Sinners

Grade: A+

In the Jim Crrow-era south, twins Smoke and Stack (both played by Michael B. Jordan) start up a juke house. During the house's premiere night, everyone inside is threatened by a supernatural menace. 

This is a real tour de force of story, characters, horror, and social messaging. All the cast are set up really well in a film that confidently and competently rolls out the exposition in a natural manner. When the horror part happens, it is also really well-paced, especially when it comes to the action, and has some appropriately eerie and eye-catching parts. I'm rather pleased that this takes a common supernatural threat (I'm not mentioning it if you haven't seen the second trailer yet), and looks at it from more of a "mysticism" lens.

The movie does a wonderful job of weaving together messages and story. Since this is in the Jim Crow south, of course racism and the treatment of Afican Americans is a definite component, but it never feels like this is a movie focusing on trauma, but is about the people living their lives and a testament to black culture. When it comes to main messages in this, I'm not going to spoil anything as part of the joy of watching this is being made to think about what the movie is trying to say.

Excellent casting all around in this. No surprise to anyone, but Michael B. Jordan gives a terrific performance. He does a great job of making each of the twins separate characters with separate personalities, storylines and wants for each. Musician and acting newcomer Miles Caton also gives a really solid performance as the Smokstack twins' cousin, musician Sammie Moore, a guy who loves his music and looks up to his more dangerous cousins. Caton gives a very real performance, and is sort of the core of the film.

Jack O'Connell is also a lot of fun as the main villain Remmick. Director/writer Ryan Coogler (Black Panther/Creed/Fruitvale Station) could've gone with a one note monster with him, but he is surprisingly affable and three-dimensional (while also being an uncomfortable threat when the scary stuff happens), and his main goal may surprise you.

Wonderful cinematography (including three REALLY well shot moments that steal the show). The movie is shot in a way I'd describe as "stark" color. Not darkly lit, but it has a harshness to it. Coogler and the cinematographer and editor do a solid job of having Jordan act opposite himself. The threats in this look appropriately off-putting.

Music is a real focal point of the movie, and Sinners makes great use of songs and a stand-out score by Ludwig Goransson. 

The one thing about this film that may not work for some people is that the introduction is very long. It suitably sets up the people and place, but one could get bored.

Highly recommended. This is one of those movies where everything works and really drags you in.  This is one of those rare horror movies like The Menu or The Substance that transcends being merely just horror.

The Pitt- Season 1

Grade: A+

This new show on Max follows the medical staff of “The Pitt,” the emergency section of the Pittsburgh Trauma Medical Center over the span of fifteen hours in real time (basically it's hospital 24).

The Pitt is a compelling 15 hours. (Nice to see a streaming show that is over ten episodes. I think it may be partially due to this being more network budget without a lot of known faces outside Noah Wylie). The idea of doing one long connected story instead of the traditional medical case of the day stories really pays off. One can feel the burn of working the long shift. You really feel like you’re in the emergency section with things happening naturally with some cases concluding within an episode or two and others stretching out over the show. The chaotic nature makes the The Pitt feel real. (There are the occasional TV moments where things are forced for the sake of the plot, but they feel surprisingly few.)

Excellent casing in this. Wylie is the lead as senior attending Dr. Michael “Robby” Robinovitch. One may feel it repetitive that Wylie is playing another ER doctor (this was supposed to be an ER spinoff, but Michael Creighton’s estate wouldn’t give the okay), but he helps make the show. The guy gives an Emmy worthy performance. Wylie plays a good man who is very competent and the right sort to lead an ER but is also three-dimensional and you can see stress and regret getting at him. 

The show does a remarkable job of balancing a ton of characters, but there are a couple recurring ones who feel like they sorta disappear unceremoniously. There is a bit of conflict between doctors Trinity Santos (Picard/ Goosebumps’ Isa Briones) and Victoria Javadi (Shabana AzeAzeez) at the beginning, but then it suddenly disappears.

The squeamish should know that the show really tries to be accurate in regards to medical injuries and conditions and that this is the most uncensored medical show I’ve ever seen. The gore can get gnarly at moments. There are also the occasional boobs and penises in this. However, none of the violence or nudity is sensationalized.

Highly recommended. This is just peak TV and so very watchable.

A Minecraft Movie

Grade: A

In A Minecraft Movie, a small group of townsfolk become trapped in the fantastical world of Minecraft. Now they have to find a way out.

Fans of the popular video game will be pleased to know that they managed to adapt the game pretty well. They managed to take a world made out of block shapes and made it presentable in movie form. Lots of items and rules from the game are in this, while making things clear enough for newcomers to get. (Although, I think some of the enemy types with less screen time could’ve gotten a little more explanation.)

Given that this is based on a game where people build things, the movie provides a decent message about creativity. (Message isn’t as strongly delivered as say The Lego Movie or Barbie, but it ain’t half bad.)

The movie decided to go for the humorous route, and is pretty funny and silly. There are a fair amount of jokes adults may like that are a little cynical without being too cynical for a kids’ film.

What really makes this work is the comedy duo of Jack Black as Steve, a human who’s been living in Minecraft for a while and serves as the others’ guide, and Jason Momoa as Garrett “The Garbage Man” Garrison, a former arcade champ fallen on bad times. Both being funny guys, they work great together and are on the same wave length. Black is surprisingly the straight man, but for him that means doing competent stuff in an enthusiastic manner. Momoa might be doing an expected “has-been fallen on hard times who has to learn a lesson” journey, but his performance and dialogue make this not an issue. (Honestly, Momoa  has great chemistry with everyone.)

Sebastian Hansen also does a good job as Henry, who is an additional team member alongside Black and Momoa. He’s kinda the main lead with backstory that works well enough for the film. It is unfortunate that the attention is given a lot more to the guys than the gals. Wednesday’s Emma Myers as Henry’s older sister Natalie and Orange is the New Back/Peacemaker’s Danielle Brooks as real estate agent Dawn do a decent job, but just aren’t given enough screen time to let them shine.

The intro is one of those like the beginning of The Sorcerer’s Apprentice in that they rush through a lot of exposition, and it’s a bit much. 

Jennifer Coolidge has a subplot as Henry’s vice-principal. Fans of the actress will be pleased to know that she gives peak Coolidge, but her story is a one-note joke that is really drawn out. 

Natalie is 23, but it’s hard to see her as an adult with a job in this, because she is just so young looking. 

Highly recommended. Not saying A Minecraft Movie is the most original film, but it’s having a good time.

Hell of a Summer

Grade: C+

In the new horror comedy, a group of  camp counselors, including Jason Hochberg (played by Gladiator 2/Kraven the Hunter’s Fred Hechinger), a 24-year old counselor who doesn’t want to let go of the camp experience, are being murdered by an unknown killer. 

I’m not saying this is the funniest movie ever, but the jokes are consistent and silly. Characters are distinctive enough, and the cast are having a good time. 

For a movie that’s high on comedy, the masked killer moments are taken rather seriously. They are shot in a rather creepy and disconcerting manner. The reveal of the killer is rather satisfactory. 

Weirdly, the movie is rated R, but there is a lot of cutaways when violence happens (this is clearly a low budget movie, and this might be to cut down on effects and makeup.)

However, the movie’s biggest flaw is its emphasis on Jason, who may’ve faired better as a supporting player than the lead. His awkward socially stunted bit is stretched way too long. (Not to besmirch Hechinger’s performance. The guy is clearly an actor on the rise, and he has fully developed Jason’s mannerisms.) Doesn’t help that the “man who learns to grow up” story has been done a lot and this doesn’t do anything to break the mold. Oddly, the movie never gives any backstory for him and why he is this way other than he’s always had fond memories camp. 

There is one person at camp who likes Jason: counselor Claire (Knock at the Cabin’s Abby Quinn). Thing is that they make the mistake of not saying her age. Given that Jason’s the oldest one there, and that Abby looks young and more around the other counselors’ age, it feels sorta uncomfortable. Now, one can assume that there aren’t too many years between the two and that she is over 18, because it’s shown that the two of them attended camp together as kids. Just wished they clarified it.

This is something you might want to catch if it’s already on your streaming subscription. Thing is that the humor in this will save it for a lot of people. However, Jason will be a dealbreaker for a lot of people as well.

A Working Man

Grade: B+

In this new movie based on the novel Levon's Trade by Chuck Dixon (who is also a co-writer on this), Levon Cade (played by Jason Statham) is a former soldier and a construction foreman. His boss' daughter Jenny Garcia (Ariana Rivas), is kidnapped, and he uses his skills to try to track her.

This reunites Jason Statham and director David Ayer from the Beekeeper. One's surprised they just didn't do a sequel given its success and considering how similar Statham's character and the basic plot of a man avenging a wrong against a good person is, but apparently Sylvester Stallone (who also co-wrote) brought the script to Statham, and he brought the script to Ayer. Though I'd say Beekeeper was the superior film as it was more willing to go over-the-top, this film is a pretty solid follow-up.

The action gets violent and crazy; the final fight is delightfully insane and memorable. Like Beekeeper, you've got a ton of distinctive baddies (played by a pretty solid bunch of actors, including League of Extraordinary Gentlemen/Pennyworth's Jason Flemying, who I'm surprised isn't better known. He's good in whatever he's done.) 

There are also some unique outfits and hideout designs in here. It can be a little weird seeing Cade walk amongst regular people and architecture only to walk into someone wearing brightly colored outfit in an eccentric looking-chari, but I wouldn't call that a deal breaker. 

The setup is a little wooden (though not slow, the movie speeds right through). The exposition about Cade's life doesn't feel natural. Plus, he's got a custody battle subplot that is supposed to help endear the character, but it feels forced and the daughter (The Outlaw's Isla Gie) and the former father-in-law (sorry, couldn't figure which actor was him) he's having the custody fight with don't sound like real people. However, once the movie gets to the action, that's when everything comes into place and things get going.

Statham is again great as the tough guy who is determined and mows down everyone in his way, though he can't sell some of the poorly written dialogue moments. Michael Pena is good in his limited screen time as the emotionally distressed father of Jenny.

Recommended. If you loved the Beekeeper, like I said, it won't be exactly it, but it'll probably wet your whistle. (Just walk into this knowing that A Working Man takes itself slightly more serious than the Beekeeper.)

Snow White

Grade: A-

Next in Disney's growing longer line of live-action remakes is Snow White. (If you're wondering why this one took so long given its fame, I recall that they were working on a SW project from the very beginning, but it was going to be a Snow White/Rose Red movie that was going to be more of a re-imagining like Maleficent or Cruella. The project fell apart after a few years.) In this, Princess Snow White (played by the West Side Story remake's Rachel Zegler) must flee into the forest in order to escape her stepmother The Evil Queen (Wonder Woman/The Fast and the Furious' Gal Gadot), who wants her dead.

This differs a bit from the other remakes in that the creators approached this with a bit of a more light-hearted feel to it, giving the movie a more humorous nature. It's like they said to themselves "We've got seven funny dwarf sidekicks in this. Why not lean into the comedy?"

It helps that the plot to the 1937 film was really simple. So, this the gave the movie room to be its own thing and make changes. There is more to Snow White's journey here and more characters. A big weakness of a lot of the remakes is that the live action can't compare to the original animation films. I'm not saying this surpasses the iconic original, but honestly, a lot of scenes are filmed naturally and lively enough that the difference isn't egregious and you're not thinking as hard about it. The movie's version of Hi Ho is probably the musical number that comes the closest out of all Disney remakes to competing with the original. It's one of the most engaging parts of the movie. The final confrontation with The Evil Queen isn't as strong as the original. I'll give you that.

Admittedly, Snow White's quest to save her kingdom is a smidge predictable (we've all seen this story before). Also, the specifics for why The Evil Queen's been able to ensure loyalty from her guards and maintain power is really vague. (The strongest part of the movie is the middle which doesn't focus on kingdom stuff as much).

Zegler really drives the film. She is super sincere and does an excellent job of being kind and compassionate without seeming like a paper thin character. 

The Evil Queen, however, IS a paper thin character. She values beauty and power and that is it. I find it odd that she values personal appearance, but lives in dark, poorly lit interiors most of the time. Her decadence feels odd. She likes jewels and good food, but that's it. She doesn't have fancy parties or statues of herself and seems like a shut-in. Her lessons in beauty being power don't even make sense. However, Gadot is doing her best playing the Queen as a complete b***h.

The movie also has a pretty good cast as the voices of the seven dwarves. I'd say that Ted Lasso's Jeremy Swift's Doc is my favorite. He manages to pull off being a kind leader who's also sorta silly.

The movie looks great. This is directed by Marc Webb, who helmed the Amazing Spider-Man movies. Say what you will about the second film, but no one complains about the look of it. (In Webb's defense, that movie had a lot of studio interference.) The world of Snow White is so colorful, particularly the use of cherry trees and the princess' outfit. A lot of detail went into the sets, especially the dwarfs' house. The dwarfs are computer generated, and the switch to 3D came out looking good and detailed, managing to make them still look comical without feeling like they are in too separate a world from the human characters.

The movie ditches all the original songs except the classics Hi Ho and Whistle While you Work. Honestly, the rhythm for most of them are REALLY 1930's dated and will not work for some people. However, many will miss the song "Someday my Prince will Come". Yeah, it's a dated concept, but they could've reworked the lyrics. The new songs by Dear Evan Hansen/The Greatest Showman/Spirited's Benji Pasek and Justin Paul are fun. I'm not saying this makes the top ten of Disney movie soundtracks, but it knocks more recent entries like Moana 2 and Wish out of the park. (The songs are Hercules/Pocahontas level.)

Recommended. Yeah, the status of Snow White's kingdom is weakly written but on a whole this is an enjoyable time with an old-school sense of Disney joy. Most kids will enjoy themselves.

The Day the Earth Blew up: A Looney Toons Movie

Grade: B

The Day the Earth Blew up: A Looney Toons Movie is a movie of the Looney Tunes Cartoons, the Max show that was a throwback to old timey Looney Tunes cartoons. It was originally intended to air on Max, but Warner Discovery's new head David Zaslav had it canned with several other films. (Children's films with classic Looney Tunes and Hannah Barbara characters particularly got the axe because Warner's been having trouble hitting that children's market). However, this movie managed to escape oblivion when a separate distributor bought it. In this movie, Daffy Duck and Porky Pig (both voiced by voice actor Eric Bauza) try to stop an alien invasion.

This is kind of like the Jetsons Movie back in the day in that it is not a perfect movie, but still pretty watchable and looks great. The plotting on this can be a little odd, with some stuff happening too quick or characters and plot points delivered at odd parts. It's partly funny. There are some truly great bits in here, but a lot of jokes are also just okay. Also, there are a few "modern" bits that don't mesh well with the more retro feel of the movie.

However, the story itself is a lot stronger than the jokes. It makes for a wild ride and has sort of an old school 90's feel to it. The alien aspect has a sorta of quasi-spooky, but isn't really scary atmosphere that can bring kids and adults a bit of excitement.

The brother-like relationship between the carefree Daffy and the cautious Porky (they were raised together in this story) makes for relatable protagonists. Funny thing is, I wouldn’t even say their personalities are as strongly written as some other incarnations, but it’s that bond that makes them compelling. The duo have your average “two-polar opposites-have-their-friendship-threatened-by-their-differences” storyline, but the movie has it developed mostly naturally. DtEBu shows their differences and building tension in smaller moments without having to yell the point of the story at you.

If you're a fan of talkative, self-centered Daffy, you won't find him here. Since this is a retro film, DtEBu went with old-school wacky Daffy. Some may not want this, but in fairness, some works, like The Looney Tunes Show, can go TOO far with his selfishness. I like friendly, well-meaning Daffy here. (BTW, Bauza is doing a great job as the duck).

The third main character of this is Petunia Pig (voice actress Candi Milo). I like what they did with her character. She's always been a bit of a blank slate, since her personality has always simply been "Porky's girlfriend," so the writers had some free room to work. In this, she's an eccentric and enthusiastic flavor scientist at a gum factory. You weirdly become invested in her obsession with the next flavor. (And yes, Daffy, Porky, and Petunia are the only Looney Tunes characters in this. This might disappoint some, but it keeps the story focused.)

The BIGGEST reason to watch this is the 2D animation. It really feels old school. It is so fluid with characters rarely being stagnant. The character designs in general work really well. Humans are all distinct and exaggerated without being too simple-looking. (Keep an eye out for Farmer Jim (voice actor Fred Tatasciore), the man who raised Porky and Daffy, who creatively shifts between being done in still background art and being SUPER fluid). Backgrounds are vibrant and colorful. Not loving Porky's light yellow gloves here. The color just doesn't blend well with anything else.

Recommended. Kids will probably like this and the humor more and not care too much about weaker plot elements. Adults will like the parts that do work and the fantastic animation.

In the Lost Lands

Grade: C

This adaptation of the short story by George R.R. Martin takes place in a futuristic dystopia after the collapse of society, which also has magic in it apparently. The witch Gray Alys (played by the Resident Evil movies’ Milla Jovovich) is given a task by The Queen (Amara Okereke). In order to do so, Gray must travel to the lost lands and hires the aid of guide Boyce (Dave Bautista).

This is directed by Paul W. S. Anderson (The Resident Evil movies, the first Mortal Kombat movie, Alien vs. Predator, and Event Horizon), and like with his last couple of films, he seems to be losing his touch. The movie at first keeps you a little interested with some of the mysteries and the intrigue of various parties with different goals working against each other, but the payoff at the end is disappointing, ridiculous, and overwrought. Also, they don't explain the rules of this world or how magic in this world that is also an apocalyptic wasteland works at all.

This is one of those adaptations where you say to yourself “Oh, I can see how this may have played out better in written form.” The problem is that Anderson’s basic-level “let’s have fun with the action and over-the-top moments” approach doesn’t jive with R.R. Martin’s more serious political intrigue style. Anderson tries to make stuff sound important, but he treats it all too lightly to ever sound sincere.

That all having been said, this is a Paul W.S. Anderson movie. Some of his movies can be disappointing, but I don't think he's ever delivered one that is completely awful. He's always been able to deliver at least some fun popcorn movie ideas or action, and this has its mindless fun moments as well. (I will glady watch this movie any day over Zack Snyder's sorta similar in spirit Rebel Moon movies. Anderson at least feels like he's having fun.)

Yeah, the director has once against cast his wife in the lead, and Jovovich again plays the same sort of character who is good at fighting, but she as always manages to give a decent performance. Jovovich and Bautista do pretty well with what little they have material they have and they do work well off of each other. Though her performance might not technically be good, Okereke plays her role more over-the-top than anyone else and it is something to watch.

The majority of this film is obvious and mid-level CGI. A lot of ItLL doesn't visually set itself apart from other apocalyptic movie worlds, but there are a couple good set pieces; the castle of the Overlord is a fun design.

Not recommended. Not something one can't get through, but nothing that makes this required viewing. 

Plankton the Movie

Grade: B+

In this new SpongeBob Squarepants movie on Netflix, the show's villain Plankton (voiced by Mr. Lawrence, who also co-wrote this), the diminutive evil genius, takes the center stage. He and his computer wife Karen (voice actress Jill Talley) have a falling out after years of his evil plans not working and him not listening to her. She goes solo and proving herself to be a far more competent and dangerous threat to the underwater town of Bikini Bottom and the entire world. Now, Plankton has to team up with SpongeBob (voice actor Tom Kenny) in order to save his marriage.

This has been a real step up since the last two films. (They had their moments, but both left something to be desired.) This feels more like prime SpongeBob, with goofy jokes, including some strong physical humor, and a little classic weirdness thrown into the mix.

Honestly, I'm surprised that the show hasn't done this story in its 25 years before. The script writes itself. Plankton and Karen have always had a comically tense relationship, and it always seems like Karen would be a whole lot better at the whole evil plan thing if she took the initiative (honestly, she's the most level-headed character in the entire show). Nice to see her brought to the forefront. (In Sponge out of Water, her role just ends part way through the movie without any follow up.) Her updated form, with three new personalities make for a bigger threat than any other movie antagonist.

What makes the script work in particular is that even though Plankton is a real big jerk in the movie, it still strangely manages to make us want to see him repair his relationship. We get to see the history of Plankton and Karen's love story, which is weirdly touching while still having them both be bad guys. (I feel that it really helped that Mr. Lawrence was involved in this in that he knows Plankton down pat and what to do with him).

I wouldn’t say I had any major cons about this movie, but if you’re one of those parents who don’t like it when shows don’t set a good example for children, understand that there are some pretty mean insults thrown around in this.

It seems that over the past three movies the animators have been slowly trying to perfect the 3D animation in an attempt to best translate the look and feel of the original 2D show. (The last film only came out a year ago, and I’m surprised at the stark difference of the animation styles between these two.) This honestly feels the closest. Characters have a smoother, more painted feel to them. Also, the movie is really colorful. 

PtM is a musical. Some songs are better than others, and I'm not saying this is one of  the great children's musicals, but it works overall. Karen's solo song is a real banger.

Recommended. I feel this is the second best one next to Sponge out of Water. (Yeah, I know a lot of people love the first movie, but only the third act really works for me.)

Captain America: Brave New World

Grade: B

Sam Wilson (played by AnthonyMackie), the new Captain America, investigates an assassination attempt on new president Thaddeus "Thunderbolt" Ross (Harrison Ford taking over for the late William Hurt).

The general backbones of this are rather good, but the execution isn't perfect. The general story, villainous plot, and characters work well. This is a solid political thriller and feels more like the spy thriller we wanted than with Black Widow.

No complaints about Sam's ascension to the lead. He shares Steve Rogers' optimism, though he is more realistic about the obstacles the world throws at you. The movie also rolls with the fact that this Captain America doesn't have super strength, and he has to make the effort to deal with stronger threats. (Of course, he has years of military training and a cool flying suit; so that helps.)

Ross has been a semi-consistent face in the franchise since the second film, but always a supporting character. Him being the focus feels well earned and culminates his story. He's been a morally grey character, and this movie addresses this as he deals with actions from his past.

Also, Captain America works really well alongside his new sidekick (introduced in The Falcon and the Winter Soldier limited series) Joaquin Torres, the new Falcon (Danny Ramirez). Whereas Steve and Sam work together, because they were two similar guys, Sam and Danny work, because they are opposites (Sam is more grounded, while Danny is more jokey), and they work well off each other.

However, the plotting  and dialogue aren't 100%. The movie doesn't feel as "realized" or as natural as the last 3 Captain America movies, not to mention a lot of other MCU films. Brave New World is directed by Julius Onah, who directed The Cloverfield Paradox, which a lot of people had a problem with structurally. (Honestly, I didn't hate it.) There were reportedly a lot of reshoots, and there are moments where characters were clearly green screened into scenes.

There is one moment in particular which partially states what we already know and feels odd. The main villain, who is played by a good actor, feels not used to their full potential. Also, Ross is trying to improve and Captain America is trying to see that in him, but it feels a little unbelievable when CA still tries to believe in Ross when he makes objectionable decisions.

No arguments with the casting. Mackie has all his scenes locked down. Though it’s hard to buy Breaking Bad’s Giancarlo Esposito, who is in his 60’s, playing evil mercenary Sidewinder, as a legitimate physical threat, Esposito does come across as a clever and effective baddie, even though he’s doing the sort of character he often does. (Given how popular he's been after BB, I'm surprised it took so long for him to make the jump from television and get a prominent movie role.)

A little of this movie is set up by the F&tWS, so you might want to see that first.

It is really too bad that Hurt passed before he got his big chance to shine. I think he would've done a great job with the role. Not only does Ford look really different from Hurt (and how Ross has looked in the comics and the first Hulk movie), but he also has a different energy: more grumpy and emotional. However, Ford does an excellent job and is not coasting. He makes one both hate and sympathize with Ross.

Yes the general look and action scenes don't match the first 3 films, but the movie still has its moments. There are two really standout, traditional over-the-top MCU fight scenes. I also like how this manages to be a political thriller, but also manages to use a brighter color scheme without sabotaging the mood.

Lightly recommended. It is the weakest CA movie, and maybe not one of the strongest MCU movies in general, but I still found this to ultimately be a fun time, and something that looks good on the big screen. I'd have no issue rewatching this any time.

The Cleaner

Grade: B

In this British take on the Die Hard formula, window cleaner and former soldier Joey Locke (Daisy Ridley from the most recent Star Wars trilogy) is stuck on the outside of a skyscraper when ecoterrorists take over the building.

Though there can be significant gaps behind fights, the action in this is good. (The director is Martin Campbell, the man behind The Mask of Zorro, Goldeneye, and Casino Royale. Yeah, he might no be longer at the height of his skill, but he still knows how to provide some decent action.) The Cleaner sets itself apart from other movies in the genre with the whole stuck on the side of the building gimmick. Joey's there for an unexpectedly long time, and her surviving out there as things get worse makes for some good and new spectacle.

I gotta say that ecoterrorism made for a watchable motivation for the villains. More stuff happens with them than you'd expect.

However, the build-up to the hostage situation is a slow burn. The beginning also shows Joey's relationship with her brother. I know it's to show her character and build her journey, but it's a LOT of them just being upset with each other. Tonally, the movie does feel a little confused and doesn't know how light or dark it wants to go.  

The Clean has a pretty good cast and characters. Ridley makes for a solid lead, though honestly, it's the group of villains that are the best performances and the most entertaining parts. (The villains are hidden a bit, so I won't spoil for them for you if you haven't seen the trailer yet.)

This isn't a movie you need to see in the theater, but it makes for a decent watch.

The Simpsons: The Past and the Furious

Grade: B+

This is an "exclusive" Simpsons episode on Disney+. Yeah, it's another basic episode that they arbitrarily decided to put on streaming, but at least they're honest here and not calling this a special. In this "what if" Simpsons story that has gotten more common in recent years, Mr. Burns (voiced by Harry Shearer) has destroyed all wildlife with his industrial complex. A stressed-out Lisa's new therapy equipment ends up sending her back in time, where she meets Burns as a young man. Lisa (Yeardley Smith) decides to stop Burns from descending into evil and an anti-environmentalist mindset.

This wasn't a half bad choice for an exclusive. I'm not saying this is prime Simpsons, but it is well done and another example of the show being stronger recently. The plot is more novel and thought-out than expected. They're able to unload a decent amount of story in a natural manner within the constraints of twenty-some minutes.

Jokes work as well. The funniest part isn't the main story, but Homer and Marge's reactions to Lisa claiming she can time travel.

Recommended. 

Dog Man

Grade: A-

In this movie adaptation of the popular graphic novels by Dav Pilkey, who co-writes this as well, a cop and his dog are both mortally wounded in an explosion caused by the villainous cat Petey (voiced by SNL's Pete Davidson). The doctor ends up sewing the dog's head onto the cop's body creating the super cop Dog Man (animal noises provided by director and co-writer Peter Hastings). Now, it's Dog Man's mission to stop Pete.

Though it has a few changes from the comic, the movie is pretty faithful to the tone of the graphic novels. The whole thing's very cartoonish and silly with some solid humor. (Some say that the subplot that is in addition to Dog Man/Petey's stories is too much, but I love how completely ridiculous it all is ). However, those new to Dog Man will be surprised at how much heart and emotion is in this. Both Dog Man and Petey, who is as much a main character as Dog Man, go through some sad stuff in their lives, possibly sadder than parents would expect for a goofy kids' movie but not heavy enough that it's too much for kids. The movie provides messages about trying to see the good in life.

I know many other critics are already saying it, but I can't not mention and repeat that the movie is very cluttered. Rather than try to adapt the first volume or a couple of them, this smashes multiple plot points and characters from multiple books in order to squeeze all the major parts of Petey's pivotal moments. The first act moves really quickly, and the final act has a few points where you think it's going to end, but it keeps on going. Also, the second half switches from the Dog Man movie to really being the Petey movie. Given that Dog Man can't speak and Pilkey liking other characters and/or wanting to keep things fresh, some of the latter books take the focus away from its lead, but that happens more naturally in separate installments. Here, it's a little jarring since it all happens in one sitting. That all having been said, I personally think this wasn't a deal breaker as the movie was still very entertaining and touching.

Dog Man makes for a great lead. He's cute, a good boy, and makes for some great physical humor. Petey, who is basically the personification of misanthropy, also works for a solid lead with more layers than you'd expect. I would not have thought of Pete Davidson as the voice of the villainous feline, but he is perfectly cast. Davidson might be giving one of the best vocal performances of the year. Pete’s more of a straight man, but Davidson really manages to wring out the humor with his delivery, and man oh man does Davidson put in the right emotional effort for the more human aspects (you know what I mean) of the character.

The movie also has a great supporting cast of weird, silly characters. (There is a character in this you may love as much as Dog Man and Petey. However, advertising has been light on them, so I won’t spoil anything.) Comedian Lil Rel Howery is pretty funny as the easily worked up police chief. (It’s too bad he doesn’t have enough screen time in the second half.) Now you See me/The Wedding Crashers’ Isla Fisher gets to use her regular accent for a change instead of the usual American one as reporter Sarah Hatoff. She brings a sort of confident and honest earnestness to her role.

Hats off to the animators. The 3D animation looks great. It really feels like the comics' crayon-styled drawings come to life. There is such a vibrant, colorful look to it all.

Highly recommended. Despite squeezing in a lot of material, this is a really funny work that is surprisingly one of the emotionally deeper films DreamWorks has ever made.

Asterix: The Secret of the Magic Potion

Grade: A

Well, it only took 7 years, but this movie has finally been commercially released in the US. (If you have any interest in seeing this, you may want to do so quickly. Some Asterix movies last on streaming for a while, but some disappear quickly.) In Asterix: The Secret of the Magic Potion (original title: Asterix: La Secret de la Potion Magique), based on the long-running French comics series, Getafix, the druid who makes the magic potion Asterix and the other Gauls in his village (the French version of Vikings) use to make themselves stronger and protect themselves from the Roman Empire, realizes he isn't getting any younger and decides to go in search of a successor. 

This is a worthy follow-up to the previous computer animated movie Mansion of the Gods. The script flows nicely and everything works well together. The story is slightly more complex than you think it might be and makes you invested in what will transpire. Comedy is good, able to please kids and adults and to bridge the gap to non-French audiences (more so than that recent live-action movie on Netflix if you've seen it.)

Secret Potion makes good use of distinct characters both old and new. Though Getafix is a main fixture of the comics, he often isn't center stage. His movie is a bit of a showcase on his wise and amiable values and nature. The movie introduces Pectin, a young schoolgirl in the village and budding inventor who looks up to Getafix. She's an earnest character and she and Getafix make a good team. 

If there are any complaints, I feel that Asterix is a little too quick to anger. Yeah, it's not like he's never gotten annoyed before, but he's one of the more level-headed characters, and it feels like he is losing his temper due to plot reasons.

One of the best parts is the new villain Demonix, a banished Druid and Getafix's former friend. With the exception of Julius Caesar, most of the Asterix villains are one-dimensional cartoon characters. You get a few cleverer ones, but even their personas are kept simple. Demonix has a little more personality too him and steals all his scenes. His desire to obtain the magic Potion is a selfish one, but there are moments where you say, "He does have a point." He's also a clever one. It takes a while to figure out his plan but when you do it all makes sense.

Animation is colorful and manages to keep the essence of the original 2D-illustrations intact. Unfortunately, they keep the original "larger lips" for the black crew member of the pirate crew Asterix and pals keep running into. They really should know better by now.

Highly recommended. This is honestly one of the best Asterix movies and even if you're unfamiliar with the character, it's easy to jump into the story.

Love Hurts

Grade: C

Hitman-turned-successful real estate agent Marvin Gable (played by Ke Huy Quan) has his past come back to haunt him when former love interest Rose Carlisle (The West Side Story remake's Ariana DeBose) returns from hiding.

LH has a story that looked like it could work in a Wikipedia synopsis, but doesn't work in execution. There are fun moments (including a couple-laugh-out-loud parts), but a lot of stuff doesn't pan out, and the filmmakers' can't understand how light or dark they want to make this. A lot of people say narration in a movie can be a crutch, but I don't usually have a problem. Here, it really does feel forced.

The action is good, I'll give you that. The movie has some impressive choreography. There's a blade-throwing villain in this, and he has some of the most entertaining blade-throwing combat I've seen.

Quan is the best part. Like in Everything, Everywhere, all at Once, the actor is really good at switching between generally nice guy and a person of violence. Unfortunately, only him and Sean Astin as Marvin's boss are able to make the poor dialogue work. Rose's character isn't really that likable and her actions come across as selfish rather than courageous, and you're not really rooting for Marvin and her to get together. DeBose tries to use the enthusiastic energy she used in WWS, but it feels disingenuous here. Football-player-turned-actor Marshawn Lynch has been demonstrating that he is a real comic talent. (Ever seen the Netflix show Murderville where celebrities are put in improv situations? Lynch blew everyone else away.) Here he just isn't shining as brightly as he has, because he doesn't have much to go with.

Not recommended. I mean LH can work as background noise or Quan fans may want to see his performance, but overall this isn't something you NEED to see.

Heart Eyes

Grade: A

The notorious Heart Eyes Killer (or HEK for short), who targets couples on Valentine's Day, mistakes co-workers Ally McCabe (Kickin' it/Cloak and Dagger's Olivia Holt) and Jay Simmonds (Scream 5+ 6/Love, Victor's Mason Gooding) as lovers and makes them their new quarry.

The trailers made this look like more of a traditional slasher film, but this is a horror comedy. (It's co-written by Happy Death Day's Christopher Langdon who might be the most prolific director/writer of horror comedy there is and directed by College Humor alumni Josh Ruben who directed the rather entertaining Werewolves Within). 

Heart Eyes is basically a romcom if it had a serial killer in it. The budding relationship between Ally and Jay is surprisingly well done, and the dialogue really has that traditional romcom vibe to it. Doesn't hurt that Holt and Gooding have great chemistry together and are both super likable. The lighting also feels more like that for a romcom than a horror movie. The jokes themselves fly fast and loose and work really well. The whole thing feels like a pastiche of romcoms but not a full on parody.

However, when the killer pops up, the movie takes the kills seriously. This isn't one of those horror comedies that are light on kills and are aiming for a PG-13 rating. The deaths are creative and can be really bloody. There is also one of the most effective jump scares I've seen in a while in this.

Besides the leads, the cast is pretty good. The Fast and the Furious' Jordana Brewster is given the chance to show that she has a sillier side as an eccentric cop.

I can't say I'm loving the look of the killer's mask. The heart-shaped eyes are an interesting idea, but I'm not loving the flesh-colored look of the thing. The mask feels a little too busy. On the plus side, the killer always does look intimidating. 

There are moments where the director/writers are a little inconsistent on how broad or understated they want the comedy to be. This has this typical horror movie habit of having plot holes. Also, it isn't too hard to guess who the killer is. But, I wouldn't consider any of these issues to be a deal breaker.

Highly recommended. This is such an astoundingly unique and funny film that manages to balance genres.

Back in Action

Grade: B- 

In this Netflix movie, former spies Matt (Jamie Foxx) and Emily (Cameron Diaz), having gone underground to raise a family, are found out, and end up on the run.

The lighthearted person-used-to-be-a-spy/criminal/etc.-but-is-now-a-family-person story has been done often, and Back to Action is by-the-numbers and does nothing to reinvigorate the genre. 

To make things worse, the daughter Alice (The Young and the Restless’ McKenna Roberts), who is in a painfully obvious mother/daughter-not-connecting subplot, is way too much of an obnoxious brat. Also, this tries to be a family film (they go out of their way to prevent the leads from murdering anyone), but there are a couple moments certain parents may not want their kids to see.

That having all been said, this is a competently made and watchable film. There are some decent lines, Matt, the parent who has adjusted better to civilian life, provides has the best bits as the voice-of-reason dealing with insanity around him.

Diaz, who returns to film after an 11-year absence, is having fun with her part. Foxx just steals the show with his "dad" delivery and reacting to the chaos around him. Glenn Close, who plays Emily's mother, is also a highlight. I think when she does comedy, she has no restraints about being over-the-top, and her blunt, no-nonsense British mom persona is a good time.

Not particularly recommended or not recommended. There is nothing must-see about this, but it serves its function as a time waster.

Kiff: Lore of the Ring Light

Grade: A

This new special of the Disney Channel/Disney+ cartoon Kiff is a Lord of the Rings parody in which young squirrel Kiff (voiced by Orange Is the New Black’s Kimiko Glenn) and her friends go on a quest to destroy a cursed ring light.

LoTR parodies have been done before, but I’ll give the lack of originality a pass as this is really, really funny. The jokes are clever and all land. What helps make this special work is that it mines some material from aspects of the LOTR trilogy that others haven’t before. (One of the highlights of this is Kiff's best friend Barry's questioning, matter-of-fact commentary on elements from LoTR). 

This utilizes a large portion of the show's wacky characters that the writers have defined. The voice actors are all great and really nail their lines.

Highly recommended. This is just a really funny time.

Flight Risk

Grade: B+

In Flight Risk, U.S. Marshall Madelyn Harris (played by Downton Abbey's Michelle Dockery) and prisoner and witness Winston (That 70's Show's Topher Grace), who is scheduled to testify against his former boss, border a small plane to take them to their destination. Unfortunately, their pilot Daryl Booth (Mark Wahlberg) turns out during the flight to be a sadistic hitman.

More entertaining than I thought this would be. To be clear, Flight Risk is a popcorn thriller that doesn't take itself too seriously, and the sillier aspects may not appeal to everyone. Parts of the dialogue in particular can feel hokey. However, the twists and turns and the moments of actual danger do work. Whereas the trailers often show too much, I felt they did a disservice by not showing that this has a sense of humor. There's some amusing lines in this.  

Best performance is Grace. Nice to see him get a break, because he's always tried to be a movie actor, but his big roles are few and far between. His character is a bit of a wisecracker, and Grace can both be comedic, but also does a good job depicting fear and anxiety when the s**** hits the fan. I think this might be Wahlberg's first villain job, and he's really giving it his all. Booth is a truly rotten and twisted but clever piece of work. I do think there's a little much of his dialogue focused on his love of torture that's too over the top, but Wahlberg completely rolls with what he's given.

There is one of the worst digital effects I've seen in recent years near the beginning, but as a whole the movie doesn't look too bad. A lot of this takes place inside the plane, but the outside shots get the job done. Wouldn't say this has the best footage of all time of the Alaskan landscape, but its still the Alaskan landscape, and it looks nice.

Recommended. I wouldn't say this needs to be seen in the theaters, but its a fun ride with a villain that works. (This is directed by Mel Gibson. If you don't want to watch this because of that, I get it.)

Creature Commandos- Season 1

Grade: A-

In Max’s animated series Creature Commandos, the first entry in Warners reboot of the DC universe, government agent Amanda Waller (voiced by Viola Davies), assembles a team of monsters to stop the sorceress Circe (The Witcher’s Anya Chalotra) from assassinating Princess Ilana Rostovic (Borat Subsequently Moviefilm’s Maria Bakalova) of Pokolistan.

This was created by Guardians of the Galaxy/Suicide Squad/Peacemaker's James Gunn, who has been given the unenviable task of overseeing the DCU after a lot of mixed reception to its previous films. CC seems to be an indicator that the ship's course may have been corrected. Gunn brings his strengths here, making use of lesser known comics characters and crafting a likable group with strong backstories. Most episodes feature a backstory for each monster, and I'm impressed how COMPELLING he makes every single character and their backgrounds. (GI Robot's episode is one of the best of 2024). These may also be some of the darkest backstories in mainstream superhero shows/movies (this is kinda right up there with The Penguin, though CC is more loose in overall tone). 

Show's got solid, bloody action that can be as crazy as it wants because its animated. CC also has a more humorous side. (Whereas the original DCU wanted to be SERIOUS and more grounded, I appreciate how Gunn is interested in the more fantastical aspects of the DC and having fun, while not being Marvel and having more mature elements with good storytelling.)

This all having been said, one can't blame another for getting a little tired of Gunn's formula: A ragtag group of misfits with pasts who rise to the occasion in a crazy, colorful manner. This is his most R-rated (DC lets him off the leash even more than they did with Suicide Squad and Peacemaker), so, at least there is that difference. 

Gunn also continues his tendency of going with very different takes with the lesser known characters. (The creator of Mantis is none too fond of Gunn’s movie version.) Fans of the original comics will  probably not love that Frankenstein (Stranger Things' David Harbor), who was portrayed as more of a good guy (to the best of my knowledge, I'm not a CC expert), is portrayed here as an amoral man-child. Also, Gunn seems to love Frankenstein's delusional rambling schtick. It's like the comedy team of Drax and Mantis in the GotG movies; too much of it, and it gets old real fast.

Fans of the comics may also be disappointed that they changed the look of the Bride (Indira Varma). She originally had four arms, but because Gunn is now having  all the DC shows be in the same universe as the movies (the Matt Reeves Batman/Penguin-verse and the Harley Quinn/Kiteman-verse are grandfathered in), he gave her only two arms since she might pop up in live action, and an extra pair of arms will be a pain to pull off. (I wouldn't mind, but the most recent CC comic ditched the extra arms in order to follow the show, and I hate it when comics change to match the shows/movies).

The show tries to include a lot of characters and plot points in only 8 episodes, and some parts felt rushed. Ilana and Circe could've been fleshed out more. (Though in case of the latter, I'm glad a Wonder Woman villain was picked and got some exposure; they always get the short end of the stick). The Arrowverse on the CW mined a TON of DC villains, but only used one WW baddie the entire time. Circe's a good fighter but is a little basic in the personality department. 

There is one character background element Gunn uses twice for two different characters. It works the first time, but the second time feels a little cheap. Also, the show is very vague about whatever rights the monsters do or do not have in the world.

Standout voices in this are Gilmore Girls' Sean Gunn as GI Robot and Resident Alien's Alan Tudyk as Dr. Phosphorous. You may scream nepotism for James Gun casting his brother, but Sean delivers a unique vocal tone that is mostly stuck on gung-ho, but is able to do so much with limited inflection. This isn't the first time Tudyk has been in the DC (he was Mr. Nobody in Doom Patrol and voiced Clayface/Joker in Harley Quinn), but I think this might be his best job yet. Surprisingly, Tudyk doesn't play up his voice like he usually does. Rather, he goes with a more grounded route that manages to work with the character's combination of sarcasm and sociopathy. (Also, nice to see Dr. Phosphorous chosen for this. He's that  one mid-level Batman villain who's been around for a while that you're surprised that their stock hasn't risen yet). Harbor on the other hand; I just don't think he's working out. His delivery is missing something.

This also being a Gunn project, you've got a lot of songs in this. Though, it's become a little old hat by now, I liked the music he went with. Instead of going with 70's or 80's hits, Gunn goes with an Eastern European punk feel that fits the fictional country of Pokolistan.

Wasn’t originally sold on the line work and character design in this based on the commercials, but I grew to like it. Made for solid action scenes.

Highly recommend. I mean, if you’re not big on MA heavy violence and darker tones, this won’t be for you, but for everyone else this is some really compelling storytelling, valid criticisms withstanding. 

One of them Days

Grade: B+

In One of Them Days, roommates Dreux (played by Nope's Keke Palmer) and Alyssa (singer SZA) have their rent money stolen by Alyssa's boyfriend Keshawn (Joshua David Neal). Now, the two of them have to get the money before 6:00 PM or face eviction by their landlord Uche (Rizi Timane).

The very beginning starts out a little weak. The introduction to the characters and their surrounding apartment complex felt a bit obvious and not 100% natural. Keshawn and Alyssa's making lousy excuses for his behavior ingratiates. To be clear, my issue isn't with these plot points, but that they aren't done well. Keshawn is the typical movie loser boyfriend but he doesn't meet the basic bar for this type as none of his lines are really humorous or tolerable and Neal's performance just doesn't land. I know Alyssa is supposed to be a flaky free-spirit, but her dialogue for her defending her choices felt a little too vague. 

Once the crisis hits, however, things pick up and Alyssa becomes likable once the boyfriend isn't a major focus for her. Honestly, the movie continues to get stronger and stronger until the very end. The series of misadventures the two friends end up in are creative and diverting. I wouldn't say this is the most laugh-out-loud movie there is, but you still enjoy yourself due to the plot and overall vibe.

This is a very typical story about two friends who are opposites to each other with their personal needs for growth that go on a comic adventure. Their plot beats will not surprise anyone, but they are done competently. I also appreciate that this has social commentary, but it feels natural and not like with some works, like the National Treasure show, that its messing with the narrative flow and the scriptwriters are directly talking to the audience. When Dreux and Alyssa go to a loan bank, that's just peak satire.

Palmer and SZA have excellent chemistry, feeling like real friends. This is SZA's first acting major acting job and she is a natural, performing effortlessly. However, Palmer remains the star player. I'm surprised that it took so long for her to be in another movie after killing it in Nope. (Perhaps it's because Palmer has her hands in a lot of projects, or that I kinda get the feeling based on what I've heard is that she doesn't play Hollywood's games). She has this rare energy that few possess.

Other cast highlights include Freeridge's Keyla Monterros Meija, delivering a standout performance as a give no f***s loan agent, and Katt Williams as a homeless man desperately trying to act as the duo's common sense. 

Love the lighting and cinematography in this. Everything looks colorful.

Recommended. One of Them Days (great title by the way) is just a fun ride. 

Star Wars: Skeleton Crew- Season 1

Grade: A

In this new Star Wars show on Disney+, one day Wim (played by Encanto/BlackAF's Ravi Cabot-Conyer) finds a long dormant spaceship in the woods. Him and three of his classmates investigate. The ship is accidentally activated and they are shot far into space, unable to determine how to get back to their planet.

Of the Disney+ SW shows, SC is the most aimed at a family/younger crowd, which I'm pleased with. Don't get me wrong, the dark and mature Andor was superb, but I feel it a bit somber if the entire SW universe was done that way to capitalize on Andor's success. (SW trying too hard to create drama can backfire. The Acolyte misfired, and they blew up so many planets during the new film trilogy. Hey J.J. Abrams! Stop blowing up planets! There ain't going to be any galaxy left!) What made many of us love the original films was the sense of adventure, and I don't think I've seen any of the Disney live action Star Wars programs truly recapture that sense of childhood wonder before this. The show has adventure, exotic places, interesting characters, and an intriguing mystery about the ship and Wim's planet. SC manages to be fun, but it doesn't pull its punches. There is violence and stakes. Sure, the kids have some plot armor because they're the stars and kids, but the danger they face or are surrounded by feels legit.

Visually, this is also the best looking of all the shows. I mean, all the Disney SW shows have quite the budget, but this feels the most film-like. So much effort goes into this, and I kind of wish we could visit these planets.

The characters in this are pretty engaging. The best of the kids is the one alien, the elephant-like Neel (Dear Santa's Robert Timothy Smith). He's a generally nice kid. Jude Law gives a tremendous performance as pirate Jod Na Nawood who ends up teaming up with the children. After his so-so performance in Captain Marvel, the actor got redemption in the world of large franchise performances. Nawood is a truly morally grey and nuanced fellow as well as very charismatic.

The only weak point of this is the main lead. Wim does have his affable moments (his comic bits in particular work), however he is kinda bratty and selfish. And yeah, you could make the argument that that's how kids can be, but if you are raising kids, do you really want to sit through even more of them being snotty?

Highly recommended. Old school SW fans should really enjoy themselves with this.

Cunk on Life

Grade: A+

Journalist Philomena Cunk (played by Diane Morgan) returns in this Netflix mockumentary special to look at life itself.

Honestly, this was funnier than Cunk’s previous outing, the miniseries Cunk on Earth. They just killed it with the jokes, including some pretty bold, unexpected choices. 

Morgan’s performance is what keeps her character coming back again and again over the years (for those unfamiliar with the character, most of Cunk’s specials and miniseries were never released in America unfortunately).  She provides uneducated nonsense delivery in a manner that is both deadpan and undeservedly confident.

There was also something about the sketches sandwiched between Cunk’s narration and interviews that stood out more and felt funnier than Cunk on Earth.

Highly recommended. This is one of the funniest things I’ve seen in a while.

The Damned

Grade: B+

The members of a small 19th century coastal outpost decide not to rescue the crew of a nearby crashed ship due to the risk. However, soon bad events and visions begin to follow them.

The Damned is a very competently made historical horror movie with a decent script, including a few really standout scenes, and some decent startling moments. This is one of those films that are "is it real or in their heads" and is handled in the right manner where a lot of the fear is derived from uncertainty.

The strongest part of this is the cinematography. The stretch of coast they chose is both beautiful but also bleak in its barrenness and excellently shot. The movie also makes good usage of fog and background and foreground focusing.

The Damned, in a world in which it seems that all movies these days have to be 2 hours or more, runs at an old-fashioned hour and 29 minutes. The quick pace is refreshing, as a lot of these psychological horror moves like to drag things out. Or at least refreshing for some of us. I can also see the fast plotting annoying certain people. Early on I was like "Oh, we're getting to this stage of the plot already? That's soon." When the movie ends, it immediately ends.

Recommended. This is one of those international English language horror movies you know nothing about, and come across by chance but end up enjoying yourself. The Damned works as both a scary movie and a drama.