The Cuphead Show- Season 1

7/10

In this new show based on the video game Cuphead, brothers Cuphead (voiced by Tru Valentino) and Mugman (Frank Todaro) live in a world reminiscent of 1930's cartoons. They constantly end up in a series of misadventures, while the Devil (Luke Millington-Drake) keeps trying to get Cuphead's soul.

My hats off to the animation. Yeah, it can't quite match the feel of the old-school type, but does a really strong job. Backgrounds are watercolor. There are film scratches and slight shadows are applied to characters to give the impression of them being cells placed on a background. (I can't take credit for noticing that last bit. The guys on the Youtube Channel Double Toasted brought that to my attention.) You even get some stop-motion backgrounds reminiscent of the stop motion-cave that Popeye walked through back in the day. (Again, Double Toasted.) Like the video game, there is a concentrated effort to maintain the feel of the 1930's, like the character designs, costumes, buildings, etc.

However, the stories are not as strong as the animation. To be clear, the stories are alright. They're traditional comic stories. But, in an era where children's cartoons have become more ambitious and tried new things, this feels surprisingly regressive. The plots are often traditional shenanigans and worn-out situations that have been done before, like a character overhearing something and misinterpreting what was said. Nothing special.  

It doesn't help that the cup brothers aren't the most engaging. They're miscreants who constantly disobey and make bad, selfish decisions. To be clear, they're immature boys, so I wouldn't say they ever make me straight up dislike them the way it would if they were adults, but still they can get annoying with their constant need to not listen stick their hands in it. 

Doesn't help that that Cupman and Mugman's voices and personalities aren't what I (and I'm guessing others) would have in their head based on the video games where there were no dialogue. (They have old timey Bronx-style voices.) Fans of the game may be disappointed with the adaptation here. There were so many colorful villains in the Cuphead game, but not a lot of them are used. Sadly, the show doesn't have much interest in the use of some of the more fantastical/high concept ones. Of the villains they do use, at least two of these groups of villains are the types who say 'Youse' and aren't that interesting. I think that kinda defines the most disappointing part of this, the creators seemed mostly interested in writing about 30's city scenarios. Remember how those old cartoons could feature things like books coming to life or really weird, out-there stuff happening? There isn't much of that here. (Though, there's a ghost episode that's pretty fun.) Also, if you liked the villain King Dice (voiced here by Wayne Brady), who was the second most prominent villain throughout the game and appeared throughout, he's surprisingly only in one episode here. 

Sorta recommended. It's not a stellar show, but generally entertaining. Kids will probably get more mileage out of this.

The Batman (2022)

8.5

In this, Batman (played by Robert Pattinson) pursues the elaborate serial killer The Riddler (Paul Dano) and must figure out why he's targeting his victims.

Director Matt Reeves definitely leaves an impression with this. The opening, introducing Gotham and Batman is just an excellently realized work of cinema. Visually, The Batman really captures the feel of being in a city with some excellent scenery ranging from dirty streets to the fancy but antiquated areas. Bruce Wayne's place in particular, is a fantastically busy neo-gothic looking affair. Also, Reeves really went out of his way to make the city look populated. Has some of the most crowded extras scenes I've seen in a while. Must've been quite an endeavor to put together.

This also has one of the most ambitious car chases put to screen. I've never seen a movie have a car chase in such congested, traditional city traffic. In fact, it feels a little too real like actual traffic accident situations and took me out of it a little. Also, this is the one scene where you question Batman's methods.

This has excellent lightning with a lot of good use of city lights. I can often be be annoyed by films that are too darkly shot, but this one always feels like the shadows are always in the right place, accentuating the scenes. 

Michael Giacchino's soundtrack really helps the film's mood; very sweeping and moving.

This film skips an origin story for or introduction to Batman. I think this might be the closest a live-action film has come to matching the feel of the comics (at least the more recent ones.) You just jump in with Batman, who's already been operating for two years and has already established a relationship with Lt. Gordon (Westworld's Jeffrey Wright). No live-action Batman film has ever focused on the detective side of the character as this. This is a straight-up mystery film mixed with a serial killer film and a crime film. 

The story, aided by the atmosphere of the piece, will keep your eyes glued. However, when you get down to it the film's basic concepts, the corruption and themed serial killer parts, aren't that original. Heck, the movie even reuses a couple plot points from the comics. This also repeats the idea from the first two Nolan films of Batman fighting against the established criminal underworld who have Gotham in their grip. Between this, the Nolan films, Gotham (the show if you're not familiar), and some of the animated films, including the recent The Long Halloween, I'm so tired of Batman stories reusing the same mob figures like Carmine Falcone (here played by John Turturro) and Sal Maroni. Do you realize that there have been two live-action movies with Carmine Falcone and none with the likes of such villains as Clayface, Mad Hatter, or Dr. Hugo Strange? If you ask someone for their top ten or five Batman villains, they're not going to say Carmine Falcone. Enough with the flipping Carmine Falcone and other mobsters stories, already!!! You're not paving any new ground!!!  

The movie didn't need to be three hours long. They could've easily cut down on the number of characters. Though I do like Zoe Kravitz's Catwoman and she has great chemistry with Batman, her subplot could've easily been cut.   

Understand that this is probably the darkest mainstream superhero movie put to screen. Things can get pretty unsettling, like even more unsettling than some of the Joker moments from The Dark Knight. (From a technical standpoint, I'm weirdly impressed with how they pulled this off with a PG-13 rating.)

Cast is great in this. Though you may argue that they make Batman a little too brooding and his Bruce Wayne appearance a little too emo, Pattinson does one of the best jobs of portraying a human Batman who is determined to do his all against terrible odds and is an empathetic man beneath his stolid persona. Wright is definitely one of the Best Gordons with THE best relationship with a Batman. He's kinda Batman's sidekick in this. Andy Serkis, who I don't think anyone suspected would be playing the role, is one of the best Alfred Pennyworths, though he doesn't get much screent ime. He's become so known for motion capture performances, it's nice to see how good a performer he is just by himself. 

Recommend. I wouldn't rank this as high as the Nolan trilogy or even Batman Returns. I felt those movies did a better job with plotting and characters. Also, the length, heavy tone, and the fact that the plot points aren't that original, hurts replay value. Still, this is a very strong, visually impressive, well-acted entry that does catch your attention.