is one of the interviewees, so 100 years definitely doesn't discuss the controversy of his shelving completed films. For all the mini-series' talk about the times Warner took chances, it doesn't want to address its more recent focus on the bottom line.

Recommended. If you're a film buff, I think you'll be pleased with this.

Spider-Man: Across the Spider-Verse

9.5/10

In this sequel to Into the Spider-Verse, Miles Morales/Spider-Man (voiced by Shameik Moore) reunites with Gwen Stacy (Hailee Steinfeld) and becomes involved with a trans-dimensional task force populated to the gills with various Spider-Men and -Women from across the multiverse.

This really carries the ball passed on from the first film: being a combination of heart, humor, and story. The interpersonal relations are so excellently done here. Whereas the last movie focused on Miles' father Jefferson Davis (Brian Tyree Henry), this film gives more screen time to Miles' mother Rio (Luna Lauren Velez) and her relationship with her son. We also get a lot more screentime with Gwen Stacy than I expected. She's really as much the lead of this film as Miles, and we really get to see more about her life and what makes her tick.

The movie manages to balance the heavier aspects with a lot of fun jokes, more per capita than the last film. This movie lets the writers play as fast and loose with the Spider world as they want due to endless dimensions. They truly have an immense sandbox to play in. There are fair amount of Spider meta jokes to be found; this was clearly made by fans.

The story is pretty ambitious and you probably won't be able to guess where it goes; really, a very creative and well written script. This is darker than the last movie and manages to mine the Spider-Man history of personal drama and tragedy really well. This is one of those two-parter movies, so don't expect everything to be wrapped up here. But, man oh man, does this end on an enticing note.

It may have surprised a lot of people that the main villain in this is The Spot (Jason Schwartzman), a mid/lower ranking Spidey villain. He was considered as a bit of a joke by fans when he first appeared in the 80's due to his silly name and appearance, but he's made more appearances in recent years with writers realizing how powerful his skill set is (he can create multiple small portals) and have been making him more of a threat. This movie runs with the characters' history in the fandom and comics and portrays the character as both humorous and threatening.

Miguel O'Hara/Spider-Man 2099 is one of the primary characters in this and the only Spider-Man who's super serious and never throws around quips. His goals don't align with Miles' and serves as as a pretty solid anti-hero in this.

If you liked the other Spider-People in the last film, don't expect to see a lot of them here. The story just didn't seem to have room.

'Course what everyone remembers the most about the first one was the distinct and quality animation. This movie really manages to surpass that. The animation again is so vibrant and visually creative. Besides, having the world look like it was in the comic book pages, some of the characters from various worlds may have very different animation styles based on said worlds. If you had headaches and eye strain from the fact that the last film was a little like looking at a blue/red 3D image without the glasses, they cut down on that. It's still there somewhat, but it's not as distracting.

I'm impressed with the sheer amount of detail in this. All the worlds feel so lived in. This is the sort of animation a college instructor will use as an example in class.

If there are any weak spots to this, it's its length, running at 2 hours and 20 minutes. There are so many reveals and plot points that the whole thing might get a little exhausting by the end. Also, this movie carries the Spider-Man tradition of struggling with life's setbacks and hardships and the weight of being a hero as often demonstrated by broad quasi-philosophical monologues. It's part of the Spidey routine by now, but there's so much of it that it may weigh the film down for some.

Highly recommended. This is one of the most engaging and creative movies of the year and one of the best looking animated films ever. I think the first film was a little better mostly due to it being a more compact story. But the difference isn't by too much. 

Bob's Burgers- Season 13

7/10

Yet another season of misadventures with burger joint owner Bob Belcher (voiced by H. Jon Benjamin) and his wacky family.

Going on its 13th year, the show is naturally showing a little decline, not a Simpsons-during-its-weakest years level decline , but the show doesn't quite have the consistent punch it used to. (Also, restaurant regular Teddy (Larry Murphy), has gotten a little flanderized and one note with his semi-unhealthy reliance on the family.) 

But, the show's still funny. You've still got a few memorable and/or emotionally touching episodes. I personally recommend Radio no You Don't, one of the most unique episodes the show's ever done, and the finale episode Amelia, which is a very moving work.

On the other hand, you've got the episode Mother Author Laser Pointer. Let's be honest, the mom Linda (John Roberts) has sometimes been too self-confident and quasi-deluded, and there are moments where she believes she can do whatever she wants as long as she has good motives. This episode Linda goes way too far, more so than she ever has. She isn't being quirky, she's being unintentionally criminal and unnerving. 

Recommended. Don't get me wrong. If you're new to BB, this should not be your entry point. But if you've stuck with the show, it's still watchable. 

The Great North- Season 3

7.5/10

Season three brings more misadventures of the Tobins, an oddball and close-knit family of Alaskans.

The formula hasn't changed much here, the family keeps ending up in quirky misadventures, but the writers this time around seem to be trying to one-up themselves on how weird they can make the show. Personally, I'm all for it. I love how creative the episodes can get. (I personally recommend A Bear-tiful Friend Adventure, Rear Genius Adventure, and the finale.) Though I still like Bob's Burgers it has lost a little of it's magic (which is fair considering it's been on over a decade.) The Great North has assumed it's throne for offbeat humor with heart and well-defined characters.

The Tobins continue to entertain and be likable with a great voice cast. Probably the best two actors are Park and Recreation's Nick Offerman as patriarch Beef Tobin and SNL/Last Man on Earth's Will Forte. Sure Beef's voice is another one of the outdoors man personas Offerman has built, but I'm impressed with what he's able to do with just small little changes in his voice, making Beef both kinda deadpan but also one of the most lovable parents on TV. Forte's delivery is always pretty funny as the goofiest member of the bunch who's also just so darn positive.

The show has reached the point where it's also really developed the Tobins' hometown of Lone Moose and its inhabitants. I appreciate the world building.

Recommended. If you want something light, positive and just trying to have fun, this is for you.

Equalizer- Season 3

7/10

Former CIA agent Robyn McCall (played by Queen Latifah) continues to use her skill set to help the little guy with problems the system can't/won't help.

Not much has changed since the last two seasons. The episodes continue to be a bunch of fairly entertaining albeit not complex adventures, and the storylines remain varied. (Nice thing about the show is that McCall's mission is broad enough that the writers aren't limited to certain situations.)  There is more of a focus on McCall's relationship and past with the CIA which worked pretty well. 

And the same as previous seasons, you've got a sprinkling of "special message" episodes that feel too simplistic like they're talking down to the audience.

Though Queen Latifah is likable, she isn't always able to make the dialogue work. (She tends to talk in the same tone.)

I've been a fan of McCall's daughter Delilah (Laya DeLeon Hayes) and aunt Vi (Lorraine Touissaint) and though their stories often aren't connected to the main storyline, they've usually been good. However, half-way through this season, the stories started to bug me. It might be that there are a lot more isolated single-episode storylines, which start to show the same issues as the A-plots: social message stories that simplistically talk down to you and wrapped up way too quickly. The fact that the two of them keep running into these issues comes off as unrealistic. (However, when it comes to the racial-focused episodes, I apologize if I'm being white privileged about the situation. I'm not a black person in America and can't attest to how often you would run into these situations if you were.) Also, it feels that Vi has become completely right too many times and is starting to come off as sanctimonious. Don't get me wrong, Touissaint does a great job at both being at being caring but also bring on the righteous indignation when needed, and it's nice to see her fight against racists who'd wrong her or her niece, but in less high stakes situations it feels like she always needs to be in control of the situation and narrative. (The restaurant subplot is the best example of this.)

Kinda recommended. I know I've gone into the cons more than the flaws, but the show's still enjoyable, there's just no need for specifics for the positives. It's just you're average turn-off-your-brain and have fun CBS show.

Flash- Season 9 (Final)

7/10

Bart Allen/The Flash (played by Grant Gustin) and friends deal with new threats in this the show's final season.

So, yeah... this season is mostly the same as the last two: the show doesn't hit the strong and more dramatic writing of its early years. But, what we get is a mostly fun selection of popcorn episodes that serve as decent light entertainment. (I personally prefer too-simplistic Flash over trying-too-hard-to-be dramatic Flash any day.)

Given that this is the last of the show, one'd hope it'd be like the end of Arrow and be a truly connected and thought-out culmination of the show over the years. Sadly, we don't get that here. Doesn't help that the show's sticking with the season-divided-into-two-big-threats strategy they've been doing in recent years. Yes, it helps the overarching storyline not to drag it out, but this being the big finale, it would've helped to have a more cohesive plan to it. Plus, this was a shorter season, so there wasn't the need to worry about the plot being stretched out.

Now, like I said, this isn't the culmination I wanted, but the writers are treating this as the final bow. Many faces from throughout the show pop up. Unfortunately if you wanted to know whatever happened to Golden Glider or General Wade Eiling, that never gets addressed. Plus, they don't have time (or possibly the scheduling) for all your favorite villains: no Trickster, no Amunet Black, no Weather Wizard, and no Ragdoll. It's especially unfortunate that former original member of the team and one of the most popular characters Cisco couldn't make any appearances. The actor was willing but had scheduling conflicts.

I know that not everyone is a big fan of Flash's later-introduced allies Allegra Garcia (Kayla Compton) and Chester P. Runk (Brandon McKnight), but I like them well enough. Both the actors do a solid job. Their romance is no great story, but I always felt it was decent.

Again, Gustin is a likable actor, but as is often in the show, there's another episode where Barry's shown as sanctimonious, which always makes him hard to like especially when he made a blunt one-sided decision over an ethically grey situation.

Mark Blaine/Chillblaine (Jon Cor) is still a member of the team. It still doesn't sit well with me that he's an immediate member of the group considering the major crimes he committed in his first appearance. The redemption and trust never felt earned.

Prepare to be disappointed with the storyline for Caitlyn Snow (Danielle Panabaker) this year. If you've been following the character all this time, you'll be disappointed with a direction no one ever asked for.

As for the finale, it's not necessarily the emotionally best of Flash season finales and there's an epilogue scene that makes you say "What?!," but it's got some fun ideas and fights and I thought the final threat was a really good idea.

Kinda recommended. If you liked the show but became disillusioned as it became a shadow of itself, this probably won't do anything to change your mind. If you still like watching, yeah you'll get more of the same and it'll be just fine.

The Little Mermaid (2023)

8/10

In this remake of the 90's movie, Ariel (played by singer/sonwriter/actress Halle Bailey), a mermaid princess, is fascinated with the above world and falls in love with Eric (Jonah Hauer-King), a human prince. In order to become a human herself, she makes a deal with the devious sea witch Ursula (Melissa McCarthy). The condition is that she must get true love's kiss within three days or else.

Given that this is a Disney live-action remake, yeah... you got the regular criticism. They mostly retell the same story, but the script and direction can't quite match the magic of the original with live scenes unable to improve upon their animated counterparts. Sebastian (voiced by Daveed Diggs) is just thrown in without much of a good introduction and Ursula needed more screentime to let her breath. Also, attempts to bring some slight messages about man harming underwater ecology feel hamfisted and trite. 

That all having been said, I still found this to be a good film and one of the better Disney remakes. (Don't worry Pete's Dragon. You're still my favorite.) This is clearly a movie where everyone's trying, and sure there are valid criticisms about moments, but there is a genuine pleasantness and fun to it. The creators attempt to try some new things visually, and the musical numbers manage to look good and draw you in without being exact carbon copies of the original and make up for things they couldn't do in animation. 

The strongest part in this is that the movie does a better job of building the relationship between Ariel and Eric than in the original. More time is given to given to letting them interact and fleshing out Eric's character, showing why the two characters work together. 

Another strength is great casting all around. The best thing about this movie is DEFINITELY Halle Bailey. She completely embodies the essence of Ariel. She brings this youthful energy and innocence that completely works. I think Disney learned their lesson from the Beauty and the Beast remake with Emma Watson and cast a lead actress that truly can sing. Heck, Bailey's voice is even stronger than that of original voice actress Jodi Benson.

There's a five year difference between Bailey and Hauer-King (admittedly I'm not the first review to say it online and I may be regurgitating, but I think it needs to be stated), plus Bailey is shorter and acts younger than Hauer-King, resulting in an awkward age gap. Given the controversy that in the animated movie Ariel was 16 and Eric was 18 (yeah, look it up), you'd think Disney'd be more careful about that.

I owe Melissa McCarthy an apology. She's been more of a personality actress than a character actress, and I thought she was cast because she was a big name. I was completely wrong. McCathy knows what makes Ursula tick and pulls off the delivery bringing a humorously, wicked and larger-than-life performance. If you were disappointed with how unfaithfully Jafar was portrayed in the Aladdin remake, this is a breath of fresh air. 

Only casting  that doesn't quite work is Awkwafina as Scuttle. (NOT a gender-change issue.) Maybe it hurt her that she voiced a Disney character not too long ago and there's a comparison. In Raya and the Last Dragon, she felt like she was the character. Here, it feels more like stunt casting with Awkwafina as Awkwafina. 

CGI is a mixed bag. All background aspects of the underwater world look excellent, but the combination of live-action actors with the mermaid actors never look quite natural. I think the director realized that too. In the animators' defense, this was a huge undertaken what with all the underwater scenes. (There's a reason Disney has put off adapting one of their most recognizable IP until now.) There was a clear effort to be economic with the amount of mermaid animation they had to do. So unfortunately, don't expect a lot of mermaid group scenes. The underwater kingdom is kinda sparse and feels like it it's made up mostly of Ariel's famly. The animators do do an impressive job of making hair look like it's flowing in the water.

Sebastian's new design that's more faithful to what crabs look like is controversial, I do say. I like the eyes, but the mouth movements don't work for me. Altogether, I wouldn't call it a deal breaker. 

Whereas the original film took place in a European fairy tale land, this takes place on a tropical island nation. Admittedly, some will miss the original look, but I feel the change in location allows a lot of tropical colors that makes the movie work.

We get three new songs in this from original songwriter Alan Menken with Hamilton's Lin-Manuel Miranda replacing the late Howard Ashman as lyricist. It's funny, I felt that this movie did a better job as a remake than either B&B or Aladdin, but those two each had a new song here that was pretty good and none of the new ones here pop. In fairness, Ariel's new song does work great when you watch it on film. The visuals, lyrics and Baille's performance makes this one of the strongest moments. But, you won't be remembering the song much afterwards. Doesn't help that Eric's new song wasn't suitable for Hauer-King. He seems to have pipes, but the tempo didn't fit his voice. Also, all three songs don't feel like they're in the same tone as the originals. If you're a fan of "Daughters of Triton" or "Les Poissons," they've been cut.

Recommended. Yes, the original is better, but this IS an entertaining film and worth seeing for Baille, McCarthy, and the musical numbers. Your kids will probably have a good time with this.