Star Wars: Skeleton Crew- Season 1

Grade: A

In this new Star Wars show on Disney+, one day Wim (played by Encanto/BlackAF's Ravi Cabot-Conyer) finds a long dormant spaceship in the woods. Him and three of his classmates investigate. The ship is accidentally activated and they are shot far into space, unable to determine how to get back to their planet.

Of the Disney+ SW shows, SC is the most aimed at a family/younger crowd, which I'm pleased with. Don't get me wrong, the dark and mature Andor was superb, but I feel it a bit somber if the entire SW universe was done that way to capitalize on Andor's success. (SW trying too hard to create drama can backfire. The Acolyte misfired, and they blew up so many planets during the new film trilogy. Hey J.J. Abrams! Stop blowing up planets! There ain't going to be any galaxy left!) What made many of us love the original films was the sense of adventure, and I don't think I've seen any of the Disney live action Star Wars programs truly recapture that sense of childhood wonder before this. The show has adventure, exotic places, interesting characters, and an intriguing mystery about the ship and Wim's planet. SC manages to be fun, but it doesn't pull its punches. There is violence and stakes. Sure, the kids have some plot armor because they're the stars and kids, but the danger they face or are surrounded by feels legit.

Visually, this is also the best looking of all the shows. I mean, all the Disney SW shows have quite the budget, but this feels the most film-like. So much effort goes into this, and I kind of wish we could visit these planets.

The characters in this are pretty engaging. The best of the kids is the one alien, the elephant-like Neel (Dear Santa's Robert Timothy Smith). He's a generally nice kid. Jude Law gives a tremendous performance as pirate Jod Na Nawood who ends up teaming up with the children. After his so-so performance in Captain Marvel, the actor got redemption in the world of large franchise performances. Nawood is a truly morally grey and nuanced fellow as well as very charismatic.

The only weak point of this is the main lead. Wim does have his affable moments (his comic bits in particular work), however he is kinda bratty and selfish. And yeah, you could make the argument that that's how kids can be, but if you are raising kids, do you really want to sit through even more of them being snotty?

Highly recommended. Old school SW fans should really enjoy themselves with this.

Cunk on Life

Grade: A+

Journalist Philomena Cunk (played by Diane Morgan) returns in this Netflix mockumentary special to look at life itself.

Honestly, this was funnier than Cunk’s previous outing, the miniseries Cunk on Earth. They just killed it with the jokes, including some pretty bold, unexpected choices. 

Morgan’s performance is what keeps her character coming back again and again over the years (for those unfamiliar with the character, most of Cunk’s specials and miniseries were never released in America unfortunately).  She provides uneducated nonsense delivery in a manner that is both deadpan and undeservedly confident.

There was also something about the sketches sandwiched between Cunk’s narration and interviews that stood out more and felt funnier than Cunk on Earth.

Highly recommended. This is one of the funniest things I’ve seen in a while.

The Damned

Grade: B+

The members of a small 19th century coastal outpost decide not to rescue the crew of a nearby crashed ship due to the risk. However, soon bad events and visions begin to follow them.

The Damned is a very competently made historical horror movie with a decent script, including a few really standout scenes, and some decent startling moments. This is one of those films that are "is it real or in their heads" and is handled in the right manner where a lot of the fear is derived from uncertainty.

The strongest part of this is the cinematography. The stretch of coast they chose is both beautiful but also bleak in its barrenness and excellently shot. The movie also makes good usage of fog and background and foreground focusing.

The Damned, in a world in which it seems that all movies these days have to be 2 hours or more, runs at an old-fashioned hour and 29 minutes. The quick pace is refreshing, as a lot of these psychological horror moves like to drag things out. Or at least refreshing for some of us. I can also see the fast plotting annoying certain people. Early on I was like "Oh, we're getting to this stage of the plot already? That's soon." When the movie ends, it immediately ends.

Recommended. This is one of those international English language horror movies you know nothing about, and come across by chance but end up enjoying yourself. The Damned works as both a scary movie and a drama.

Ranma 1/2 (2024)- Season 1

Grade: A

In this reboot of the 90's anime based on the manga by Rumiko Takahashi, Ranma Saotome and his father Genma are martial artists who fell into separate cursed springs when training in China. Now whenever they are hit by cold water, Ranma turns female and Genma turns into a panda. They return to Japan and end up staying at the house of Genma's old friend Soun Tendo, whose Ranma's hand in marriage Genma had promised to one of his three daughters. They end up matching Ranma with youngest daughter Akane, who is also a martial artist. She and Ranma initially butt heads, but there's a whole will-they, won't-they with them.

I only saw the first two movies and a few of the OVAs of the original show. I can't give definite comparisons of these two versions, but what I'm understanding here is that the new one is trying to be closer to the original manga. The coloring and line work is a lot closer to Rumiko Takahashi's style (it's really impressive these days how close animation can get to copying the original penciling/inking from a comic). The pacing is a lot quicker as well (the old show had to deal with the fact that the manga hadn't been finished and avoiding catching up with it too quickly). Also from what I'm hearing, the reboot is cutting down a little on the Chinese stereotypes from the original.

This show is really fun. I understand why the original anime and manga were huge hits. Ranma and Akane live in a crazy world where they encounter a large cast of people who also know martial arts. Plus, everyone is so weirdly accommodating of the random fights. Some of the fights are very inventive, including an ice skating fight, and over-the-top. 

The characters are another one of the reasons of the manga/anime's lasting charm. As all of them so far are unique and often weird. (My favorite is Ranma's frenemy Ryoga Hibiki who has a rivalry with Ranma but gets dragged into his various problems as well). Though the anime is silly, the two main leads are three-dimensional, and you do get to feel about them.

American viewers may be uncomfortable with the first episode, which I think Netflix had the show originally rated as TV-MA because if it before the rating went down. (Unfortunately, the streaming service rates the series as a whole and not by individual episodes). This episode has no qualms showing frontal, nipple-less boobs of 16-year old female Ranma. Not ideal. 

Highly recommended. Besides the issue with the first episode (and I completely understand if that is a deal breaker), this is a really well-written show where everything and everyone just clicks.

Doctor Who: Joy to the World

Grade: B

In this new Doctor who Christmas special on Disney+, the Doctor (played by Sex Education's Ncuti Gatwa) investigates sinister goings-on at a hotel.

This is a mixed effort. The emotional highs here are really well done, including a couple moments that may be some of the best in a Doctor Who Christmas special. Gatwa, who has proven himself as one of the top Doctors and one brimming with life and emotion, gives one of his best performances as the character here. Plus, we got a game supporting cast. What is actually going on at the hotel is a neat concept.

However, not everything in this is as strong. This is written by former 2nd showrunner Steven Moffat, and he repeats something he's already done several times in the show and for which he's already gotten criticism. Though there is a lot of heart in this, Joy to the World has one of the higher body counts for a DW Christmas special. I know the show has always had a juxtaposition between the happy and the sad, but this is one of those episodes that feels a little too bipolar.

The Doctor's guest companion here Joy Almodo (Derry Girls/Bridgerton's Nicola Coughlan), though she has a backstory, feels more paper thin previous one episode companions. She needed more screentime as there there are a lot of supporting characters taking up room and some of them are more interesting than Joy.

Kinda recommended. This is honestly one of the more emotional Doctor Who Christmases and Gatwa's performance is must-see, but the writer is a little too over-the-place and certain plot decisions may annoy some.

Nosferatu (2024)

Grade: B

In this remake of the 1920’s silent film which was based on Bram Stoker’s Dracula, real estate agent Thomas Hutter (played by Nicholas Hoult), is sent to finalize paperwork with the mysterious Count Orlock (Bill Skarsgard). Soon he learns the truth of his client: a vampire who desires Thomas’ wife Ellen (Lily-Rose Depp).

Robert Eggers, who has made a name for himself directing historical horror such as The Witch and The Lighthouse, returns to the genre after a one-film absence for this, and Nosferatu might be his best looking film, as well as one of the best looking movies this year. This is one of those films with a clear stylistic vision. The sets and camera work all evoke another time and a sense of dread, including one of the scariest alone on a road at night scenes I’ve ever seen. This is a bleak movie and the lighting is appropriately bleak to match. However, it can make it harder to see in the darkly lit scenes, though this isn’t one of those films where it’s completely dark the entire time.

I’ve got mixed feelings about the look of Orlock. I see what Eggers was going for, but the look can’t match the distinct appearance and menace of the original. That having been said, Orlock is definitely is set up as someone you don’t want to cross paths which. He is supposed to be an old-school folkloric creature of death vampire, not a suave, sexy type. He is also probably one of the most dangerous and powerful vampires put to film. (One must also give credit to Skarsgard’s performance. Unlike with Pennywise in It, you can’t tell it’s him at all). 

As for the script, it has good dialogue and is scary. However, it’s stretched way too long. There is waaayyy too much of Ellen having ill forebodings of the future and being generally upset.

Eggers has a reputation for trying to be more historically accurate than other directors. Of course, liberties are still taken, but the movie tries to fit within the rules of the time. Nosferatu goes for a an old-school, grounded sort of feel that really helps its mission of being a harsh folk tale.

Solid casting in this; Hoult does a great job of reacting to ancient horror. I’d like to put the spotlight on a couple supporting players: 1) Aaron Taylor-Johnson as Thomas Hutter’s friend, a man who life has been good to and not prepared for the events to come. Taylor-Johnson gets cast a lot in action films, but this movie gives him a chance to show that he has acting chops. 2) The Witch’s Ralph Ineson as a doctor. He plays a character that has been mostly extinct since the 50’s/60’s: the man of science who is surprisingly chill when facing the unknown or unexplained. I honestly didn’t realize it was Ines in the role. He sounded and looked differently than he usually does. In a movie full of distraught or zealous people, he was kind of comforting as the level-headed guy trying his best.

Kinda recommended. This may be too long for some and it may frustrate some with how seriously Eggers takes a story about a vampire, but this is an ambitious, stylish work that looks great and is scary.

Invincible Fight Girl-Season 1

Grade: A

This is a new show on Cartoon Network’s Adult Swim’s Tonami block, but despite its placement like the new Superman cartoon this is child-friendly. CN is having trouble keeping younger viewership what with streaming and social media. However, Adult Swim still has a long time adult audience propping it up with better numbers, which is why this was placed here.

Invincible Fight Girl is about Andy (voiced by General Hospital’s Sydney Mikayla) who lives in a world where wrestling is everything, except on Andy’s homeland of Accountant Isle where accountants are born and raised. Though expected to be an accountant, Andy dreams of being a wrestler and has secretly practiced all her life. This is her journey to becoming a real one.

This is an homage to anime, specifically the shonen type where the protagonists encounter one antagonist after another. This is an impressive ode to anime while also managing to have its own style and voice with a thought out universe populated with diverse and distinct characters. 

The show also has some some unexpectedly emotional moments. Some characters have legitimately sad or sympathetic backstories, and Andy has to jump a lot of hurdles and learn some lessons about life on her path.

Some may find the beginning episodes where Andy has to deal with her parents who have different designs for her future to be pretty formulaic. But, that ends pretty quickly and things get interesting.

Also, Andy’s main focus is getting a trainer this season. Usually this type of plot point takes an episode or two, but here it’s the full season storyline, so I want to make sure you’re not asking “Why’s this taking so long”? Pacing isn’t slow, though. We end up getting a bunch of story ideas that work well.

Got a game voice cast in this. Mikayla does a great job of performing Andy’s doubts, dreams, and empathy.

Highly recommended. Haven’t heard much talk about this online, which is too bad, as this is a well-written and entertaining show, and I hope it gets a second season.