The Great North- Season 3

7.5/10

Season three brings more misadventures of the Tobins, an oddball and close-knit family of Alaskans.

The formula hasn't changed much here, the family keeps ending up in quirky misadventures, but the writers this time around seem to be trying to one-up themselves on how weird they can make the show. Personally, I'm all for it. I love how creative the episodes can get. (I personally recommend A Bear-tiful Friend Adventure, Rear Genius Adventure, and the finale.) Though I still like Bob's Burgers it has lost a little of it's magic (which is fair considering it's been on over a decade.) The Great North has assumed it's throne for offbeat humor with heart and well-defined characters.

The Tobins continue to entertain and be likable with a great voice cast. Probably the best two actors are Park and Recreation's Nick Offerman as patriarch Beef Tobin and SNL/Last Man on Earth's Will Forte. Sure Beef's voice is another one of the outdoors man personas Offerman has built, but I'm impressed with what he's able to do with just small little changes in his voice, making Beef both kinda deadpan but also one of the most lovable parents on TV. Forte's delivery is always pretty funny as the goofiest member of the bunch who's also just so darn positive.

The show has reached the point where it's also really developed the Tobins' hometown of Lone Moose and its inhabitants. I appreciate the world building.

Recommended. If you want something light, positive and just trying to have fun, this is for you.

Equalizer- Season 3

7/10

Former CIA agent Robyn McCall (played by Queen Latifah) continues to use her skill set to help the little guy with problems the system can't/won't help.

Not much has changed since the last two seasons. The episodes continue to be a bunch of fairly entertaining albeit not complex adventures, and the storylines remain varied. (Nice thing about the show is that McCall's mission is broad enough that the writers aren't limited to certain situations.)  There is more of a focus on McCall's relationship and past with the CIA which worked pretty well. 

And the same as previous seasons, you've got a sprinkling of "special message" episodes that feel too simplistic like they're talking down to the audience.

Though Queen Latifah is likable, she isn't always able to make the dialogue work. (She tends to talk in the same tone.)

I've been a fan of McCall's daughter Delilah (Laya DeLeon Hayes) and aunt Vi (Lorraine Touissaint) and though their stories often aren't connected to the main storyline, they've usually been good. However, half-way through this season, the stories started to bug me. It might be that there are a lot more isolated single-episode storylines, which start to show the same issues as the A-plots: social message stories that simplistically talk down to you and wrapped up way too quickly. The fact that the two of them keep running into these issues comes off as unrealistic. (However, when it comes to the racial-focused episodes, I apologize if I'm being white privileged about the situation. I'm not a black person in America and can't attest to how often you would run into these situations if you were.) Also, it feels that Vi has become completely right too many times and is starting to come off as sanctimonious. Don't get me wrong, Touissaint does a great job at both being at being caring but also bring on the righteous indignation when needed, and it's nice to see her fight against racists who'd wrong her or her niece, but in less high stakes situations it feels like she always needs to be in control of the situation and narrative. (The restaurant subplot is the best example of this.)

Kinda recommended. I know I've gone into the cons more than the flaws, but the show's still enjoyable, there's just no need for specifics for the positives. It's just you're average turn-off-your-brain and have fun CBS show.

Flash- Season 9 (Final)

7/10

Bart Allen/The Flash (played by Grant Gustin) and friends deal with new threats in this the show's final season.

So, yeah... this season is mostly the same as the last two: the show doesn't hit the strong and more dramatic writing of its early years. But, what we get is a mostly fun selection of popcorn episodes that serve as decent light entertainment. (I personally prefer too-simplistic Flash over trying-too-hard-to-be dramatic Flash any day.)

Given that this is the last of the show, one'd hope it'd be like the end of Arrow and be a truly connected and thought-out culmination of the show over the years. Sadly, we don't get that here. Doesn't help that the show's sticking with the season-divided-into-two-big-threats strategy they've been doing in recent years. Yes, it helps the overarching storyline not to drag it out, but this being the big finale, it would've helped to have a more cohesive plan to it. Plus, this was a shorter season, so there wasn't the need to worry about the plot being stretched out.

Now, like I said, this isn't the culmination I wanted, but the writers are treating this as the final bow. Many faces from throughout the show pop up. Unfortunately if you wanted to know whatever happened to Golden Glider or General Wade Eiling, that never gets addressed. Plus, they don't have time (or possibly the scheduling) for all your favorite villains: no Trickster, no Amunet Black, no Weather Wizard, and no Ragdoll. It's especially unfortunate that former original member of the team and one of the most popular characters Cisco couldn't make any appearances. The actor was willing but had scheduling conflicts.

I know that not everyone is a big fan of Flash's later-introduced allies Allegra Garcia (Kayla Compton) and Chester P. Runk (Brandon McKnight), but I like them well enough. Both the actors do a solid job. Their romance is no great story, but I always felt it was decent.

Again, Gustin is a likable actor, but as is often in the show, there's another episode where Barry's shown as sanctimonious, which always makes him hard to like especially when he made a blunt one-sided decision over an ethically grey situation.

Mark Blaine/Chillblaine (Jon Cor) is still a member of the team. It still doesn't sit well with me that he's an immediate member of the group considering the major crimes he committed in his first appearance. The redemption and trust never felt earned.

Prepare to be disappointed with the storyline for Caitlyn Snow (Danielle Panabaker) this year. If you've been following the character all this time, you'll be disappointed with a direction no one ever asked for.

As for the finale, it's not necessarily the emotionally best of Flash season finales and there's an epilogue scene that makes you say "What?!," but it's got some fun ideas and fights and I thought the final threat was a really good idea.

Kinda recommended. If you liked the show but became disillusioned as it became a shadow of itself, this probably won't do anything to change your mind. If you still like watching, yeah you'll get more of the same and it'll be just fine.

The Little Mermaid (2023)

8/10

In this remake of the 90's movie, Ariel (played by singer/sonwriter/actress Halle Bailey), a mermaid princess, is fascinated with the above world and falls in love with Eric (Jonah Hauer-King), a human prince. In order to become a human herself, she makes a deal with the devious sea witch Ursula (Melissa McCarthy). The condition is that she must get true love's kiss within three days or else.

Given that this is a Disney live-action remake, yeah... you got the regular criticism. They mostly retell the same story, but the script and direction can't quite match the magic of the original with live scenes unable to improve upon their animated counterparts. Sebastian (voiced by Daveed Diggs) is just thrown in without much of a good introduction and Ursula needed more screentime to let her breath. Also, attempts to bring some slight messages about man harming underwater ecology feel hamfisted and trite. 

That all having been said, I still found this to be a good film and one of the better Disney remakes. (Don't worry Pete's Dragon. You're still my favorite.) This is clearly a movie where everyone's trying, and sure there are valid criticisms about moments, but there is a genuine pleasantness and fun to it. The creators attempt to try some new things visually, and the musical numbers manage to look good and draw you in without being exact carbon copies of the original and make up for things they couldn't do in animation. 

The strongest part in this is that the movie does a better job of building the relationship between Ariel and Eric than in the original. More time is given to given to letting them interact and fleshing out Eric's character, showing why the two characters work together. 

Another strength is great casting all around. The best thing about this movie is DEFINITELY Halle Bailey. She completely embodies the essence of Ariel. She brings this youthful energy and innocence that completely works. I think Disney learned their lesson from the Beauty and the Beast remake with Emma Watson and cast a lead actress that truly can sing. Heck, Bailey's voice is even stronger than that of original voice actress Jodi Benson.

There's a five year difference between Bailey and Hauer-King (admittedly I'm not the first review to say it online and I may be regurgitating, but I think it needs to be stated), plus Bailey is shorter and acts younger than Hauer-King, resulting in an awkward age gap. Given the controversy that in the animated movie Ariel was 16 and Eric was 18 (yeah, look it up), you'd think Disney'd be more careful about that.

I owe Melissa McCarthy an apology. She's been more of a personality actress than a character actress, and I thought she was cast because she was a big name. I was completely wrong. McCathy knows what makes Ursula tick and pulls off the delivery bringing a humorously, wicked and larger-than-life performance. If you were disappointed with how unfaithfully Jafar was portrayed in the Aladdin remake, this is a breath of fresh air. 

Only casting  that doesn't quite work is Awkwafina as Scuttle. (NOT a gender-change issue.) Maybe it hurt her that she voiced a Disney character not too long ago and there's a comparison. In Raya and the Last Dragon, she felt like she was the character. Here, it feels more like stunt casting with Awkwafina as Awkwafina. 

CGI is a mixed bag. All background aspects of the underwater world look excellent, but the combination of live-action actors with the mermaid actors never look quite natural. I think the director realized that too. In the animators' defense, this was a huge undertaken what with all the underwater scenes. (There's a reason Disney has put off adapting one of their most recognizable IP until now.) There was a clear effort to be economic with the amount of mermaid animation they had to do. So unfortunately, don't expect a lot of mermaid group scenes. The underwater kingdom is kinda sparse and feels like it it's made up mostly of Ariel's famly. The animators do do an impressive job of making hair look like it's flowing in the water.

Sebastian's new design that's more faithful to what crabs look like is controversial, I do say. I like the eyes, but the mouth movements don't work for me. Altogether, I wouldn't call it a deal breaker. 

Whereas the original film took place in a European fairy tale land, this takes place on a tropical island nation. Admittedly, some will miss the original look, but I feel the change in location allows a lot of tropical colors that makes the movie work.

We get three new songs in this from original songwriter Alan Menken with Hamilton's Lin-Manuel Miranda replacing the late Howard Ashman as lyricist. It's funny, I felt that this movie did a better job as a remake than either B&B or Aladdin, but those two each had a new song here that was pretty good and none of the new ones here pop. In fairness, Ariel's new song does work great when you watch it on film. The visuals, lyrics and Baille's performance makes this one of the strongest moments. But, you won't be remembering the song much afterwards. Doesn't help that Eric's new song wasn't suitable for Hauer-King. He seems to have pipes, but the tempo didn't fit his voice. Also, all three songs don't feel like they're in the same tone as the originals. If you're a fan of "Daughters of Triton" or "Les Poissons," they've been cut.

Recommended. Yes, the original is better, but this IS an entertaining film and worth seeing for Baille, McCarthy, and the musical numbers. Your kids will probably have a good time with this.

Asterix & Obelix: The Middle Kingdom

7/10

Asterix & Obelix: The Middle Kingdom (original French title: Asterix & Obelix: L'Empire du Milieu), now on Netflix, is the fifth of the live-action films based on the popular and long-running Asterix the Gaul comics (known for their combination of slapstick and satirical humor) and the first of said films (not counting the animated ones) not based on one of the original stories. This stars Gauls (the ancestors of the French and Belgians) Asterix (played by Guillaume Canet) and his friend Obelix (Gilles Lellouche) who live in the only village that hasn't been occupied by the Roman Empire thanks to a magical potion the druid Getafix (English)/Panoramix (French) (Pierre Richard) brews that gives people super strength. In this installment, the friends travel to China in order to help Princess Fu Yi (Julie Chen) regain control of China from the forces of the prince Deng Tsin Qin (Bun Hay Mean) and Julius Cesar (Vincent Cassel).

It's nice to finally get an Asterix movie on Netflix in America, and one which is prominently displayed no less. There's a ton of these films but since Asterix isn't big the way he is in France and other countries he doesn't get much love stateside. Some of the movies are completely unavailable and the others often require Internet research to determine the various streaming platforms they're all on. 

'Course there's ultimately the question of whether this movie's good or not regardless of the fact that America's finally giving the franchise a chance. The Asterix films can be inconsistent. I've seen the first 3 live-action ones and the first is okay, the second is pretty good, and the third was a disappointment. My final verdict on this one: It's not perfect, but it's funny.

There are jokes in this that either don't work (there's a weird visual gag involving a box that the writers had an undeserved confidence in) or the French sensibility or topical humor doesn't cross the cultural divide, but a lot of the jokes do land, including one laugh-out-loud moment for me. A lot of the stuff in this film that works is based on the fact that it's an adaptation of a children's humorous comic. The whole thing is just plain silly humor and a lot of jokes juxtaposing modern cultural references with ancient times, and it sounds like the latter could get old but it never really does.

What helps make the comedy work is that the entire cast knows what kind of movie they're making and go all in on the silliness. The guys playing the villains especially seem to be having fun mugging for the camera. There's like six of them and yet their scenes never feel overstuffed, and each one has a distinct personality.

Surprisingly, one of the weaker parts of this are the two leads. The writing for Asterix and Obelix feels a little off. Asterix especially doesn't feel quite like himself. He's always been a a positive fellow who likes his lot in life. Here he comes off a little selfish and is questioning stuff that has been staples of his characters. The first ten minutes of the film don't make a great impression due to his personality alone. (The movie does take a little time to really get going. If you watch, I suggest you give this at least 30-45 min. before you decide to give up.)

The sets are all really nice and colorful. The movie's filmed in France, but the production crew seemed to be doing their best to make the setting is somewhere else.

Since this is French, expect this movie to be a bit more liberal with content. Parents should understand that though this is considered a family film, there are sexual references including a brief usage of the word "orgies." I can't quite put a finger on anything specific, but anyone who's actually Chinese or of Chinese ancestry may not be thrilled with how fast and loose the movie makers play with Chinese culture.

This is one of those movies that are hard to recommend or not. Some will find this definitely funny and a nice lighthearted affair. Others may be frustrated with the parts that don't work or just don't get the film as a whole. This is probably a better recommendation for kids (provided their parents are okay with the content) as I think they'll probably be less picky and like the goofiness of it all. If you're curious about the Asterix franchise, I don't know if I can say this is the perfect entry point. I'd recommend either Asterix and the Vikings, if it ever comes back to streaming in the U.S., which is the one that feels the most like a traditional American kids' film, and the animation is pretty good, too, or The Twelve Tasks of Asterix, the best in my opinion and currently for rent on a few streaming platforms, helmed by the original creators, and has this unique feel to it you could only get in the 70's. (Admittedly, there is one brief scene in the movie that is unarguably racist.)

Digman- Season 1

 

8/10

In this new animated comedy on Comedy Central, once famous but now disgraced archaeologist Rip Digman (voiced by SNL/Brooklyn Nine-Nine's Andy Samberg, who's also the co-creator) tries to revive his career with his new assistant Saltine (Three Busy Debra's Mitra Jouhari).

Andy Samberg doing a boisterous impersonation of Nicholas Cage's voice is something I never knew I needed; I never get tired of it. Samberg brings such an enthusiasm to the character. Rip can be stubborn and at times a little selfish, but it's not like he's full Archer or Dr. Venture. The character is more like a big kid than a jerk. 

Credit should also be given to Jouhari who is also pretty good at the optimistic Saltine's delivery. Though I think he has the least entertaining character, I liked SNL veteran Tim Meadows' delivery as mysterious billionaire Quail Eegan. The guy is often cast as people who are ineffectual or in ineffectual positions. Here he's sort of an antagonist and a powerful and very confident guy. It's nice seeing him showing his range.

As a whole, Digman is very funny. It has that silly, gonzo go-for-broke style Samberg is known for. When the writers go in on a joke, they all go all in. If one line doesn't work for you, don't worry, they're rapid fire here.

It's another adult cartoon that goes for a simplified look, but the character designs have this specific sketchbook-style looseness to them that works. Given that a lot of these shows go for a compact look, it's nice seeing longer-looking characters.

Highly recommended. This is one of the funniest shows I've seen this year. Unfortunately, like most animated shows following South Park, it'll probably suffer the short run curse (at least a second season is already confirmed). I hope for at least three seasons.

Muppets Mayhem

9/10

This Muppets limited series(?) on Disney+, has aspiring music executive Nora Singh (played by Youtube personality Lilly Singh) overseeing Dr. Teeth and the Electric Mayhem recording their first album.  

I have to admit that I was surprised that they were creating a show specifically about the band from The Muppets Show and other projects (without even other Muppets characters like Kermit, Fozzie, Gonzo, etc.) Don't get me wrong, we all like Animal (performed by Eric Jacobson), but the band as a whole were mostly background characters that were good for a few jokes but never had strong characterization. (Quick, how many of you remember what Lips (Peter Linz) the guy who plays the trumpet looks like. How many of you even remember there was a guy who plays the trumpet?) Plus, it doesn't help that their groovy rocker attitudes make most of them, except again for Animal, too similar. It's like if you made a Peanuts show that only featured Franklin, Pigpen, and Frieda, the girl who boasted about her naturally curly hair, had their own show. There just isn't enough about their personalities to make one feel confident they could flourish on their own.

I was so pleased to see how wrong I was. First of all, the creators were smart enough to put all the weight on the Mayhem. Like The Muppets Christmal Carol was really Michael Caine's Scrooge's story with the Muppets, this show makes the wise choice to make this Nora's story with the Mayhem. She brings the story and they bring the comedy.

This is weirdly like Ted Lasso. Having possibly learned from the recent The Muppets and Muppets Now which felt more mean-spirited and jaded than classic Muppets (it's like they asked themselves, "Hey, what if we made Miss Piggy more toxic?! Surely there can never be a cap on that?!) this one is fully positive with supporting messages for the children. The humans are surprisingly fleshed out by Muppets standards. The band members are more simple, naturally but more characterization have been given to the them than ever. They may've made Sgt. Floyd Pepper (Matt Vogel), the one with the big red moustache, become a contender for Fozzie and Beaker's positions as the Muppet most likely to evoke an empathetic response.

Doesn't hurt that the show is pretty funny. It kinda feels like earlier Muppets films where some of the jokes did feel they were aimed at both adults and children in what is a family friendly affair. The show manages to make drug jokes and jabs at similar content without ever being specifically about drugs and such. (However, there are two movie references that I'm surprised Disney+ plus greenlighted. Parents, be prepared for your kids asking what that R-rated movie the Muppets mentioned was.) It is possible adults may get more out of this than children. Some kids, especially younger could get bored by the more dialogue-heavy pacing.

Though I'm mostly unfamiliar with Lilly Singh, I thought she was pretty good for someone without a lot of acting experience. She makes for a fine straight man having to deal with the unintentional antics caused by the band. Saara Chaudrey also entertains as Hannah, Lilly's social media influencer sister. There are also a lot of celebrity cameos, some of which you may be pleasantly surprised by.

Props should be given to the Muppets performers. Dr. Teeth (Bill Barretta) and Lips particularly have this liveliness to them. Needless to say, Animal, oh he of simple words, is the most entertaining of the characters. All the band members are entertaining, but there is one flaw to Janice's voice. As the hippiesh one, she's always been fun, but her voice has always been a man trying to sound like a hippie or valley girl, which works fine but when there's a lot more of it, the voice kinda ingratiates. We also get a new Muppet in this (there are surprisingly few Muppets other than The Mayhem; maybe it was to keep the focus on the band or maybe they were trying to save money) that I won't spoil, but is a fun design and character.

Highly recommended. This is honestly one of the strongest Muppets products out there.