The Batman (2022)

8.5

In this, Batman (played by Robert Pattinson) pursues the elaborate serial killer The Riddler (Paul Dano) and must figure out why he's targeting his victims.

Director Matt Reeves definitely leaves an impression with this. The opening, introducing Gotham and Batman is just an excellently realized work of cinema. Visually, The Batman really captures the feel of being in a city with some excellent scenery ranging from dirty streets to the fancy but antiquated areas. Bruce Wayne's place in particular, is a fantastically busy neo-gothic looking affair. Also, Reeves really went out of his way to make the city look populated. Has some of the most crowded extras scenes I've seen in a while. Must've been quite an endeavor to put together.

This also has one of the most ambitious car chases put to screen. I've never seen a movie have a car chase in such congested, traditional city traffic. In fact, it feels a little too real like actual traffic accident situations and took me out of it a little. Also, this is the one scene where you question Batman's methods.

This has excellent lightning with a lot of good use of city lights. I can often be be annoyed by films that are too darkly shot, but this one always feels like the shadows are always in the right place, accentuating the scenes. 

Michael Giacchino's soundtrack really helps the film's mood; very sweeping and moving.

This film skips an origin story for or introduction to Batman. I think this might be the closest a live-action film has come to matching the feel of the comics (at least the more recent ones.) You just jump in with Batman, who's already been operating for two years and has already established a relationship with Lt. Gordon (Westworld's Jeffrey Wright). No live-action Batman film has ever focused on the detective side of the character as this. This is a straight-up mystery film mixed with a serial killer film and a crime film. 

The story, aided by the atmosphere of the piece, will keep your eyes glued. However, when you get down to it the film's basic concepts, the corruption and themed serial killer parts, aren't that original. Heck, the movie even reuses a couple plot points from the comics. This also repeats the idea from the first two Nolan films of Batman fighting against the established criminal underworld who have Gotham in their grip. Between this, the Nolan films, Gotham (the show if you're not familiar), and some of the animated films, including the recent The Long Halloween, I'm so tired of Batman stories reusing the same mob figures like Carmine Falcone (here played by John Turturro) and Sal Maroni. Do you realize that there have been two live-action movies with Carmine Falcone and none with the likes of such villains as Clayface, Mad Hatter, or Dr. Hugo Strange? If you ask someone for their top ten or five Batman villains, they're not going to say Carmine Falcone. Enough with the flipping Carmine Falcone and other mobsters stories, already!!! You're not paving any new ground!!!  

The movie didn't need to be three hours long. They could've easily cut down on the number of characters. Though I do like Zoe Kravitz's Catwoman and she has great chemistry with Batman, her subplot could've easily been cut.   

Understand that this is probably the darkest mainstream superhero movie put to screen. Things can get pretty unsettling, like even more unsettling than some of the Joker moments from The Dark Knight. (From a technical standpoint, I'm weirdly impressed with how they pulled this off with a PG-13 rating.)

Cast is great in this. Though you may argue that they make Batman a little too brooding and his Bruce Wayne appearance a little too emo, Pattinson does one of the best jobs of portraying a human Batman who is determined to do his all against terrible odds and is an empathetic man beneath his stolid persona. Wright is definitely one of the Best Gordons with THE best relationship with a Batman. He's kinda Batman's sidekick in this. Andy Serkis, who I don't think anyone suspected would be playing the role, is one of the best Alfred Pennyworths, though he doesn't get much screent ime. He's become so known for motion capture performances, it's nice to see how good a performer he is just by himself. 

Recommend. I wouldn't rank this as high as the Nolan trilogy or even Batman Returns. I felt those movies did a better job with plotting and characters. Also, the length, heavy tone, and the fact that the plot points aren't that original, hurts replay value. Still, this is a very strong, visually impressive, well-acted entry that does catch your attention.  

No Exit

7.5

In this Hulu film based on the book by Taylor Adams, Darby (played by Havana Rose Liu) has to stop at a visitor's center containing four other drivers, in order to wait out a blizzard. While there, she stumbles across something she wasn't supposed to see that puts her in jeopardy. 

I can't say this treads new ground in the world of thrillers, but it is a very solid entry. The suspense is tight with a solid sense of mystery to it. Action and violence are solid, and might take you by surprise. The setting is solid; there isn't a lot to the small visitor center, but it looks nice and feels like a visitor's center. Music is solid, really fits the mood. The cast is solid across the board, including 24's Dennis Haysbert, he of the commanding voice. So in summation, solid, solid, solid, solid. Also, solid.     

Recommended. This is a compelling thriller. 

Studio 666

6/10

In this horror comedy starring the Foo Fighters and from an original story by frontman Dave Grohl, the band go to a mansion with, surprise, surprise, a dark history to work on their new album.  

This feels like a passion project from Grohl & co. The majority of them aren't great actors (especially Pat Smear) but they do bring a genuine enthusiasm to their roles and felt like they were trying their best. It does help that the lead is Grohl, who is the best actor of the group and his comic delivery ain't half bad.  

Humor-wise there are some genuinely funny parts. However, the jokes are pretty hit-and-miss. A lot of the good material is in the first half. 

Horror-wise, I was pleased with the violence and visuals. This obviously didn't have a high budget, but I wouldn't call it low, low either. Things don't look perfect, but I think you'll be satisfied with the ambition and amount of effects. Gore hounds will love the violence. If you like straight-up horror iconography and none of that artsy atmospheric or keep-it-vague-and-to-the-imagination stuff, then this is up your alley. There are some pretty nice supernatural visuals here; really feels like 80's album cover art sometimes.

Unfortunately, this movie feels a little amateurish. A lot of stuff feels directionless. The final act just goes on and on. Some of the editing and camera work  could've been better, which is weird considering that director BJ McDonnell has a long history as a camera operator, but I guess camera work's not the same as editing shots.

I wouldn't call this a must-see or must-avoid. A lot of people will probably get bored by this. But, Foo Fighter and gore and horror comedy fans may get more fun out of this than others. 

Cat Burglar

6/10

In this interactive short Netflix cartoon, Rowdy (voiced by James Adomian), a burglar who is also a cat, tries to steal a painting from a museum protected by guard dog, as in a guard who is also a dog, Peanut (Alan Lee).

To it's credit, Cat Burglar really does serve as a tribute to classic Warner Bros./Tom and Jerry slapstick. I especially like the background work and the addition of slight film defects to enhance the old school feeling. There is some pretty solid physical and visual humor. But as a whole, Cat Burglar really doesn't leave that much of an impression or maintain much interest. Doesn't help that due to the interactive portion, you help the bad guy. Peanut is likable, and I feel bad acting against him the way this cartoon does.

Also, not sure of who the audience is supposed to be. This is technically TV-14, but the traditional cartoon violence doesn't feel that objectionable. 

But, I guessing you're curious about the interactive part, so without further ado let's get to that. This isn't a choose-your-own adventure style interactive show where you choose the characters' actions. Rather, when Rowdy attempts an action, you have to answer three either-or-questions. You get a single one wrong, then Rowdy dies. Frustratingly, you still have to answer the second or third questions even though you've already failed. Rowdy only gets three lives, then you have to start over. However, starting over isn't as bad as it sounds. You don't have to rewatch the intro, and segments are shortened. Plus, you're just not going through the same bits every time. There are multiple scenarios that could pop up, keeping things fresh. Still, the new content doesn't completely validate the trivia sections. They are just too quick. Admittedly, a lot of the trivia isn't too hard, so the time limit makes sense for creating a challenge. Still, having to make a choice so quickly isn't much fun. I especially think that younger viewers would have trouble.   

It's an interesting diversion, but not much else. Check it out if you're curious, but you don't need to see this.  

The Legend of Vox Machina- Season 1

7/10

Based on the first campaign played in Critical Role, a web series where predominantly voice actors play D&D, The Legend of Vox Machina follows a lively group of adventurers.  

Probably thanks to this being based on an existing story, the characters all feel well-defined right out of the gate, and the voice actors, who I believe mostly return from CR, are well acquainted with their roles. The world here feels alive and thought out. The humor, often R-rated, works well enough. Plenty of action; the fantasy scenario provides the writers with a lot of creative ideas. If you like/dislike graphic violence then be prepared for this getting pretty bloody.

The show does feel bipolar. On one hand we got the comedy half and the likable band of misfits, but most of the threats they face are played SUPER serious. The villains kinda feel like they were ripped out of Castlevania in terms of how straight and sadistic they're played. Though the they do have distinct personalities, the foes suffer from from being too similar in type: They're all straight up "immediately go to the most savage extreme just cuz'" evil with very little dimension to them. The writing feels like it's trying too hard for the dramatic/dark parts. However, the story is thought out. I became engrossed in what was happening and the finale was satisfying.

The animation is impressive. Action scenes are well choreographed, and all the backgrounds look really good.

Recommended, provided you're okay with a show leaning really mature. Though I hope the writers lighten up a little when it comes to the threats/villains next season, overall the The Legend of Vox Machina is interesting with a strong main cast.

The Wonderful Winter of Mickey Mouse

8/10

This comedy special from Disney+'s show The Wonderful World of Mickey Mouse features three Mickey Mouse stories involving winter. 

This special keeps the elements that made the short cartoons from WWoMM and its predecessor Mickey Mouse (show name, not the character) so entertaining, possessing a a 30's/40's throwback feel with clever visual humor and straight-up creativity. The cartoons here effortlessly mesh whimsy, slapstick, weird, smart jokers and the occasional refreshingly dark bits. There's a little something for everyone to like here. Well, maybe not everyone. If you're just not a big fan of old school cartoon physical comedy, you might be bored by this, because that's the most of what the special is. The animation is top-notch in terms of fluidity and physicality of characters. 

Segment breakdowns:

First segment- 7/10: Mickey (voiced by Chris Diamantopoulos) causes chaos when working at a factory in the clouds. Creative slapstick and I liked the whimsical old-fashioned fantasy design of the cloud world, but it quite isn't as substantive or memorable as the other two entries.

Second segment- 8/10: Mickey, Goofy (Bill Farmer), and Donald Duck (Tony Anselmo) stay at a cabin in the mountains and things soon go awry. The best one. It's the old school MG&D-face-trouble routine (such as the classic cartoon shorts where they were firefighters or fought ghosts), but it feels fresh as most of the bits are pretty funny and the situation keeps getting more and more absurd  

Third segment- 8/10: Mickey and Minnie's skating routine keeps getting interrupted by Goofy's ill-fated attempts at ice-fishing. Again, we got a worn out cartoon premise: a character's activities keeps getting interrupted. And again, they manage to keep it fresh. A lot more humor is wrung out of ice skating than you'd expect. Mickey as a character gets his best moments here. I can't deemphasize how good Diamantopoulos is at making Mickey sound funny.

Recommended. You and your kids should probably have a fun time with this.

Uncharted

7.5/10

In this film based on the popular video game series, legendary treasure/antiquities aficionado Nathan Drake (played by Spider-Man's Tom Holland) is recruited by treasure hunter Sully Sullivan (Mark Wahlberg) to search for gold that had been in the possession of Ferdinand Magellan and his crew.    

Is this movie able to completely replicate the feel of the Uncharted games? No. It can't quite capture the majestic appearance of the games nor the storylines or dialogue. The biggest issues are that there are too many scenes of the three main characters talking to each other and too much reliance on no one be able to trust each other (a lot of times the mistrust doesn't even feel earned). Sully and Nathan spend a lot of time together, yet the evolution of their relationship feels only 85% natural. It mostly work, but it feels like it needed some touch up.

That all having been said, the movie may not be as good as the games, but it doesn't dishonor it. This really does feel like an Uncharted film and that the creators were truly trying to replicate the feel of the games, producing a work that feels a lot more faithful than other video game adaptations out there. The best parts of this are definitely the ancient puzzle-solving or action scenes. They look nice, are a lot of fun, and have that sense of epicness to them. A couple of the action scenes in particular, really stand out.

Nate and Sully work well enough as characters and with each other. Admittedly, fans of the games may be annoyed that this is sort of a reboot/prequel, which makes the two main leads younger and that this doesn't feature Nate's love interest Elena Fisher as she's not on the scene yet. Also, the chronology is tinkered with a smidge. Yet, the movie manages to make changes without crossing the line, and Nate and Sully still feel enough like Nate and Sully albeit not totally like Nate and Sully.

Recommended. This is not a perfect Uncharted or treasure hunting adventure movie, but it's sill pretty entertaining.