Monday, October 19, 2020

Lupin III: The First

7/10

The Lupin III franchise, about a clever devil-may-care, talented thief and his crew, has been around for a long time, spanning multiple television shows, movies, including a couple live-action, and television specials. (It's kind of like the Japanese equivalent of Scooby-Doo in terms of longevity and main character count.) However, this is the first time Lupin has ever gone computer animation. This time Lupin is searching for a diary leading to the one treasure his famous grandfather thief couldn't steal. Also, he's going up against Nazis, not Neo-Nazis, old school Nazis. I liked it but didn't love it.

The movie does a great job of maintaining the ol' Lupin feel: Action and adventure combined with slapstick comedy. There are several bits that are genuinely fun and interesting traps and clues.   

The animation looks great. The Lupin characters are known for their distinctive style and the movie does a great job of recreating that in 3D. The movie is colorful, lively, and has a nostalgic 70's feel to it. There are some impressive chase and fight scenes in this. The opening scene also has this really cinematic feel to it.

The music is retro. Longtime Lupin composer Yuji Ohno brings a 70's jazz feel.

Although there's a lot about this movie I liked, it's not the strongest entry in the franchise. It does suffer a little from basic Lupin plot fatigue. It also has one of its most worn out subplots: guest female with her own backstory that takes up a good part of the film. This one's name is Laetitia. Her story and that of the two main villains in this should've been more compelling. They've all got solid motivations, some interesting twists and the antagonists have more personality than in many other Lupin films. But, their story is too drawn out, you can tell what's going to happen long before it happens, and it takes too much time away from Lupin and his gang. Also, I felt that the darker tones of Laetitia's story contrasted with the upbeat aspects of Lupin's parts. Don't get me wrong, there are several darker or more serious Lupin stories, but those stuck with a tone.    

I can't say this is one of the best entries, but it does manage to stand out in a series whose proclivity causes many of the stories to blend together. The movie has style and some well executed scenes. If you like Lupin, you'll like this, and it's a decent watch for a general viewer, which they can enter without having to see the rest of the series.    

Friday, October 16, 2020

Scooby-Doo and Guess Who?- Season 3

7/10

I found this season, currently on Boomerang, stronger than the first and weaker than the second. 

Whereas the latter half of season 1 and season 2 took the basic Scooby-Doo concept and took it to some creative places, the stories here with the exception of one episode felt more basic. That having been said, they're decent enough stories with decent humor, just not inspired.

The one highlight is The Last Inmate. It's a feather in the show's cap that it was able to get THE Morgan Freeman to be in this. The episode does a great job of parodying his narrating career as he leads a documentary about the Scooby gang. The entire thing is a hoot as a Freeman calmly  reacts to every situation and the basic elements of a Scooby-Doo mystery.

Surprisingly, there weren't a lot of actor guest stars this time around, and fictional characters were dropped entirely. (Fun fact: this season includes original Scooby-Doo at the Movies guest star Faye Dunaway.) With no actors or voice actors, there are a lot of personalities whose performances are just okay. Also, besides Freeman and Macklemore, there aren't a lot of really high profile names. Arguably, I mean. No disrespect to any fans of the guests here. Though why is food network personality Alton Brown here? Nothing against him, but what kid is a big fan of Alton Brown? I'll give you professional eater Joey Chestnut, because that seems like something a kid may be into, but a general food presenter I don't get.

Also, most of the character attention still goes to Shaggy and Scooby. The rest of Mystery Inc. still don't quite pop.

I know I've been pretty critical, but I still mean in it when I say the show alright. I feel that it has more potential to fulfill is all. This will probably be a lot of fun for kids and adult Scoob fans won't have any issues. Seriously, see the Morgan Freeman episode.

Saturday, October 10, 2020

Doctor Who- The Faceless Ones

8/10

The Faceless Ones is one of the lost Doctor Who serials. The original footage for all but two of its episodes was eliminated by the BBC sometime between the late Sixties and late Seventies. However, the audio still exists and so the story was created for this fully animated release. The adventure has the Second Doctor (Patrick Troughton)  investigating the sinister Chameleon Airlines at Gatwick Airport. This was an interesting entry.

What separates The Faceless Ones from other serials is that it has kind of a Cold War spy-like feel as the Doctor has to outwit and outmaneuver a group of aliens pretending to be humans. The villains feel a little different than your regular extraterrestrial foes. They're motivations are more nuanced and there is more individuality amongst their ranks.

The cast is fine in this. The airport commandant (Colin Gordon) might be up there with some of the best authority figures who don't trust the Doctor at first. He has such a huffy manner.   

It's a good story but like many DW six-parters the long length is to its disadvantage as, especially in the first third, things can feel too stretched out. 

This is a change from previous DW restorations. In the past, they'd just animate the lost parts. This one has two existing live-action episodes, but they chose to animate those too. From what I understand, it was done to not confuse those unfamiliar with the situation. I see the argument, but I'm disappointed I don't get to see the original episodes as they truly were. All the episodes are in color (the original was black-and-white), and I'm also disappointed we don't get the original Sixties feel.

The character design is like if Archer was a lot sketchier. Not the biggest fans of them, but I appreciate how fluid the movement is in this. Gives a lifelike feel. I guess you have to sacrifice one element for another. Compared to photos of how the aliens originally looked, I was disappointed how they were animated. The designs don't quite match and loses some of the eeriness.

I'm not saying this is the best Doctor Who episode, but it is an enjoyable one. Highly recommended to any fan. 

Friday, October 9, 2020

Hubie Halloween

5/10

In the Netflix movie Hubie Halloween, Adam Sandler plays Hubie Dubois, a simple but well meaning man and his town's self-appointed safety monitor who isn't much liked by his town. This Halloween people start disappearing and it's up to Hubie to figure out what's going on. Yeah... This is a flawed movie which is more disappointing in that it had potential.

The big issue with this movie is that a large portion of the cast is so intensely, inexplicably cruel to the character. And THERE IS A LOT OF THIS! It's not entertaining and not particularly well written. Some times these moments just feel surreal and off. Plus, you've got some big names, such as Michael Chiklis and Ray Liotta, performing these really lousy scenes.

The character of Hubie feels like recycled material as Sandler meshes the lead from The Waterboy with Whitey from Eight Crazy Nights.

Also, Hubie Halloween has this weird mentioning of character connections. The police chief (Kevin James) is the ex of Hubie's love interest (Julie Bowen) and Hubie was the childhood friend of another person I can't go into detail on. However,  the two sets of characters never really interact with each other. So, what was the point? (In fairness, it could be a deleted scenes situation.)  

Going back to the casting, this movie has a large batch of familiar faces, but with the exception of Kenan Thompson and Steve Buscemi, they're given comedic material that doesn't work for them and feels like a waste of their talent and time. 

Thing is I wanted this movie to succeed. It had potential but couldn't stick the landing. The mystery of what is going on is solid and the reveals payoff. Most of the jokes fail, but there a few good ones, including two moments that steal the film. Also, Hubie has a modified thermos that is like a swiss army knife, and it's pretty fun seeing all the fantastic weird things it can do. 

The film looks nice. I appreciate that they took the time to make the town look busy and populated and that there is a huge selection of Halloween costumes in this.

If you're a die-hard Sandler fan, then you know what you're getting and will probably be satisfied. Everyone else though, I can't recommend this except if you want to see how ill advised and odd this goes.


Thursday, October 8, 2020

Star Trek: Lower Decks- Season 1

9/10

This new animated comedy on CBS All Access  follows the lives of low ranking crew members on the USS Cerritos. This turned out to be very entertaining.

This show is pretty funny. The writers do a surprisingly strong job mining the Star Trek universe and science fiction concepts. Any Star Trek fan will get a kick out of the show as it makes some valid satire of the universe. There are also a few pretty creative ideas. The subplots to the episodes "Moist Vessel" and "Terminal Provocations" are works of mad genius. 

Though this is a comedy, Lower Decks at its core still adheres to the spirit of Star Trek and the positive outlook of Starfleet. (If you're one of those people who feel Picard or Discovery were cynical and drifted from the Trekkie spirit, you may be pleasantly surprised with this.) Basically Lower Decks is a combination of anarchic humor and more sentimental, upbeat stuff and it all meshes so well. The two supporting cast members Tendi (voiced by Noel Wells) and Rutherford (Eugene Cordero) are a rare breed in an adult animated cartoon: nice guys and total optimists whose characters don't exist to just get punished for their upbeatness.   

I advise you to stick through at least the third episode. The two leads Mariner (Tawny Newsome), the noncomformist rebel with the heart of gold, and Boimler (Jack Quaid), the one who follows all the rules and wants to rise up the ranks, suffer in the first two stories by leaning too hard into their personalities. The later episodes find a nice pacing for them. 

The animation is kind of like Rick and Morty with cleaner linework. Though the character designs are simple, the animation can be ambitious. Stuff like fights and starship and galaxy design can be pretty impressive at moments. The show especially goes all out for the final episode. The animation is really colorful and I'm happy they went with strong color-coded outfits of Star Treks past.

Overall, I highly recommend this for Star Trek fans or casual viewers. I definitely liked this better than CBS All Access' other ST entries. 


Saturday, October 3, 2020

Carmen Sandiego- Season 3

 

8/10

The third season of Carmen Sandiego has the title character (voiced by Jane the Virgin's Gina Rodriguez) continuing her fight against the criminal organization VILE and unlocking her past. The cartoon remains entertaining.

Unfortunately, this season is only five episodes long. (Probably continuing Netflix's occasional habit of splitting a full animated season into two parts.) It lacks the build to the big finale that the last two seasons had, but the individual episodes are all still fun adventures.

After his being mostly absent from last season, Inspector Devineaux (Rafael Petardi) returns. I was worried we were going to get more of his constantly misinterpreting Carmen's actions and taking too much time being with his obsession with her. But the show goes in a refreshingly new direction with him. 

The writers have really settled in with writing the various members of VILE's faculty. They get more casual and a little silly but in a fun way, and they work so well with each other.

The animation remains distinctive with its stylish, painterly-type style. The finale has a fairly impressive fight scene at the end.

Though not as substantive as it should have been, Carmen Sandiego is still a good time for your kids and recommend.

  

South Park- The Pandemic Special

 

8/10

In this new special, the citizens of South Park deal with the various burdens of the coronavirus pandemic. This was enjoyable.

The Pandemic Special is classic South Park: funny, crazy satire. The one hour length allowed director/writer Trey Parker tackle all the aspects of the pandemic. (Not to mention a jab at the police situation.) As outrageous as things get, Parker is clearly trying to help people blow off steam from this horrible mess. The ending is probably one of the most poignant moments the show has ever gotten.

Now, this is also "typical" South Park. I wouldn't say this episode is considered one of the show's standouts.

Also, if you like South Park but sometimes it goes too far for you, this is one of those episodes that gets messed up.

Overall, I recommend this.