The Wonderful Summer of Mickey Mouse

6/10

This third season-oriented Mickey Mouse special on Disney+, differs from the first two, which contained three separate stories. Here, Mickey and friends recollect their day and what led to a terrible mishap at the fireworcks.

I admit, I'm a little let down by this one. These Mickey Mouse stories can be so creative, nuts, and fun. However, this one felt pretty basic. The story lines were all traditional comedy-of-errors slapstick that were kinda predictable. Don't get me wrong, there were still moments of some really fun old-school style visual humor that The Wonderful World of Mickey Mouse is known for. The animation and character design is on point, and Chris Diamantoupolous' MM voice remains hilarious. I also liked the 40's/50's-esque song at the beginning. (Plus, there is more screen time for the walrus mayor, which is an amusing-looking fellow with a fun voice.) It's just that ultimately there are stronger Mickey Mouse entries.

Your kids may like this, but there are plenty of better World of Mickey Mouse cartoons you can check out first.

Thor: Love and Thunder

 

8.5/10

In the fourth Thor movie, thunder god Thor (played by Chris Hemsworth) ends up pursuing Gorr the God Butcher (Christian Bale) and runs into his ex Jane Foster (Natalie Portman), who now to his surprise has both his powers and hammer.

Like the last film, this is directed by Taika Waititi, and again he makes this one of the funniest Marvel movies. Waititi and all the actors involved definitely seem like they're having goofy fun. However, the movie does a serious backbone to several characters' motivations (especially Jane and Gorr, who has a pretty strong "how-I-became-a-villain" story.) The ending is particularly good and may surprise you.

Love and Thunder does repeat the sin of the last one Ragnarok, but doubles down on it: there is a little too much reliance on jokes. Waititi seems unable to take many reprieves from the humor, and it can feel like he's trying too hard and that the more serious parts feel undermined. Also, the movie does throw a lot of emotional weight upon Thor, who's already been through the ringer. They really need to give him a breather.

Love and Thunder is definitely creative, more so than Ragnarok where as good as it was, admittedly a large portion was just spent on the Gamemaster's planet. We're thrown from one fantastical setting to the next. Everything looks great (really one of the most impressive looking Marvel films and that's saying something), continuing Ragnarok's combination of fantasy and colorful 70's-style science fiction. Although, like with the humor, Waititi focuses too much on jumping from one thing to the next and some may find it exhausting. Again, the director could've focused a little more on the drama. 

Bale is excellent as Gorr. He's completely threatening, yet the character doesn't feel like he's taking himself too seriously, which has been the flaw of some Marvel movie villains. Now that Jane has powers, Natalie Portman is definitely given more to do than in Thor: The Dark World, and she seems to work well with the superhero stuff and the more comic tone the Thor films has taken. But, I think she could've have had a few more scenes to build her character up; some Thor scenes could've been cut.

Recommended, this is a visually exciting, fun time. How does this compare to the other Thor films? I haven't rightly decided. (Definitely better than Thor: The Dark World). This may be the most creative movie, but admittedly has a looser story structure than some of the other films.

The Cuphead Show- Season 1

7/10

In this new show based on the video game Cuphead, brothers Cuphead (voiced by Tru Valentino) and Mugman (Frank Todaro) live in a world reminiscent of 1930's cartoons. They constantly end up in a series of misadventures, while the Devil (Luke Millington-Drake) keeps trying to get Cuphead's soul.

My hats off to the animation. Yeah, it can't quite match the feel of the old-school type, but does a really strong job. Backgrounds are watercolor. There are film scratches and slight shadows are applied to characters to give the impression of them being cells placed on a background. (I can't take credit for noticing that last bit. The guys on the Youtube Channel Double Toasted brought that to my attention.) You even get some stop-motion backgrounds reminiscent of the stop motion-cave that Popeye walked through back in the day. (Again, Double Toasted.) Like the video game, there is a concentrated effort to maintain the feel of the 1930's, like the character designs, costumes, buildings, etc.

However, the stories are not as strong as the animation. To be clear, the stories are alright. They're traditional comic stories. But, in an era where children's cartoons have become more ambitious and tried new things, this feels surprisingly regressive. The plots are often traditional shenanigans and worn-out situations that have been done before, like a character overhearing something and misinterpreting what was said. Nothing special.  

It doesn't help that the cup brothers aren't the most engaging. They're miscreants who constantly disobey and make bad, selfish decisions. To be clear, they're immature boys, so I wouldn't say they ever make me straight up dislike them the way it would if they were adults, but still they can get annoying with their constant need to not listen stick their hands in it. 

Doesn't help that that Cupman and Mugman's voices and personalities aren't what I (and I'm guessing others) would have in their head based on the video games where there were no dialogue. (They have old timey Bronx-style voices.) Fans of the game may be disappointed with the adaptation here. There were so many colorful villains in the Cuphead game, but not a lot of them are used. Sadly, the show doesn't have much interest in the use of some of the more fantastical/high concept ones. Of the villains they do use, at least two of these groups of villains are the types who say 'Youse' and aren't that interesting. I think that kinda defines the most disappointing part of this, the creators seemed mostly interested in writing about 30's city scenarios. Remember how those old cartoons could feature things like books coming to life or really weird, out-there stuff happening? There isn't much of that here. (Though, there's a ghost episode that's pretty fun.) Also, if you liked the villain King Dice (voiced here by Wayne Brady), who was the second most prominent villain throughout the game and appeared throughout, he's surprisingly only in one episode here. 

Sorta recommended. It's not a stellar show, but generally entertaining. Kids will probably get more mileage out of this.

The Batman (2022)

8.5

In this, Batman (played by Robert Pattinson) pursues the elaborate serial killer The Riddler (Paul Dano) and must figure out why he's targeting his victims.

Director Matt Reeves definitely leaves an impression with this. The opening, introducing Gotham and Batman is just an excellently realized work of cinema. Visually, The Batman really captures the feel of being in a city with some excellent scenery ranging from dirty streets to the fancy but antiquated areas. Bruce Wayne's place in particular, is a fantastically busy neo-gothic looking affair. Also, Reeves really went out of his way to make the city look populated. Has some of the most crowded extras scenes I've seen in a while. Must've been quite an endeavor to put together.

This also has one of the most ambitious car chases put to screen. I've never seen a movie have a car chase in such congested, traditional city traffic. In fact, it feels a little too real like actual traffic accident situations and took me out of it a little. Also, this is the one scene where you question Batman's methods.

This has excellent lightning with a lot of good use of city lights. I can often be be annoyed by films that are too darkly shot, but this one always feels like the shadows are always in the right place, accentuating the scenes. 

Michael Giacchino's soundtrack really helps the film's mood; very sweeping and moving.

This film skips an origin story for or introduction to Batman. I think this might be the closest a live-action film has come to matching the feel of the comics (at least the more recent ones.) You just jump in with Batman, who's already been operating for two years and has already established a relationship with Lt. Gordon (Westworld's Jeffrey Wright). No live-action Batman film has ever focused on the detective side of the character as this. This is a straight-up mystery film mixed with a serial killer film and a crime film. 

The story, aided by the atmosphere of the piece, will keep your eyes glued. However, when you get down to it the film's basic concepts, the corruption and themed serial killer parts, aren't that original. Heck, the movie even reuses a couple plot points from the comics. This also repeats the idea from the first two Nolan films of Batman fighting against the established criminal underworld who have Gotham in their grip. Between this, the Nolan films, Gotham (the show if you're not familiar), and some of the animated films, including the recent The Long Halloween, I'm so tired of Batman stories reusing the same mob figures like Carmine Falcone (here played by John Turturro) and Sal Maroni. Do you realize that there have been two live-action movies with Carmine Falcone and none with the likes of such villains as Clayface, Mad Hatter, or Dr. Hugo Strange? If you ask someone for their top ten or five Batman villains, they're not going to say Carmine Falcone. Enough with the flipping Carmine Falcone and other mobsters stories, already!!! You're not paving any new ground!!!  

The movie didn't need to be three hours long. They could've easily cut down on the number of characters. Though I do like Zoe Kravitz's Catwoman and she has great chemistry with Batman, her subplot could've easily been cut.   

Understand that this is probably the darkest mainstream superhero movie put to screen. Things can get pretty unsettling, like even more unsettling than some of the Joker moments from The Dark Knight. (From a technical standpoint, I'm weirdly impressed with how they pulled this off with a PG-13 rating.)

Cast is great in this. Though you may argue that they make Batman a little too brooding and his Bruce Wayne appearance a little too emo, Pattinson does one of the best jobs of portraying a human Batman who is determined to do his all against terrible odds and is an empathetic man beneath his stolid persona. Wright is definitely one of the Best Gordons with THE best relationship with a Batman. He's kinda Batman's sidekick in this. Andy Serkis, who I don't think anyone suspected would be playing the role, is one of the best Alfred Pennyworths, though he doesn't get much screent ime. He's become so known for motion capture performances, it's nice to see how good a performer he is just by himself. 

Recommend. I wouldn't rank this as high as the Nolan trilogy or even Batman Returns. I felt those movies did a better job with plotting and characters. Also, the length, heavy tone, and the fact that the plot points aren't that original, hurts replay value. Still, this is a very strong, visually impressive, well-acted entry that does catch your attention.  

No Exit

7.5

In this Hulu film based on the book by Taylor Adams, Darby (played by Havana Rose Liu) has to stop at a visitor's center containing four other drivers, in order to wait out a blizzard. While there, she stumbles across something she wasn't supposed to see that puts her in jeopardy. 

I can't say this treads new ground in the world of thrillers, but it is a very solid entry. The suspense is tight with a solid sense of mystery to it. Action and violence are solid, and might take you by surprise. The setting is solid; there isn't a lot to the small visitor center, but it looks nice and feels like a visitor's center. Music is solid, really fits the mood. The cast is solid across the board, including 24's Dennis Haysbert, he of the commanding voice. So in summation, solid, solid, solid, solid. Also, solid.     

Recommended. This is a compelling thriller. 

Studio 666

6/10

In this horror comedy starring the Foo Fighters and from an original story by frontman Dave Grohl, the band go to a mansion with, surprise, surprise, a dark history to work on their new album.  

This feels like a passion project from Grohl & co. The majority of them aren't great actors (especially Pat Smear) but they do bring a genuine enthusiasm to their roles and felt like they were trying their best. It does help that the lead is Grohl, who is the best actor of the group and his comic delivery ain't half bad.  

Humor-wise there are some genuinely funny parts. However, the jokes are pretty hit-and-miss. A lot of the good material is in the first half. 

Horror-wise, I was pleased with the violence and visuals. This obviously didn't have a high budget, but I wouldn't call it low, low either. Things don't look perfect, but I think you'll be satisfied with the ambition and amount of effects. Gore hounds will love the violence. If you like straight-up horror iconography and none of that artsy atmospheric or keep-it-vague-and-to-the-imagination stuff, then this is up your alley. There are some pretty nice supernatural visuals here; really feels like 80's album cover art sometimes.

Unfortunately, this movie feels a little amateurish. A lot of stuff feels directionless. The final act just goes on and on. Some of the editing and camera work  could've been better, which is weird considering that director BJ McDonnell has a long history as a camera operator, but I guess camera work's not the same as editing shots.

I wouldn't call this a must-see or must-avoid. A lot of people will probably get bored by this. But, Foo Fighter and gore and horror comedy fans may get more fun out of this than others. 

Cat Burglar

6/10

In this interactive short Netflix cartoon, Rowdy (voiced by James Adomian), a burglar who is also a cat, tries to steal a painting from a museum protected by guard dog, as in a guard who is also a dog, Peanut (Alan Lee).

To it's credit, Cat Burglar really does serve as a tribute to classic Warner Bros./Tom and Jerry slapstick. I especially like the background work and the addition of slight film defects to enhance the old school feeling. There is some pretty solid physical and visual humor. But as a whole, Cat Burglar really doesn't leave that much of an impression or maintain much interest. Doesn't help that due to the interactive portion, you help the bad guy. Peanut is likable, and I feel bad acting against him the way this cartoon does.

Also, not sure of who the audience is supposed to be. This is technically TV-14, but the traditional cartoon violence doesn't feel that objectionable. 

But, I guessing you're curious about the interactive part, so without further ado let's get to that. This isn't a choose-your-own adventure style interactive show where you choose the characters' actions. Rather, when Rowdy attempts an action, you have to answer three either-or-questions. You get a single one wrong, then Rowdy dies. Frustratingly, you still have to answer the second or third questions even though you've already failed. Rowdy only gets three lives, then you have to start over. However, starting over isn't as bad as it sounds. You don't have to rewatch the intro, and segments are shortened. Plus, you're just not going through the same bits every time. There are multiple scenarios that could pop up, keeping things fresh. Still, the new content doesn't completely validate the trivia sections. They are just too quick. Admittedly, a lot of the trivia isn't too hard, so the time limit makes sense for creating a challenge. Still, having to make a choice so quickly isn't much fun. I especially think that younger viewers would have trouble.   

It's an interesting diversion, but not much else. Check it out if you're curious, but you don't need to see this.